CO-MODIFIED: Rocks on Vinyl comprises nine 6' x 3' banners displayed like convention signage. They are presented as a series of speculative geomedia landscapes that explore contemporary human entanglements and collaborations with the lithosphere, activities that are transforming the earth's surface and registering in its stratified depths. Animated by an affective, aesthetic appreciation of stone, these works invite reflection and discernment in a historical moment defined as the geologic now.1The stories of earth and humans are written in stone, from tectonic (...) plate movements and the rock record to Neolithic cave paintings and stone circles. These histories are becoming increasingly inextricably intertwined, as... (shrink)

Culture not only influences human psychology and perceptions of self, others and reality, it also, in certain contexts, influences the quality and degree of consciousness itself. If the brain gives shape to consciousness, then we would expect culture to have a corresponding impact on the functional anatomy and microstructure of the brain. The concept of 'collective representations', as developed by Durkheim, refers to the often crucial components of human life that have meaningful existence only because we agree that they do-- (...) such as customs, money, religion, cosmology, language, games, laws, power structures and artistic genres. We present recent imaging research which illuminates the feedback relationship between these two types of representation-- the collective and the cortical-- and which demonstrates that collective representations can have well-defined cortical representations. (shrink)

Rock Records explores the intricate entanglements between Anthropos and Geos through a wide range of writings about stone, from media theory and ecophilosophy to the role of stones in art and the aesthetics of viewing stones. Authors engage the activity, vitality, and relationality of lithic matter and articulate multiple modalities of 'geo-affection,' as well as forms of geo-mythology, geo-sociality, and occult lithography. As the initial issue in a new digital/intermedial series of SubStance aimed at interweaving creative and critical work, Rock (...) Records also features digital versions of essays with photo-rich content, as well as a virtual exhibition of viewing stones and a series of speculative studies in... (shrink)

The term "viewing stones" is primarily associated with two traditions of stone appreciation: Chinese Gongshi and Japanese suiseki. Today, viewing-stone associations around the world take inspiration from these traditions and are creating new ways of displaying stones. Petraphiles, whether ancient or contemporary, are often drawn to express their appreciation of favored stones in writing.The Petraphiles represented in this virtual exhibition are diverse in their expressions of geo-affection. They are, by turns, both scholarly and poetic. In each entry there is a (...) sense of discovery. Thomas Elias finds his Liaoshan Green Stone talking to him about the vicissitudes of life. Kemin Hu's research on a... (shrink)

A viewing stone is a rock that has been selected and displayed for the purpose of aesthetic appreciation. The relocation of a stone from its natural habitat changes the found object from an ordinary rock to a viewing stone that invites close examination and perhaps contemplation.In this essay, I will examine the act of "re-grounding" rocks that have been removed from nature and resettled in the soil of culture. Using examples from my collection of viewing stones, I will consider the (...) recontextualization process in the light of our ambiguous relationship with the natural world.The Stone That Flew HereMalachite, wood, Bondo, enamel, 2017In Ming Dynasty China catalogues of viewing stones were illustrated... (shrink)