Philosophical discussions of health and disease have traditionally been dominated by a debate between normativists, who hold that health is an inescapably value-laded concept and naturalists, such as Christopher Boorse, who believe that it is possible to derive a purely descriptive or theoretical definition of health based upon biological function. In this paper I defend a distinctive view which traces its origins in Aristotle's naturalistic ethics. An Arisotelian would agree with Boorse that health and disease are ubiquitous features of the (...) natural world and thus not mere projections of human interests and values. She would differ from him in rejecting the idea that value is a non-natural quality. I conclude my discussion with some comments of the normative character of living systems. (shrink)

Theorists about love typically downplay the scale of persistent and possibly intractable disagreement about love. Where they have considered such disagreements at all, they have tended to treat them as an example of the lack of clarity surrounding the concept of love, a problem which can be resolved by philosophical analysis. In doing so, they invariably slip into prescriptive mode and offer moral injunctions in the guise of conceptual analyses.This article argues for philosophical modesty. I propose that the starting point (...) of any coherent philosophical investigation of love must be a willingness to take our disagreements seriously. These disagreements stem from profound moral differences: we disagree about love inasmuch as we disagree about how we should properly treat one another.With a series of examples drawn from philosophy, literature and real life I attempt to illustrate some of the disagreements that arise in relation to erotic love. Drawing upon the work of Wittgenstein, Friedrich Waissman and W.B. Gallie, I suggest that any robust theory of love needs to take account of its contestable nature and the integral role it plays in our moral life. (shrink)

The jargon of evolutionary psychology has recently migrated from a few minor American universities into the academic mainstream and thence into Sunday supplements and dinner party conversations. It has even formed the backdrop to at least one award-winning novel (McEwan, 1997). Evolutionary psychology and other similar ‘biological’ explanations of human conduct pervade the Zeitgeist and, as Kenan Malik has persuasively argued, they tap into a prevailing mood of cultural pessimism. Evolutionary psychology, it seems, speaks to our desire to see the (...) worst in ourselves (Malik, 2002). (shrink)

This article questions a number of widely held views of the role of values in psychotherapy. It begins with a discussion of the now largely discredited view that psychotherapy can be value free. It also broadens this challenge to question the popular idea that values form an inescapable part of the therapeutic encounter. While this view is correct in outline, it is necessary to reject the underlying conception of values as largely arbitrary preferences that the client and the therapist bring (...) to the encounter, as this fails to do justice to the inherently ethical nature of psychotherapy. It argues that we should recover the Greek notion of therapy as essentially concerned with the character of a person. In other words, the goal of therapy is virtue. (shrink)

A. H. Sommerstein has recently directed our attention away from the belaboured topic of the essential and original structure of Old Comedy to the more productive question of how the extant plays of Aristophanes are shaped. He begins with the question of the source of ‘the five-act principle, standard in Menandrian comedy’ . Correctly looking to the chorus as the key element in articulating a play's form, Sommerstein finds that the five-act format already dominates the shape of Old Comedy, although (...) he argues that the number of acts ranges from four to seven and that only in the fourth century do the acts become about the same length. His analysis is largely correct, I think, but it is in danger of being ignored because his criteria are not objective and have not been applied systematically. Thus, B. Zimmermann has more recently described the structure of Aristophanic comedy as free. (shrink)

A. H. Sommerstein has recently directed our attention away from the belaboured topic of the essential and original structure of Old Comedy to the more productive question of how the extant plays of Aristophanes are shaped. He begins with the question of the source of ‘the five-act principle, standard in Menandrian comedy’. Correctly looking to the chorus as the key element in articulating a play's form, Sommerstein finds that the five-act format already dominates the shape of Old Comedy, although he (...) argues that the number of acts ranges from four to seven and that only in the fourth century do the acts become about the same length. His analysis is largely correct, I think, but it is in danger of being ignored because his criteria are not objective and have not been applied systematically. Thus, B. Zimmermann has more recently described the structure of Aristophanic comedy as free. (shrink)

Neurophenomena such as central sensitisation, hyperalgesia and allodynia, speak of a brain that is anything but hardwired. The brain's ability to self-organise in staggeringly complex ways forces us to look beyond what turn out to be perceptions of a body-mind reference, ie the idea of a mind is more a story than an actuality. There are mounting criticisms of body-mind dualism, , but with poor understanding of what philosophical narrative can replace it. Clearly, our human condition and pain's unique role (...) in it, is much more unpredictable than we had hitherto thought. This unpredictability dictates that we at least attempt to advance the philosophical debate in the interests of the pain sufferer. Richard Hamilton will investigate other roads of pain from Spinoza to Wittgenstein and Merleau-Ponty. Richard, Horst Ruthrof and David Buchanan will look at how the theory of language has long contended its place beyond the body-mind problem. (shrink)

This chapter contains sections titled: Of Jerks and “Nice” Guys Gurus of The Game Aristotle: My Wingman After The Game.

Editorial and Introduction to Special Edition on "Annas on Virtue and Skill".

In this paper, I consider and question an influential position in Anglo-American philosophy of action which suggests that reasons for action must be internal, in other words that statements about reasons for actions must make reference to some fact or set of facts about the agent and her desires. I do so by asking whether legal requirements could be considered as reasons for actions and if in so considering them one must translate statements about legal requirements into statements about the (...) psychological state of the agent fulfilling those requirements. Since such a process of translation seems neither necessary nor desirable, I suggest that the crudest forms of the internalist position are found wanting. I discuss a more sophisticated form of internalism put forward by Bernard Williams and criticised by John McDowell. I extend McDowells argument to cover legal reasons and suggest that Williams argument fails to recognise that reasons for action entail standards of correctness that are irreducible to facts about individual character and motivation. I conclude with a brief description of the justificatory status of legal requirements. (shrink)

Contributing to the naturalistic virtue ethics tradition, Natural Citizens applies recent work in the life sciences to develop a form of ethical naturalism that aspires to be non-reductive yet empirically responsible.

Shame is a ubiquitous and highly intriguing feature of human experience. It can motivate but it can also paralyse. It is something which one can legitimately demand of another, but is not usually experienced as a choice. Perpetrators of atrocities can remain defiantly immune to shame while their victims are racked by it. It would be hard to understand any society or culture without understanding the characteristic occasions upon which shame is expected and where it is mitigated. Yet, one can (...) survey much of the literature in social and political theory over the last century and find barely a footnote to this omnipresent emotional experience. The two books under review aim to rectify this lacuna. (shrink)

Written across the disciplines of art history, literature, philosophy, sociology, and theology, the ten essays comprising the collection all insist on multidimensional definitions of evil. Taking its title from a moment in Shakespeare's Tempest when Prospero acknowledges his responsibility for Caliban, this collection explores the necessarily ambivalent relationship between humanity and evil. To what extent are a given society's definitions of evil self-serving? Which figures are marginalized in the process of identifying evil? How is humanity itself implicated in the production (...) of evil? Is evil itself something fundamentally human? These questions, indicative of the kinds of issues raised in this collection, seem all the more pressing in light of recent world events. The ten essays were originally presented at the First Global Conference on Perspectives on Evil and Human Wickedness, held in March 2000 in Lady Margaret Hall, Oxford University. (shrink)