European writer of Romanian origin, Vintila Horia - Goncourt Prize in 1960 for the novel Dieu est né enexil - was a truly awakened consciousness of his time. Wherever he was - in Bucharest or Florence, Buenos Aires or Paris, Rome or Madrid - this “polyglot nomad” never left the unyielding values of the spirit and of knowledge. His work of literary epistemology, hisnovelistic creation - fed by exile, love and by the divine -, as well as the Journal d’un (...) paysan du Danube, stand as testimony. Focal point of my approach, this text sheds light on the metaphysical realm of a way of thinking in which the undivided man and the man to come are one and the same. Since for the exiled VintilaHoria,”the peasant from the Danube” is “celui dans lequel ce qui fut rencontre celui qui sera, dans un espace-temps non-euclidien”, and his journal emphasizes this “rediscovery”, in spite of the dark times of history; an encounter in, through and beyond the broken grounds of science, art and philosophy, but nevertheless, deeply anchored in philosophy, art and science. Apparently, rediscovery and isolation of the same proportion; in fact, we are talking about an anagnorisis: the inner man and the outer man have never separated, despite the “microbial fauna of Kali Yuga”. “Nomade polyglotte” through his evolution, a result of flawless reflexive stability, Vintila Horia proves himself to be, at the same time, animmobile nomad; “the peasant from the Danube” is the plenary expression of this unusual simultaneity. (shrink)

Basarab Nicolescu’s book What is Reality? is an attempt to enlighten the contradictory logic promoted by Stéphane Lupasco. However, it also proves to be the solid ground necessary for the axiomatic crystallization of the transgressive-integratory view of the world, a vision based on transdisciplinary thought. For this reason our text will focus not only on the connection between the Included Third and the Hidden Third but also on the “fusion between horizons” in an Infinite Third, one which belongs to Meaning.

The Romanian-born European writer Vintilă Horia - whose birth centenary is celebrated this year - was a genuine searcher of truth. His entire work pleads for transgressive-integrating knowledge, in opposition to binary logic and scientism; it is the privileged space of articulation between cognition, creation and gnosis, between the apophatism of science, mystic apofatism and artistic apofatism. Although much less known than the trilogy of exile - Dieu est né en exil, Le chevalier de la résignation and ¡Perseguid a Boecio! (...) - the small-sized novel Le voyage à San Marcos acts as an exemplary attestation to this pompous conjunction. The current article focuses especially on the text’s trans-temporal valence. (shrink)