This book provides a critique of current international law-making and draws on a set of principles from Persian philosophers to present an alternative to influence the development of international law-making procedure. The work conceptualizes a substantive notion of democracy in order to regulate international law-making mechanisms under a set of principles developed between the twelfth and seventeenth centuries in Persia. What the author here names 'democratic egalitarian multilateralism' is founded on: the idea of 'egalitarian law' by Suhrawardi, the account (...) of 'substantial motion' by Mulla Sadra, and the ideal of 'intercultural dialectical democracy' developed by Rūmī. Following a discussion of the conceptual flaws of the chartered and customary sources of international law, it is argued that 'democratic egalitarian multilateralism' could be a source for a set of principles to regulate the procedures through which international treaties are made as well as a criterion for customary international law-ascertainment. (shrink)

Immediately upon the death of Plato in 347 BCE, philosophers in the Academy began to circulate stories involving his encounters with wisdom practitioners from Persia. This article examines the history of Greek perceptions of Persian wisdom and argues that the presence of foreign wisdom practitioners in the history of Greek philosophy has been undervalued since Diogenes Laertius.

Translation of 'The Meaning of Life' (Stanford Encyclopedia of Philosophy) into Persian by Abdulfazl Tavakoli Shandiz. Printed as a booklet.

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī (d. 1674). They comprise the Gulzār-i ḥāl [Rose-garden of (...) ecstatic states], which is itself a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], (...) which is itself a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], (...) which is itself a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], (...) which is itself a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

An English translation of German writer Karoline von Günderrode's poem "A Persian Tale." The entire journal issue is open access and full of other wonderful stuff!

Persian translation by Mohsen Javadi of 'Recent Work on the Meaning of Life' (first published in Ethics 2002).

Persian translation by Mohammad Saeedi of 'Could God's Purpose Be the Source of Life's Meaning?' (first published in Religious Studies 2000).

Violence has always accompanied human societies, and appeared in various forms of artworks such as movie, painting, and even cave art, but Persian painting by showing the utopian calm images surprisingly kept itself away from representing the violence, even in the scenes of war and slaughter. This paper aims to study the Persian painting –with focus on the early Safavid dynasty as the age of glory of Iranian art- on the basis of Žižek’s theory, to show that invisible (...) violence floated in Persian painting regardless of its extreme calm beauty and its different context from contemporary philosophy. Žižek categorizes the violence into three modes: visible subjective, and two modes of objective violence -Symbolic and Systematic - which are invisible and flow in latter layers. By going to deeper level of creation and content of Persian images which were illustrated in the court and on the command of rulers of the time, it is concluded that some elements of invisible violence such as strict law, visual symbols like “Qizilbash Hat”, the issue of the language, neighbor, fear of error, repetition of historical characters, extremism and nonviolent situation can be analyzed in the content or illustration of Persian Painting. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Chinese Gleams of Sufī Light: Wang Tai-yü's Great Learning of the Pure and Real and Liu Chih's Displaying the Concealment of the Real Realm, with a New Translation of Jāmī's Lawā'iḥ from the Persian by William C. ChittickE. N. AndersonChinese Gleams of Sufī Light: Wang Tai-yü's Great Learning of the Pure and Real and Liu Chih's Displaying the Concealment of the Real Realm, with a New Translation (...) of Jāmī's Lawā'iḥ from the Persian by William C. Chittick. By Sachiko Murata, with a foreword by Tu Weiming. Albany: State University of New York Press, 2000. Pp. xiv + 264.Contacts between China and the Near East are at least as old as civilization but have been relatively little studied. This has led to a lack of attention to Chinese Islam. Yet, Islam has been a profoundly influential force in China for centuries. In Chinese Gleams of Sufī Light, Sachiko Murata has stepped forward to bring a wider awareness to the interactions between Chinese Islam and native Chinese philosophic traditions. (Murata is also the author of The Tao of Islam [1992] and, with Islamicist William Chittick, The Vision of Islam [1994]). [End Page 257]The present book adds greatly to our understanding. It includes a translation of The Great Learning of the Pure and Real, by Wang Tai-yü (ca. 1590-ca. 1658) and facing-page versions of William Chittick's English translation of the fifteenth-century Gleams (Lawā'iḥ) by 'Abd al-Rahman Jāmī and Murata's English translation of Liu Chih's (ca. 1662-ca. 1730) Chinese version of the same work. (Here, incidentally, I follow the book in using the Wade-Giles system.) One can see, comparing the translations, howLiu recast Jāmī's work in Chinese philosophic language, paraphrased some difficult passages, summarized others, and added his own commentaries.Interestingly, Liu eliminated Jāmī's Persian poetry. Murata thinks this is because Liu wanted to focus on the hard ideas; I suspect that it was because Liu realized that Persian prosody and imagery were too far from Chinese poetry to please his audience.Both Wang and Liu belonged to what must have been a rather loose but some-how connected circle of Chinese Islamic scholars. Both, also, almost necessarily used language fairly widespread in Chinese philosophy. Terms such as "emptiness" and "transformation" had many Chinese resonances, some most un-Islamic (Neo Confucian and Buddhist, for instance).Neither Chittick nor Murata give any glosses for key philosophical terms in either source language. Their philosophical and religious provenance, Chinese or Muslim, is correspondingly unclear.What is clear is that Neo-Confucianism had a strong influence on these scholars. Haqiqa "reality" is often translated as li "principle." Pen-jan "root nature" is used for the Arabic compound "essence and attributes." These examples are discussed in the introduction (p. 19). "Annihilation" becomes "conquering" (pp. 148-149). This is strange, because "Annihilation" (fana') is a technical term in Sufism for the disappearance of the self in God; it is an Arabic term, and literally means something like. "passing away." It signifies the forgetting or loss of self, such that only contemplation of the Divine remains. It is as close to the Divine as humans can get since, in Islam, humans cannot be absorbed into Allah (as, in Buddhism, they can be absorbed into Nirvāṇa or the Buddha-nature). "Conquering" seems a rather strange way to express this in Chinese. Perhaps Chinese Muslim readers of the time had developed this specialized sense for it.There are, of course, debatable translations here to contend with (both from Persian and Arabic to Chinese and from Persian and Chinese into English), but it appears that real incommensurability is involved. It was very difficult to use the language of Chinese philosophy in the seventeenth century, influenced as it was by centuries of Neo-Confucian thought, to talk about a radically different religion characterized by an infinitely powerful and wise God, aware of all futures, close to the believer and yet cut off.The inevitable result is to wedge the Arabic and Persian philosophy, so heavily informed by Neoplatonic essentialism and other... (shrink)

Persian possesses a number of stative complex predicates with _dâshtan_ ‘to have’ that express certain kinds of mental state. I propose that these _possessive experiencer complex predicates_ be given a formal semantic treatment involving possession of a portion of an abstract quality by an individual, as in the analysis of property concept lexemes due to Francez and Koontz-Garboden (Language 91(3):533–563, 2015 ; Natural Language and Linguistic Theory 34:93–106, 2016 ; Semantics and morphosyntactic variation: Qualities and the grammar of property (...) concepts, Oxford University Press, 2017 ). Augmented with an analysis of prepositional phrases introducing the target of the mental state and an approach to gradability in terms of measure functions (Wellwood in Measuring predicates, PhD dissertation, University of Maryland, College Park, 2014 ), the analysis explains various properties of possessive experiencer complex predicates, including the behavior of target phrases, the ability of the non-verbal element to be modified by a range of adjectives, the direct participation of the non-verbal element in comparative constructions, and the ability of degree expressions to modify both the non-verbal element and the VP containing the complex predicate. Theoretically, the analysis ties transitive mental state expressions to the grammar and semantics of property concept sentences, which are expressed via possessive morphosyntax cross-linguistically, and connects with syntactic proposals that independently argue for a universal underlyingly possessive morphosyntax for mental state predicates (Noonan in Case and syntactic geometry, PhD dissertation, McGill University, 1992 ; Hale and Keyser in Prolegomenon to a theory of argument structure, MIT Press, 2002 ). The work here also motivates modifications to Francez and Koontz-Garboden’s original proposal, and opens new questions in the original empirical domain of the analysis of possessive predicating strategies for the expression of property concept sentences. (shrink)

I read Montesquieu’s 'Persian Letters' as an attempt to theorize a liberated alternative to despotic rule. As Montesquieu argues in 'The Spirit of the Laws,' fear—specifically fear of the ruler’s emotional and material excesses—dominates the life of the despotic subject. Although in the 'Letters' the seraglio is the despotic state’s parallel, the seraglio is the site of over owing and barely governed passions. Montesquieu’s solution to the excesses of the seraglio is not the eradication of emotion; rather, he o (...) ers a template for transforming negative passion—fear—into courage, a prelude to a potentially liberating experience. is transformation is portrayed most clearly in the character of Roxane, the rebellious wife whose courageous actions precipitate the collapse of the seraglio. I argue that Roxane’s insurrection and suicide evoke a model established by the Roman matriarch Lucretia. Though not traditional political actors themselves, both Lucretia and Roxane anticipate the possibility of a personal and political liberation through their refusal of fear-based, despotic politics in favour of alternative emotional regimes based in courage. (shrink)

This article attempts a reinterpretation of Aeschylus’ Persians as primarily a warning about the instability of democracy following a major military victory against an overpowering totalitarian enemy. It discusses the historical and our contemporary ideas of the democratic principles of government versus the constant tendency towards a strongman regime. I argue that the play’s underlying philosophy is based on the Heraclitan idea of constant flux, which predates our modern ideas of the relativity of time and space, and the core (...) concept underpinning any democracy that the only constant thing about it is continuous change. A short retrospective of modern productions of The Persians reveals the relationship between history and current events that can or cannot be associated with the play. By treating the thorny issue of translations and adaptations and the temptations of simplistic patriotic or antiwar interpretations of the play, the article also addresses the challenging task of determining what constitutes a just war and why a democracy is necessarily engaged in a continuous defensive battle against the forces of totalitarianism. (shrink)

The Spirit of Montesquieu’s Persian Letters explores Montesquieu’s careful treatment of the spiritual, ethical, and civic dilemmas France encountered in the early 18th Century. In examining Montesquieu’s response to Bourbon France’s commercial and political culture of this time, it will help deepen our understanding of his political philosophy.

The article discusses the problem of the formation of philosophical prose in the Persian language. The first section presents a brief excursion into the history of philosophical prose in Persian and the stages of formation of modern Persian as a language of science and philosophy. In the Arab-Muslim philosophical tradition, representatives of various schools and trends contributed to the development of philosophical terminology in Farsi. The author dwells on the works of such philosophers as Ibn Sīnā, (...) Nāṣir Khusraw, Naṣīr al-Dīn al-Ṭūsī, Aḥmad al-Ghazālī, ʼAbū Ḥāmid al-Ghazālī and gives an overview of their works written in Persian. The second section poses the question whether the Persian language proved able to compete with the Arabic language in the field of science. The author examines the style of philosophical prose in Farsi, considering the causes of creation of Persian-language philosophical texts and defining their target audience. The article presents viewpoints of modern orientalist researchers as well as the views of medieval philosophers who wrote in Persian. We find that most philosophical texts in Persian were written for a public who had little or no knowledge of the Arabic language, yet wanted to get acquainted with current philosophical and religious doctrines, albeit in an abbreviated format. The conclusion summarizes and presents two positions regarding the necessity of writing philosophical prose in Persian. According to one point of view, Persian-language philosophical works helped people who did not speak Arabic to get acquainted with the concepts and views of contemporary philosophy. According to an alternative view, there was no special need to compose philosophical texts in Persian, because the corpus of Arabic philosophical terminology had already been formed, and these Arabic terms were widely and successfully used, while the new Persian philosophical vocabulary was difficult to understand. (shrink)

Montesquieu's Persian Letters has long been thought to conceal a secret chain uniting the various letters which comprise the work. An examination of the historical context of the Persian Letters, the characters' remarks on justice and self- interest, and the important literary techniques that Montesquieu employs, helps to bring the secret chain to light. The work's letters are written and sequenced to show how self-interest can overawe justice, emphasizing the need for fair and reasonable third party involvement in (...) order to achieve justice in human affairs. Montesquieu calls upon readers to serve as the final link in this chain, prompting the reader ultimately to consolidate the Persian Letters' treatment of politics, philosophy and morality. (shrink)

This paper examines the phenomenon of individual Athenians adopting elements of Persian clothing, making use of exotic items such as gold and silver drinking vessels, and the like, by comparison to what I argue is a similar sort of contact and exchange involving the European fabric trade and evolving standards of dress and fashion in the Early Modern Atlantic. The ancient literary and archaeological sources discussed document the reaction of a relatively insignificant, marginal people to the dress practices of (...) a more powerful and arguably far more sophisticated imperial power. I suggest that an appreciation of the character and intentions of the much better documented encounter between the English court and Amerindian ambassadors who visited it in the early 18th century provides a potentially useful corrective to the indigenous perspective of our Athenian sources. (shrink)

CRITICAL THINKING AND PEDAGOGICAL LICENSE https://www.academia.edu/9273154/CRITICAL_THINKING_AND_PEDAGOGICAL_LICENSE JOHN CORCORAN.1999. Critical thinking and pedagogical license. Manuscrito XXII, 109–116. Persian translation by Hassan Masoud. Please post your suggestions for corrections and alternative translations. -/- Critical thinking involves deliberate application of tests and standards to beliefs per se and to methods used to arrive at beliefs. Pedagogical license is authorization accorded to teachers permitting them to use otherwise illicit means in order to achieve pedagogical goals. Pedagogical license is thus analogous to poetic license (...) or, more generally, to artistic license. Pedagogical license will be found to be pervasive in college teaching. This presentation suggests that critical thinking courses emphasize two topics: first, the nature and usefulness of critical thinking; second, the nature and pervasiveness of pedagogical license. Awareness of pedagogical license alerts the student to the need for critical thinking. (shrink)

The article is devoted to the problem of changing stylistic paradigm in the Persian poetry of XVI-XVII centuries and reflection of this process in self-consciousness of outstanding authors of the period. Parallel with preserving stable norms of traditional poetics literary practice demonstrates flexibility and forms new range of popular poetic strategies. New aesthetic criteria if ideal poetic language, expressed with epithet ‘colourful’, appears alongside with criteria of previous period, expressed with epithet ‘sweet’ and step by step gets leadership. Lyric (...) poetry of three famous authors of the period of formation and golden age of Indian style served the object of analyses. The phenomena of visualization of imagery connected with perfect poetic language illustrated by examples of ‘Poet and Poetry’ motifs located in ‘frame text’ in end of the qhazal. These motifs serve one of the regular contexts of author’s name and show author’s attitude to his creation, including stylistic preferences. Refinement of poetic fantasy being declared basic condition of creating perfect poetry described visually as coiling lasso, poetry itself as flourishing garden, fountain or European house decorated with painting. Such characteristic of word creation has analogies in the works of Baroque style theorist Giambattista Marino. (shrink)

Kripke in his famous book on Wittgenstein’s later philosophy argues, on behalf of Wittgenstein, that there can be no fact of the matter as to what a speaker means by her words, that is, no fact that can meet the Constitution Demand and the Normativity Demand. He particularly argues against the dispositional view, according to which meaning facts are constituted by facts about the speaker's dispositions to respond in a certain way on certain occasions. He argues that facts about (...) dispositions are finite and are incapable of constituting facts about what speakers mean by their words; they are also essentially descriptive, not prescriptive and thus, cannot meet the Normativity Demand. Hannah Ginsborg, one of the most important contemporary philosophers of language, has recently attempted to resist Kripke’s Wittgenstein’s arguments against by defending a new sort of reductive dispositionalism which can meet both demands at the same time. In this paper, I will argue that she would not be successful in her project. (shrink)

The article begins with Heidegger’s familiar question, Who is Nietzsche’s Zarathustra? Yet the piece takes far more seriously than Heidegger does the enigmatic choice that Nietzsche makes for his own principal spokesperson, his own mask. Why, for the philosopher who wills the revaluation of all values, the ancient Persian prophet? Why, for the anti moralist, the ancient founder of a moral worldview?

From the fourteenth to the eighteenth centuries, Indian intellectuals produced numerous Sanskrit–Persian bilingual lexicons and Sanskrit grammatical accounts of Persian. However, these language analyses have been largely unexplored in modern scholarship. Select works have occasionally been noticed, but the majority of such texts languish unpublished. Furthermore, these works remain untheorized as a sustained, in-depth response on the part of India’s traditional elite to tremendous political and cultural changes. These bilingual grammars and lexicons are one of the few direct, (...) written ways that Sanskrit intellectuals attempted to make sense of Indo-Persian culture in premodern and early modern India. Here I provide the most comprehensive account to date of the texts that constitute this analytical tradition according to three major categories: general lexicons, full grammars, and specialized glossaries. I further draw out the insights offered by these materials into how early modern thinkers used language analysis to try to understand the growth of Persian on the subcontinent. (shrink)

Regarding Avicenna's reception of the classical Greek philosophy, the related terms of philosophy should be translated into Arabic. As a result, the method of this influential medieval scholar is the focus of my investigation.

نگاهی بر استدلال‌های دونالد دیویدسون در باب ضرورت زبان برای اندیشه .