Approaching the study of literature as a unique form of the philosophy of language and mind--as a study of how we produce nonsense and imagine it as sense--this ...

Nous défendons ici l’hypothèse que l’irruption de la langue du vouloir ( uelle ) chez Sénèque n’est pas sans effet sur la représentation stoïcienne du telos, contre un certain nombre d’interprétations qui dénient à cette innovation lexicale la moindre originalité par rapport à la psychologie stoïcienne hellénistique. Le telos est réinscrit dans la perspective de la traversée de la conflictualité psychique dont le vouloir ( uelle ), dans sa constance, constitue la résolution. C’est dire combien la subjectivation engage le destin (...) du désir, celui d’un conflit porté par la uoluntas, envisagée donc dans toute son historicité, et à ce titre devenue principe d’identité personnelle. Le telos fait apparaître plus explicitement qu’avant un sujet du vouloir, tout à la fois comme principe et comme effet du processus de subjectivation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wittgenstein’s PrefaceBrett BourbonIn his preface to Philosophical Investigations, Wittgenstein admits his failure to make his book anything more than an interrelated collection of remarks: "After several unsuccessful attempts to weld my results together into... a whole, I realized that I should never succeed. The best I could write would never be more than philosophical remarks." The fragmented character of Investigations is matched by its other formal oddities and difficulties: (...) its metaphors, its cryptic evocative obscurity about some things and its linguistic precision about others, its dramatization of philosophical positions in stories, in hypothetical worlds, and in the role of the interlocutor(s). Our initial and continual problem in reading Investigations is to understand the reason for its form, and to justify this form relative to its philosophical concerns and methods. I will argue that the justification of the form of Investigations comes down to a single question: how do we take up Wittgenstein's example—in thinking and in confusion—without mimicking him?IThe justification pursued in the preface bears affinities with theological justification, defined as our becoming righteous relative to God, as Calvin characterizes it, "an acceptation, whereby God receiving us into [End Page 428] favour, taketh us for righteous" (Institutes III. xi. §2).1 Righteousness as a mark of acceptation, the very tone of "righteousness" and God's power of acceptation, have no direct counterparts in Wittgenstein's philosophy. Philosophical justification does not have a doctrinal foundation that would establish any particular content nor any special relation between the pursuit of that justification (through philosophy) and its fulfillment, even hypothetically, in some possible acknowledgment of righteousness. The seriousness betrayed by Investigations need for justification, however, is expressed in the moral fervor of Wittgenstein's philosophizing. It is also his philosophical goal to encourage a kind of acceptation that the ground of our involvement in the world, in what constrains and confuses us, is no more than how we live and what we are: "Instead of the unanalyzsable, specific, indefinable; the fact that we act in such-and-such ways, e.g. punish certain actions, establish the state of affairs thus and so, give orders, render accounts, describe colours, take an interest in other's feelings. What has to be accepted, the given—it might be said—are facts of living" (Remarks on the Philosophy of Psychology, §630; c.f. PI, p. 226d).2 The translators comment in a footnote that a variant for "facts of living" in Wittgenstein's manuscript is "forms of life." What has to be accepted are forms of life.The form of Investigations is justified as part of a discovery, with or without a supporting theology, of how to move ourselves toward some greater form of perfection (although not to reach it). The Protestant cast of this justification, in Wittgenstein's case, is just (and I wouldn't want to extend it further) that while this justification is achieved by virtue of our effort, it is not effort towards the world, but towards our intransigent will, and that the grace that might enable our work is less a gift, than a condition within which we can struggle.3 Thus, "what has to be overcome," in philosophy, "is not the difficulty of the understanding but of the will" (CV, p.17).4 Philosophy for Wittgenstein is a form of self-education. One works on the will in order to see differently: but the will is neither a thing nor a faculty. Working on the will is not a psychological project of self-reform, but a reconstitution of our attitude toward what we take as necessary. We can describe such attitudes with the vocabulary of the passions by which express or curb our will: devotion, derision, hope, fear, confidence, indignation, pride, repentance, emulation, gratitude, consternation, daring, timidity, and so on. And thus "philosophy is a work on the will" is kind of maxim to help us remember a kind of attitude, purpose, and justification.I will derive an agnostic notion of justification from its Protestant [End Page 429] theological form, retaining its moral force and claim on our person, but without psychologizing it, with minimal doctrinal content, and without God. This is... (shrink)

This paper focuses on the materialistic account of the blending and the way it shapes an original organism model. I aim to shed light on the threads of connections we can gather between the Presocratic and the Stoic views on the physical krasis of the body. The Stoics share with Parmenides and Empedocles the idea of a single material cosmic continuum in which thought and perception depend on the various blendings of the physical constituents of the body. Both of these (...) naturalistic traditions are committed to the view that substance is continuous and undergoes constant and qualitative change. My point is to underline how this view of a sympathetic cosmos presupposes a model of the individuality that is radically open. Thus, by taking off the notion of the krasis, the Stoics take off a problem – namely, that of the organism – that is first fleshed out by the Presocratics – Parmenides and Empedocles in particular – philosophers. In this respect, the Stoic view of relational identity indebts to the Presocratic account, beyond and against the Aristotelian one. (shrink)

A poem is not particular in the way a painting is particular. A copy of a poem is still the poem, while a copy of a painting is not the painting. But a poem is still particular, since it seems to be constituted by a specific set of words in a specific order such that to alter that order or any of those words is to make a new poem. Marianne Moore begins her poem “An Egyptian Pulled Glass Bottle in (...) the Shape of a Fish” in the following way: She might have revised this and replaced “perpendicularity” with “verticality.” This says the same thing, but it is not the same poem. The particularity of a poem, relative to the words that make it up, constitutes a... (shrink)

The academic dominance of cultural studies and the increasing interest and significance of cultural conflict in our world has encouraged various theories of culture, the most pervasive being theories of transculture and hybrid cultural forms and entities. In this guest column, Bourbon argues that all such trans theories are fundamentally flawed and distort the very idea of culture. His essay analyzes the concept of transobjects and transcultures, looking both at the assumptions supporting such objects and ideas and at their (...) explanatory uses. This discussion leads to one on the relationship between texts and contexts. Most cultural theories, and all transcultural theories, confuse the relationship between texts and contexts, specifically misusing the idea of the conditions of possibility, while relying on various forms of personification. Bourbon both criticizes these ideas and also offers a more modest idea of culture, along with specific suggestions on how to study and understand what we call “products of culture,” including fictions and ourselves. (shrink)

Jane Austen and the powers of description. Disciplines of description -- Reading ignorance into sense -- Elizabeth Bennet, the Socrates of descriptive reason -- Frank and impertinent: paradiastolic descriptions -- An excursus on Richard Rorty and Lady Catherine -- Fanny's garden thoughts -- Reasoning by description -- Coda: "Part hawk, part man" -- The apprehension of power and life. The cook and the count: a psychological anthropology of tyranny -- Is power coercive? -- A parable of action and event -- (...) The afflictions of life: Montale's poetic description of flux -- What is a life? -- A concluding postscript. (shrink)

Marion Bourbon Que l’activité philosophique chez la plupart des philosophes antiques ait prétendu disposer d’une fonction thérapeutique, psychothérapeutique, nous le savons bien, tant cette dernière s’est explicitement pensée sur le modèle médical. Il ne faut néanmoins pas oublier qu’alors, dans le même temps, c’est la médecine elle-même qui s’est trouvée apparentée à la philosophie en ce qu’elle suppose intrinsèquement un usage du logos, ce que Platon le premier pose sans ambages. Cette métaphore de la philosophie comme thérapie a aussi (...) ressurgi plus récemment en philosophie analytique, sous la plume de Wittgenstein pour lequel « la philosophie traite une question comme une maladie ». Mais jusqu’à quel point s’agit-il de dire la même chose? (shrink)

This book has several very positive qualities; but its project raises certain important questions, which are not wholly addressed by the book itself. First, and most fundamentally: what is the subject? The title cites two notions: individuality and subjectivity, both of which are quite complex. The first idea, ‘individuality’, can denote ‘unique personal identity’ (as distinct from the identity of any other person); and Stoic versions of this idea play a prominent role at certain stages of th...

La publication des lettres d’Isabelle de Bourbon-Parme à sa belle-sœur l’archiduchesse Marie-Christine est un événement important. Pas seulement parce que nous avons affaire à un écrit intime d’une « princesse philosophe », dont l’intelligence et l’ouverture d’esprit sont en soi dignes de notre intérêt. Mais parce qu’il s’agit de lettres d’amour à une femme, comme nous en avons peu d’exemples au xviiie siècle, et même après. Il se pourrait même que nous ayons affaire au premier écrit de cette...

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Everyday Poetics: Logic, Love, and Ethics by Brett BourbonKatie PelkeyEveryday Poetics: Logic, Love, and Ethics by Brett Bourbon; 200 pp. London: Bloomsbury Publishing, 2022.In Everyday Poetics: Logic, Love, and Ethics, Brett Bourbon probes the nature of poetry and its centrality in our everyday lives, working from the ordinary-language philosophical framework associated with Ludwig Wittgenstein, J. L. Austin, W. V. O. Quine, and Stanley Cavell. Bourbon's (...) ideas contribute new dimensions to the elusive concept of poetry and pivots the reader's attention inward: how can we recognize poetry in our day-to-day and why should we? At sentence level, his claims are clear and compelling to readers across disciplines with varying knowledge of philosophy and poetry. This book is thus addressed to "poets, literary scholars, philosophers, and students of religion, and anyone who cares about the ethics of everyday life, about the surprises that punctuate and give our lives form" (p. ix).Poems themselves are such "events of form," Bourbon emphasizes, which live among us and need not be constituted by words. Wordless poems can be uncovered and embraced through the development of a "poetic vulnerability" to ordinary experiences that are not necessarily wedded to one's aesthetic reaction. Bourbon designates the alphabet as one such example of what he calls a "primal everyday poem"; the alphabet is wordless and consists of a patterned order whose mere form does not encompass its meaning. The ordinary expression "I love you" also falls under this classification; the phrase is a performative poem whose intricate connotation is simplified by common language, yet is not the equivalent of its mere words. Bourbon asserts that, like the phrase "I love you," poems of the everyday cannot be reduced to mere language, conditions, or creative modes.Of the ineffable nature of poetry, Bourbon claims, "Poetry, like death, is that which we can only know by analogy—by examples—but it has a scope beyond all our examples" (p. 108). In terms of examples, he draws from poignant personal experiences to reinforce his arguments and provide insight into his keen sensibility. In chapter 1 ("Poems of the Everyday"), Bourbon recounts his own dismissal as a young boy of poetry's worthiness until one day while watching an old film, he in fact was struck by the phrase "I love you." This ordinary phrase allowed him to reconsider the parameters of what constitutes poetry and acknowledge the dichotomy of the phrase's formal power constituted by trivial symbols.Chapter 4 ("Epithalamion") is also rooted in personal experience. Bourbon opens with the flat assertion, "I have never liked weddings" (p. 43), but he notes a difference between a "marriage of forms" and "marriage of intimacy and stability": his distaste is for the former. He believes that a successful marriage can become a poem of the everyday—an event of power and "linguistic surrogacy"—where the event itself fosters more meaning than the words alone [End Page 475] can carry. Marriage can be a poem of discovery that arises from the action of learning what it means to love. But in the objects of the wedding and all its trite, heart-shaped symbols, Bourbon remarks, no poems are to be found.Bourbon dedicates chapter 5 ("Is a Poem the Same as Its Words?") to his claim that what a poem is cannot be bound by its words entirely or by meaning alone. If one finds each line of a poem intelligible, that does not indicate that the poem's meaning is consequentially understood. Conversely, a reader may not know a poem's meaning with complete certainty; what is said may not illuminate what is meant. In Bourbon's explanation of the sentence as a model for how particular words construct a poem, he says that one must determine how such a sentence-poem would be meaningful through our own reading. He claims that a poem is more than its words and cannot be simplified into sets of sentences or phrases. "A poem, if it is a sentence, is always more than that sentence; otherwise, a poem would not be a poem but a sentence" (p. 67).Bourbon's latest publication challenges traditional, long... (shrink)

Dans ce livre original et provocant, le linge n’est pas qu’une métaphore. On y trouvera beaucoup de matérialité : « les rideaux, les étoffes et tissus, les linges du corps et les uniformes », entre autres choses. Mais le linge y est aussi une métaphore, aux développements insoupçonnés : Le linge est le rappel du faste, du drapé, des brocarts. Linge de maison, il est le rappel des heures et des jours, des ordonnancements quotidiens, des servitudes du privé et du (...) public, des pratiques de l’int... (shrink)

En utilisant des exemples tirés d’une famille esclave de la Réunion et de l’île Maurice, cet article analyse comment le choix des prénoms ainsi que des noms de famille a marqué le statut de ses membres et a signalé ou bien dissimulé leurs relations de parenté. Selon le droit colonial français, les pères esclaves ne disposaient pas du statut de pères, mais les noms des esclaves et de leurs descendants conservaient les traces de leur ascendance maternelle en portant le nom (...) de famille de leur mère. Comme le statut des enfants esclaves était déterminé par la condition de leur mère, les archives coloniales préservaient souvent la trace de l’ascendance maternelle en effaçant la mémoire de leurs pères – esclaves ou libres. Quand le nombre des affranchis et de leurs descendants a augmenté pendant la première moitié du xixe siècle, la pratique d’adopter le prénom de la mère comme nom de famille est devenue commune. C’est ainsi que la féminisation des noms de famille des descendants d’esclaves les a marqués insidieusement et a favorisé leur discrimination officieuse jusqu’à présent. (shrink)

En utilisant des exemples tirés d’une famille esclave de la Réunion et de l’île Maurice, cet article analyse comment le choix des prénoms ainsi que des noms de famille a marqué le statut de ses membres et a signalé ou bien dissimulé leurs relations de parenté. Selon le droit colonial français, les pères esclaves ne disposaient pas du statut de pères, mais les noms des esclaves et de leurs descendants conservaient les traces de leur ascendance maternelle en portant le nom (...) de famille de leur mère. Comme le statut des enfants esclaves était déterminé par la condition de leur mère, les archives coloniales préservaient souvent la trace de l’ascendance maternelle en effaçant la mémoire de leurs pères – esclaves ou libres. Quand le nombre des affranchis et de leurs descendants a augmenté pendant la première moitié du xixe siècle, la pratique d’adopter le prénom de la mère comme nom de famille est devenue commune. C’est ainsi que la féminisation des noms de famille des descendants d’esclaves les a marqués insidieusement et a favorisé leur discrimination officieuse jusqu’à présent. (shrink)

The first English translation of the major political works of Benjamin Constant (1767-1830), one of the most important of the French political figures in the aftermath of the revolution of 1789, and a leading member of the liberal opposition to Napoleon and later to the restored Bourbon monarchy. The texts included in this volume are widely regarded as one of the classic formulations of modern liberal doctrine.

Building on recent literature on the history of political economy and Spanish imperial history, the article reconstructs the ideas that supported the colonial development of the meat industry in the Río de la Plata. Archival and printed sources are employed to illustrate the different arguments revolving around colonial economic development and imperial rule, in the words and practices of merchants, explorers, administrators and ministers. This way, it is possible to disclose the multiple imperial visions circulating in the Spanish Atlantic. The (...) analysis suggests that economic reformism was not only a European intellectual and political movement but was shared and appropriated by Spanish Americans. They employed arguments in political economy to foster their agenda, namely the economic improvement of their territory in the broader context of the Spanish commercial empire. If a shared consensus around imperial political economy between Spanish and Spanish American vassals provided arguments supporting this colonial industry, the diverging economic interests, imperial rivalries, and the different geographical spaces of enunciation determined a variable dialectic between projects for the expansion of salted meat production and their realisation. (shrink)

An account is given of the emergence of the concept of work as a basic component of mechanics. It was largely an achievement of engineer savants in France during the Bourbon Restoration , with Navier, Coriolis and Poncelet playing the major roles. Some aspects of the eighteenth-century prehistory are described, and also concurrent developments in French engineering. The principal problem areas were friction, hydraulics, machine performance and ergonomics, and especially in the last context the developments became involved with social (...) and even philosophical movements in the 1820s. Education played an important role throughout; several of the principal sources are textbooks. (shrink)

From the Back Cover "After decades of cut-and-paste offerings on the subject, this book is a must-read for anyone interested in whisky—whether single malt, bourbon, or anything else—and all that makes it truly unique." —Jim McEwan, Production Director, Bruichladdich Distillery "Does being a philosopher require an appreciation of good whiskey or does having an appreciation of good whiskey make one philosophical? Whichever is the case, Whiskey & Philosophy makes for a thought-provoking and thirst-inducing read. Cheers!" —Chris Morris, Master Distiller, (...) Woodford Reserve Distillery "Whiskey & Philosophy contains a panacea of spiritual pleasure waiting to be enjoyed and shared. Many books have been written about whiskey, but few take you as deep into its inner world. It is an enlightening journey, and one that crosses boundaries and opens new doors. This is indeed a book that unlocks a treasure chest of pure liquid gold to the whiskey enthusiast." —Richard Paterson, Master Blender, Whyte and Mackay Ltd. Whiskey & Philosophy explores the heart and soul of this heady potation in a lively collection of essays from philosophers, other academics, and whiskey writers. From the first reference to Scotch in 1494 in the records of King James IV of Scotland to Hillary Clinton tossing back that famous shot of Crown Royal during the 2008 campaign, this spirited book captures the history of whiskey, its various forms, and associated philosophical issues. (shrink)

The Spirit of Montesquieu’s Persian Letters explores Montesquieu’s careful treatment of the spiritual, ethical, and civic dilemmas France encountered in the early 18th Century. In examining Montesquieu’s response to Bourbon France’s commercial and political culture of this time, it will help deepen our understanding of his political philosophy.

Social Change in a Material Worldoffers a new, practice theoretical account of social change and its explanation. Extending the author's earlier account of social life, and drawing on general ideas about events, processes, and change, the book conceptualizes social changes as configurations of significant differences in bundles of practices and material arrangements. Illustrated with examples from the history of bourbon distillation and the formation and evolution of digitally-mediated associations in contemporary life, the book argues that chains of activity combine (...) with material events and processes to cause social changes. The book thereby stresses the significance of the material dimension of society for the constitution, determination, and explanation of social phenomena, as well as the types of space needed to understand them. The book also challenges the explanatory significance of such key phenomena as power, dependence, relations, mechanisms, and individual behavior. As such, it will appeal to sociologists, geographers, organization studies scholars, and others interested in social life and social change. As such, it will appeal to sociologists, geographers, organization studies scholars, and others interested in social life and social change. (shrink)

Beginning with Engels, Marxist historiography viewed the absolute monarchy in France as mediating between the nobility and the emergent capitalist bourgeoisie. More recent Marxist accounts stress that the absolute monarchy reflected the interests of the nobility. Revisionist Marxist historians have taken this perspective to an extreme arguing that, at the height of the Bourbon monarchy in the seventeenth century, a capitalist bourgeoisie did not exist. This paper argues that, in taking such a view, these historians have ignored the ongoing (...) dialectical opposition between the forces of rent and profit in the early-modern period. As a result, they have severed the connection between the ancien régime and the Revolution of 1789. Despite being thrown on the defensive by the advance of rent and the crystallisation of the absolutist state, a capitalist bourgeoisie that emerged in sixteenth-century France survived and persevered during the seventeenth century. It resumed the initiative in the succeeding period of the Enlightenment. (shrink)

This article analyses the contested adoption of electric lights by the Spanish Catholic church during the Bourbon Restoration era. Through a careful reading of primary sources, namely Catholic popular magazines, and official documents, it will show how Catholic authorities and practitioners resisted, negotiated and, ultimately, engaged with electricity in religious spaces. The article argues that electric light contributed to wider exchanges in a non-monolithic Spanish Catholicism on the observance of traditional values or the possibilities of the church’s modernization. However, (...) amid a particularly tense moment regarding the secular–clerical relations, the systematic use of electric lights in churches at the turn of the twentieth century—but also in other public ceremonies—contributed to the making of religious sensations aimed at attracting new believers and reasserting the presence of the institution in a disputed public space. (shrink)