Music plagiarism is defined as using tune, or melody that would closely imitate with another author’s music without proper attributions. It may occur either by stealing a musical idea or sampling. Unlike the traditional music, the Indian cinematic music is extremely popular amongst the public. Since the expectations of the public for songs that are enjoyable are high, many music directors are seeking elsewhere to “borrow” tunes. Whilst a vast majority of Indian cinemagoers may not have noticed these plagiarised tunes, (...) some journalists and vigilant music lovers have noticed these activities. This study has taken the initiative to investigate the extent of plagiaristic activities within one Indian cinematic music industry. A list of plagiarised songs was produced by using YouTube® searches for “comparative videos” made by the vigilant music lovers about accused/detected music plagiarism. Some of these individuals were also interviewed to understand their views on this. During the investigation, it was possible to identify a vast number of plagiarised tunes, snippets, or even the full songs. In fact, some of these examples’ dates to 1954, during the era when no one would have noticed plagiarism. The paper would highlight the similarities of these music files. It will also show some examples of the excuses/denial given by the composers and would try to highlight the attitudes of general public towards these types of activities. (shrink)

The present work is an attempt to critically analyse different philosophical concepts and theories associated with Husserlian phenomenology Western philosophy has witnessed series of revolutions beginning from Socratic-Platonic tradition to Cartesian and Kantian revolution. The conceptual revolution does not terminate over here rather it is more prominently manifested in Husserl's philosophy. The originality of the author lies in interpreting Husserl's phenomenology as second Copernican revolution Phenomenology is an attempt to locate the principle of objectivity in the element of subjectivity. It (...) developed as a reaction to the trends of naturalism and historicism. It is further analysed how Cartesian, Humean and Kantian philosophy have provided intellectual stimulus to fertile Husserlian mind to develop grand phenomenology which has revolutionary impact over subsequent philosophies like existential phenomenology, hermeneutics and deconstruction. The brilliant attempt is made to compare Husserl's account of 'eide' with 'denizens' of Quantum mechanism leading to the conclusion that the holistic view of Husserl and Quantum physics maintains the correlativity of 'subject' and 'object'. The author has presented his work with conceptual clarity, lucid expression, systematic presentation and critical exposition of the subject matter in such a manner that the ponderous writing of Husserl with the assistance of this book can be easily assimilated by student community but academic standard is not at all compromised as he has consulted numerous journals, original texts, standard commentaries and recent arrivals on Husserl to make it authentic and relevant. It is a valuable and powerful contribution to contemporary thought which will evoke an enthusiastic response from the scholars and students of Philosophy. -/- Content of the Book includes -/- Chapter-l Introduction, Chapter-II Nature of Kant's Copernican Revolution, Chapter-III Nature of Husserl's Second Copernican Revolution, Chapter-IV The Central Themes of Phenomenology, Chapter-V Transcendental Idealism of Kant and Husserl, Chapter-VI A Concluding Postscript, -/- This work is Peer reviewed in JICPR, volume XXIII, No. 3, July- September, 2006 by Prof. Archana Barua, Department of Humanities & Social Sciences, IIT, Guwhati. 2. Peer reviewed again in JICPR, Volume XXV, No. 4, October-December, 2008 by Prof. S. Paneerselvam, Department of Philosophy, Madras University. (shrink)