This text proposes an analysis of the phenomenon of faith in the tradition and spirituality of the Eastern Church. Starting from the relationship between phenomenology and theology, the article uses a theo-phenomenological method to depict the phenomenon of faith both theologically and phenomenologically. This article also argues that non-religious faith—either natural or philosophical—is the foundation of religious faith. According to Orthodox spirituality, faith is not reduced to a set of theoretical teachings and dogmas; they constitute only the first type of (...) faith, “simple faith”. At the same time, faith is also a form of experience, which has ascetical, ethical, and mystical dimensions; they characterize the second type of faith, faith as contemplative sight and knowledge. (shrink)

The Orthodox liturgy is a religious phenomenon that can be analyzed phenomenologically and theologically alike, given the emphasis that both phenomenology and Orthodox theology place on experience. By proposing the Kingdom of God instead of the natural world without being able to annihilate the latter in the name of the former, the liturgy seeks divine-human communion. Through the dialogue of prayer, through symbolic and iconic openings, as well as through apophatic theology, the liturgy emphasizes the horizon of mystery as a (...) horizon essential to the way man positions himself before God. The present text attempts to demonstrate that apophaticism, understood as an experience of the mysterious presence of God, is one of the crucial dimensions of the Orthodox liturgy; and that this apophatic presence of God reveals a way of thinking which does not become onto-theology, not even when using concepts borrowed from metaphysics. The overcoming of onto-theology is achieved here not by abandoning concepts such as “being” and “cause” but by placing the language game in the field of prayer and apophatic theology. (shrink)

Exemplified especially by Heidegger and Levinas, the phenomenology of death expresses first, the impossibility of the death experience, second, the authenticity of Dasein starting from the horizon opened by the possibility of death, and third, the relevance of the death of the other to the discovery of one’s own death. This article tries to take a step further, showing the link between the authenticity of Dasein and the desire for immortality manifested in this authenticity. By overturning Heidegger’s theses and by (...) affirming both the necessity of an authentication of death itself—in accord with Socrates’s death example—and the legitimacy of the meditation on death, this text links the need for immortality, which is phenomenologically visible, with the Christian faith in the resurrection, which is visible only for theology. (shrink)

This article first defines the absolute discourse, then discusses its possibility in theology, as well as the relationships between language, thought, and reality as they derive from the spirituality and life of the Eastern Church. Theology must face several problems—including the paradox of transcendence, the violence of metaphysics, onto-theology, and the duplicity of language itself—, but the Revelation of the Absolute itself legitimizes the theological discourse. By using both affirmations and negations, theology reveals an iconic structure of discourse that opens (...) itself towards life and spirituality. The conclusion is that, in the absolute discourse of theology, words, even ineffable ones, are insufficient without life. (shrink)

Thinking on transcendence falls into a paradox: if transcendence is a radical one, we cannot speak about it; if we speak about it, it is no longer radical. The aim of this paper is to overcome this paradox and to analyze the concept of transcendence considering the dynamic of self-transcending that is natural to man, the limit beyond which one can speak about transcendence, and the phenomena of mystery whereby the transcendence appears. Inasmuch as transcendence does not escape from the (...) suspicion that the movement of self-transcending postulates it according to its desires and reaches Kantian “transcendental appearance,” this text tries to delineate the possible phenomenon of the maximum manifestation of transcendence in this world: how could transcendence give itself? The answer engages the revelation, namely, transcendence’s intention of donating itself, the presence of paradox, and the solution of mediation between transcendence and immanence by transcendence itself. Each of these possible solutions has examples in Christian Orthodox theology. (shrink)

O carte de cugetări, în care se întâlnește tradiția ortodoxă a Răsăritului creștin cu gândirea filosofică occidentală. „Simulez viața, ca să par la fel cu cei ce trăiesc. Îi ascult ce discută, pentru a ști cum discută oamenii. Dar de fiecare dată rămân mut de uimire. De când am început să cred în Dumnezeu am uitat atât de multe încât sunt mai aproape de extratereștri decât de oamenii fără zei, «oamenii naturali», «bunii sălbatici».”.

The personality of Metropolitan Bartolomeu Valeriu Anania has been extremely complex, first of all due to the various domains of his work - literature, essays, art history, theology and biblical theology -, and secondly due to his relation to politics, especially his connections with the Legionary Movement and with Communism. Despite having been incarcerated as a political prisoner in some of Bolshevik Romania's famous prisons (Jilava, Pitești, Aiud), Bartolomeu Valeriu Anania is still accused of having collaborated with the political police (...) of Ceaușescu's regime, Securitatea . The present text analyses the writer's work in order to explain the relationship between religion, literature, and politics, stressing both their connections, as well as his journey from being a writer to being the theologian commenting on and revising the translation of the Holy Scripture. The analysis is therefore oriented towards Valeriu Anania's literary works, namely his poetry, prose, and theatre, so as to underline its religious background, be it either theological or alluding to Romanian popular religiosity; furthermore, it focuses on his theology, from icon to biblical theology, stressing the associations with literature and the importance of literary workmanship. Finally, based on the cultural analyses which unveil his deep affection for the Romanian spirituality and considering several politically controversial episodes of his biography, the text will attempt to argue in favour of the lack of sufficient and reliable evidence that could prove his collaboration with the political police of Communist Romania. (shrink)

Thinking on transcendence falls into a paradox: if transcendence is a radical one, we cannot speak about it; if we speak about it, it is no longer radical. The aim of this paper is to overcome this paradox and to analyze the concept of transcendence considering the dynamic of self-transcending that is natural to man, the limit beyond which one can speak about transcendence, and the phenomena of mystery whereby the transcendence appears. Inasmuch as transcendence does not escape from the (...) suspicion that the movement of selftranscending postulates it according to its desires and reaches Kantian "transcendental appearance," this text tries to delineate the possible phenomenon of the maximum manifestation of transcendence in this world: how could transcendence give itself? The answer engages the revelation, namely, transcendence’s intention of donating itself, the presence of paradox, and the solution of mediation between transcendence and immanence by transcendence itself. Each of these possible solutions has examples in Christian Orthodox theology. (shrink)

In reading Father Dumitru Stăniloae, it is obvious that love and divine-human communion have a prominent role in his theology. This text aims to approach this topic from a phenomenological point of view: it analyzes the implicit reductions working in Stăniloae’s texts, the presence of the intentionality, the role of the ego and its limits, as well as the problem of the reciprocity of love. We will try to argue not only that there are phenomenological influences in Stăniloae’s understanding of (...) love, but also that such a topic requires a phenomenology that synthesizes the phenomenology of the world and the phenomenology of life. Because love, in its perfection, is a gift of the Holy Spirit, both types of phenomenology must be complemented with a dialogical and paradoxical one, a theo-phenomenology of love, where the Given can be invisible, living, eternally saturated, and never reducible to an object or to a concept. Keywords: Dumitru Stăniloae, Jean-Luc Marion, love, erotic reduction, theological counter-reduction, reciprocity of love, spiritual life, phenomenology. (shrink)