The series friends, rivals, enemies is a seemingly ‘natural’ classification for the relations of states, while the parallel series kin, neighbors, strangers functions as an informal classification system for social relations in general. That we may owe foreigners the hospitality due to strangers has become a matter of discussion among normative theorists, thanks to Kant's Perpetual Peace. Thus the conjunction of friendship and hospitality calls for a conceptual assessment. This assessment uses Aristotle's treatment of friendship (and Derrida's treatment of Aristotle's (...) ‘familial schema’) to establish three primary models of social relations (father to sons, husband to wife, brother to brother). Only ‘brothers’ (agents modeled as brothers) can be friends, rivals, or enemies. Only ‘fathers’ can be hosts who offer strangers the hospitality of the household. By the same token, only ‘fathers’ can be guests or take hostages. Such an assessment brings the conceptual concerns of two fields — international relations and political theory — closer together. In so doing, it rejects anarchy's conceptual hegemony in the field of international relations. (shrink)

This Sage handbook offers a panoramic view of the broad field of international relations by integrating three distinct but interrelated foci. It retraces international relations' historical devolopment as a professional field of study, expolores the philosophical foundations of international relations, and interrogates the sociological mechanisms through which scholarship is produced and the field is structured. The 41 chapters are structured into five parts: 01. Reflections on a disciplinary practice02. Imagining the international, acknowledging the global03. The search for (an) identity04. International (...) relations as a profession05. Looking ahead: the future of meta-analysis. (shrink)

Seyla Benhabib has displayed a deeply normative concern for the origin, properties, condition and destiny of the modern world in work running from Critique, Norm, and Utopia (1986), to Situating the Self (1992), The Reluctant Modernism of Hannah Arendt (1996), and Another Cosmopolitanism (2006). I hope to show that Benhabib's view of modernity is ambiguous, and that inconsistencies in her position reach back, through Habermas and Weber, to Kant. I begin with a sketch of Benhabib's sense of what modernity is (...) about, turn then to what I think makes her position ambiguous, and conclude with a discussion of what I think is missing in her treatment of modernity. The gap I identify is strikingly pointed up when she uses the term modernism but does not talk about modernism at all. (shrink)