Philosophy has repeatedly denied cinema in order to grant it artistic status. Adorno, for example, defined an ‘uncinematic’ element in the negation of movement in modern cinema, ‘which constitutes its artistic character’. Similarly, Lyotard defended an ‘acinema’, which rather than selecting and excluding movements through editing, accepts what is ‘fortuitous, dirty, confused, unclear, poorly framed, overexposed’. In his Handbook of Inaesthetics, Badiou embraces a similar idea, by describing cinema as an ‘impure circulation’ that incorporates the other arts. Resonating with Bazin (...) and his defence of ‘impure cinema’, that is, of cinema's interbreeding with other arts, Badiou seems to agree with him also in identifying the uncinematic as the location of the Real. This article will investigate the particular impurities of cinema that drive it beyond the specificities of the medium and into the realm of the other arts and the reality of life itself. Privileged examples will be drawn from various moments in film history and geography, starting with the analysis of two films by Jafar Panahi: This Is Not a Film, whose anti-cinema stance in announced in its own title; and The Mirror, another relentless exercise in self-negation. It goes on to examine Kenji Mizoguchi's deconstruction of cinematic acting in his exploration of the geidomono genre in The Story of the Last Chrysanthemums, and culminates in the conjuring of the physical experience of death through the systematic demolition of film genres in The Act of Killing. (shrink)

Introduction -- Physical cinema. The end of the other -- The immaterial difference : Werner Herzog revisited -- The reality of the medium. Conceptual realism in Land in trance and I am Cuba -- The work of art in progress : an analysis of delicate crime -- The ethics of desire. The realm of the senses, the ethical imperative and the politics of pleasure -- Hara and Kobayashi's "private documentaries" -- The self-performing auteur : ethics in João César Monteiro.

ObjectiveWe aimed to provide an overview of the psychological status and behavioral consequences of the lockdown during the COVID-19 pandemic in Libya.MethodsA cross-sectional study was conducted among the Libyan population through May and June 2020 in more than 20 cities. The survey comprised basic demographic data of the participants and anxiety symptoms measured using the seven-item Generalized Anxiety Disorder scale with ≥15 as the cut-off score for clinically significant anxiety symptoms. Additionally, a survey regarding the lockdown effect was administered, which (...) consisted of several parts, to measure the lockdown status.ResultsA total of 8084 responses were recorded, of which, 5090 were women and 2994 were men. The mean age for study participants was 27.2 years. Among the participants, 1145 reached the cut-off score to detect anxiety symptoms; however, of the study variables, only five were predictors of clinically significant anxiety: age, gender, marital status, work status, being a financial supporter for the family, and being infected with COVID-19. Women had 1.19 times higher odds to exhibit anxiety symptoms than men. Increasing age was significantly associated with reduced likelihood of exhibiting anxiety symptoms, whereas being married was significantly associated with higher likelihood of anxiety symptoms, compared to not being married. Being suspended from work was associated with an increase in the likelihood of anxiety symptoms. However, we found that being infected with COVID-19 was associated with a 9.59 times higher risk of exhibiting severe anxiety symptoms. Among the study participants, 1451 reported a physical and/or verbal abuse episode from family members, 958 reported abuse outside the family, and 641 reported abuse from enforcers, during the lockdown.ConclusionOur study provided an overview of the psychological and behavioral status, among those who resided in Libya during the civil war and COVID-19 pandemic. The study demonstrates a concerningly high level of clinically significant anxiety during lockdown among the Libyan population during Libya’s lockdown period. (shrink)

El presente ensayo tiene como objetivo evaluar un caso de desobediencia civil en el Perú: el desacato al decreto supremo que estableció la inamovilidad ciudadana el 5 de abril de 2022 en Lima y Callao. Para este propósito, se presentará el contexto en el que fue decretada y comunicada dicha medida. Luego se examinarán los argumentos a favor de la desobediencia expuestos en los textos Critón de Platón y Del deber de la desobediencia civil de Henry Thoureau para considerar este (...) acto moralmente justificado y necesario. Finalmente, se reflexionará sobre la relevancia de la puesta en práctica de este acto de desobediencia civil. (shrink)

Texto de la presentación del libro de Marc Richir La contingencia del déspota (Madrid, Brumaria) en la librería La Central de Callao, en Madrid, el día 7 de febrero de 2014.

Open peer commentary on the article “Designing Academic Conferences in the Light of Second-Order Cybernetics” by Laurence D. Richards. Upshot: I relate my own experiences of participating in and organizing conversational conferences to Richards’s discussion. Perhaps contradictory to Larry’s argument, I believe that in order for conversational conferences to be successful, they require some rules, structure and some hierarchy. Below, I would like to add reflections from own experience and also point to some guidelines worth considering, taken from Callaos’s (...) recommendations. (shrink)

Un 8 de octubre de 1993 sería publicado un video en todos los medios de comunicación televisivos de Perú. En él, el histórico líder de la organización terrorista Sendero Luminoso, Abimael Guzmán Reynoso, aparecía junto a su lugarteniente y pareja, Elena Iparraguirre Revoredo, también recluida en un penal de máxima seguridad en el puerto del Callao. En dicha aparición, el otrora "Camarada Gonzalo" declaraba la rendición de su organización armada y demandaba la necesidad de un acuerdo de paz con el (...) Estado peruano. De esa forma, comenzaba un primer epílogo del proceso de violencia y terror que se había instalado en el seno de la sociedad peruana durante más de trece años, y que formalmente había iniciado un 17 de mayo de 1980, con la quema de ánforas en la ciudad de Chuschi en Ayacucho, autodenominado por ellos como el "Inicio de la Lucha Armada". (shrink)