In lieu of an abstract, here is a brief excerpt of the content:The Japan Society for Buddhist-Christian Studies:Report on the 39th Annual Meeting August 18–19, 2021Kunihiko TerasawaThe 2021 annual conference of the Japan Society for Buddhist-Christian Studies was held online by Zoom. Five presentations were given on the theme of "Religion and Literature."August 18 (Three Presentations)First, President of the Japan-SBCS and professor emeritus at Sophia University, Yutaka Tanaka, presented "Hosokawa Garasha (Gracia)," which was about a Kirishitan (Christian) woman martyr in (...) the sixteenth century (1563–1600 ce) in Japan. Garasha was a wife of the feudal lord Hosokawa in Kyushu. The enemy attacked Garasha's castle. Instead of being killed by enemies, for the sake of honor, she chose to be killed by ritual suicide by her own vassals. Garasha's servants wanted to die with her according to tradition, but she let them run away. The servants testified about her death to Jesuit missionaries. According to the missionaries, Garasha chose to be killed by her vassals because it was honorable as the wife of Lord Hosokawa. If she would have chosen to run away, her husband would have become anti-Christian, persecuting missionaries, and believers. In this way, she became a martyr. According to missionaries, Garasha always loved reading the Imitatio Christi longing for the experience of Christ's cross.Tanaka explained the story of Garasha was spread in the sixteenth–seventeenth-century Europe through Jesuit missionaries. This story was composed to become an opera of Mulier Fortis (a brave lady) and played at the palace of Vienna in 1698.Second, Kunihiko Terasawa, an associate professor at Wartburg College, presented about his research in South Korea and Hong Kong during his sabbatical in 2019–2020. Terasawa's research project was titled "Interreligious/Transnational Solidarity of Religion as Resistance to Ultranationalist Populism in East Asia and Pacific Rim." In South Korea, he was a visiting professor at Sogang University, a Jesuit college, focused on how reconciliation could be possible between Korea and Japan through Buddhist-Christian dialogue. Terasawa visited churches, temples, Christian/Buddhist universities, and Seoul National University for discussions with youth and scholars, and presented four times during his time. He also interviewed comfort women and visited the Sodemon prison that the Japanese' occupation government built. Terasawa was [End Page 389] eventually interviewed by a national daily newspaper for their piece, titled, "The Improvement of Korea-Japan Relationship through Repentance and Forgiveness."Terasawa was also a visiting professor at Hang Seng University of Hong Kong and taught a course on "Asian Religions and Society." Terasawa interviewed students, scholars, and religious leaders, and found that many Christians students are involved in democratic movements. However, it has not been easy to create solidarity between Christianity and Buddhism for democratic movements. Hong Kong Buddhists have had resentment toward Christianity due to the British Hong Kong government's leniency toward Christianity. The Buddhists, therefore, are more inclined to support the current Hong Kong government backed by the Chinese Communist government. The Buddhists appear to be politically indifferent, focusing on inner mindfulness or meditations. Thus, Hong Kong students and professors are focused less on past resentments and more on the future, and thus are vital in creating solidarity among Christians, Buddhists, and Muslims for democracy and human rights.Third, Yoshio Tsuruoka, a professor emeritus at Tokyo University, presented "How to read the poems of St. John the Cross with reference to the 'language' philosophy of Shizuteru Ueda." Ueda was a professor at Kyo to University, specializing in the philosophies of Nishida Kitaro and Meister Eckhart. Tsuruoka explained St. John the Cross'sjourney, most notably, how he became a mystic in his relation to Teresa de Ávila and ended up writing poems during his confinement time. His poems are "songs of love,""dark night," and "fire of love," and symbolize the romantic relationship between lover and loved without particular nouns. This love relationship of "I"–"Thou" implies his love relationship with God. Tsuruoka explored the love language of "I"–"Thou" of John the Cross which indicates the essence of language. Language is not just a written word or descriptive one, but an utterance from a human subject of person to the "other" person in relationship. That is why... (shrink)