Journal impact factor is a value calculated annually based on the number of times articles published in a journal are cited in two, or more, of the preceding years. At the time of its inception in 1955 , the inventor of the impact factor did not imagine that 1 day his tool would become a controversial and abusive measure, as he confessed 44 years later . The impact factor became a major detrimental factor of quality, creating huge pressures on authors, (...) editors, stakeholders and funders. More tragically, in some countries the number of publications in journals with “high impact factors” condition the allocation of government funding for entire institutions . Based on the assumption that IF reflects scientific quality, the impact factor produces a widespread impression of prestige and reputation, though no experimental data support this hypothesis .The impact factor was originally conceived as a bibliome .. (shrink)

High percentages of submitted papers are rejected at editorial levels without offering a second chance to authors by sending their papers for further peer-reviews. In most cases, the rejections are typical quick answers without helpful argumentations related to the content of the rejected material. More surprisingly, some journals vaunt their high rejection rates as a “mark of prestige”!However, journals that reject high percentages of submitted papers have built their prominent positions based on a flawed measure, the impact factor, and from (...) a long and favorable historical context. Their shareholders may think that they are allowed to have a large margin of rejection rates without affecting their sponsorship or funding sources thanks to an extended anchorage since tens, or in some cases hundreds, of years compared to unknown or new journals that struggle to pave a way in the scientific publication world. Historical anchorage of some journals also makes it unfair to compare old and new .. (shrink)

This study examines the conflict strategies used in the highly adversarial and popular Arabic-language talk show broadcasted weekly on Al-Jazeera satellite channel, known as Al-Ittijah Al-Mu’aakis 'The Opposite Direction'. The study identifies the conflict strategies and verbal conflict expressions and approaches them in the light of Interactional Sociolinguistics. The analysis of three episodes debating three different topics shows that disputants used several types of strategies including "impoliteness", "aggravated impoliteness", topic restriction, lengthy holding of the floor, and sarcasm. The speakers' bald-on-record (...) expressions of disagreement are expected as a result of the controversial and polemical nature of the show, which creates fierce competition between the two guests to present their arguments in an aggressive way. (shrink)

Cet essai relate le cheminement, à travers la Bible, d'une pensée libre, en opposition à la "rétention honteuse, chez les musulmans, pour aller à la découverte de la Torah et des Evangiles" (Youssef Seddik), et à leur "indifférence pour ce qui relève de la connaissance du monde juif, de son passé ou de sa pensée" (Victor Malka). En relevant, à travers l'épopée du peuple "inventeur du dieu unique", les codes qui fondent la morale juive, l'auteur a eu le sentiment de (...) découvrir en YHWH un "Grand Ordonnateur de feuilles de route". Une route rigoureusement balisée, avec ses bornes et ses "haies" de protection - qu'en hébreu on appelle des syagim. Ainsi, après quatre années passées à glaner sur les "terres" du judaïsme biblique, telle Ruth glanant sur les terres de Booz, après avoir étudié plus de cent textes juifs, anciens et contemporains, l'auteur interroge ici le rapport du Juif à son prochain (parent, voisin, étranger, allié ou ennemi). Une découverte. (shrink)

Edition and study of P.Vindob. A.Ch. 36616, a literary paper fragment from 3rd/9th-century Egypt. The fragment contains a tradition that depicts ʿAlī b. Abī Ṭālib (d. 40/661) performing a four-rakʿa prayer and reciting a special supplication on the 15th of the month of Rajab. The tradition is only known from noncanonical Shīʿī ḥadīth collections. Situating it in a broader historical context, the paper provides a glimpse on the Shīʿī presence in Egypt as well as the sanctity of the month of (...) Rajab in Sunnī and Shīʿī literatures. This tradition, in conclusion, presents an early evidence for the observances of the month of Rajab in general and the middle of the month in particular in the local Shīʿī community in pre-Fatimid Egypt. (shrink)

This paper edits and studies four Arabic legal documents, written on two papyri, now housed in the Beinecke Rare Book and Manuscript Library at Yale University. The documents belong to a certain ʿAmmār b. Salama b. ʿAbd al-Wārith, a merchant from al-Bahnasā. Document 1 (P.CTYBR inv. 1720 verso) records a contract of sale of two inherited portions belonging to a Copt with double names, a Christian and a Muslim one. The contract touches on two significant socio-religious subjects: 1. name change (...) after religious conversion, and 2. the loss of paternal filiation (nasab) of children born outside wedlock or in wedlock but their paternity was disavowed via the Islamic procedure of liʿān “oath of condemnation” or upon evidence of certain circumstances that prove impossibility of paternity. Documents 2.1, 2.2, and 2.3 (P.CTYBR inv. 1715 recto and verso) contains three debt acknowledgements recording payments in coin and in kind. All documents date to the year 297/909–910. (shrink)

We study some representations of real numbers. We compare these representations, on the one hand from the viewpoint of recursive functionals, and of complexity on the other hand.The impossibility of obtaining some functions as recursive functionals is, in general, easy. This impossibility may often be explicited in terms of complexity: - existence of a sequence of low complexity whose image is not a recursive sequence, - existence of objects of low complexity but whose images have arbitrarily high time- complexity .Moreover, (...) some representations of real numbers that are equivalent from the viewpoint of recursive functionals, are very distinct from the viewpoint of complexity.We make a particular study of representations via continued fractions . We precise exactly what part of information available in the x's dfc is equivalent to the information available in its Dedekinds cut. We show that the sum of two reals whose dfcs are polynomial-time computable may be a real whose dfc has time complexity arbitrarily high.This work confirms that the unique representation of real numbers suitable for the ordinary calculus is via explicit Cauchy sequences of rationals.RésuméNous étudions différentes manières de présenter les nombres réels. Nous comparons ces présentations du point de vue des fonctionnelles récursives d'une part, et de celui des classes de complexité d'autre part.L'impossibilité d'obtenir certaines fonctions sous forme de fonctionnelles récursives est en général facile à établir. Cette impossiblité peut souvent être explicitée en termes de complexité: - il existe une suite de faible complexité dont l'image est une suite non récursive, - il existe des objets de faible complexité mais dont les images sont des objets de complexité arbitrairement grande .En outre, certaines présentations des réels équivalentes du point de vue des fonctionnelles récursives se distinguent nettement du point de vue de la complexité.Nous faisons une étude particulière concernant les développements en fraction continue . Nous précisions exactement quelle est la partie de l'information disponible dans le dfc d'un réel x qui équivaut à l'information disponible dans sa coupure de Dedekind. Nous montrons également que la somme de deux réels dont le dfc est calculable en temps polynomial peut être un réel dont le dfc est de complexité arbitrairement grande.Ce travail confirme que seule une présentation des réels via des suites de rationnels explicitement de Cauchy est adaptée aux calculs avec les réels. (shrink)

We prove that in a nilpotent-by-finite stable group an equation that holds generically holds everywhere. Combining this result with results of Wagner and Bryant, we conclude that a soluble-by-finite stable group of generic exponent n has exponent n.

RésuméOn prouve que dans un groupe stable, nilpotent par fini, une équation générìquement satisfaite y est partout satisfaite. En combinant ce résultat avec des résultats de Wagner et Bryant, on déduit qu'un groupe stable résoluble-par-fini d'exposant généríquenest d'exposantn.

We show that the conceptual distance between any two theories of first-order logic is the same as the generator distance between their Lindenbaum–Tarski algebras of concepts. As a consequence of this, we show that, for any two arbitrary mathematical structures, the generator distance between their meaning algebras (also known as cylindric set algebras) is the same as the conceptual distance between their first-order logic theories. As applications, we give a complete description for the distances between meaning algebras corresponding to structures (...) having at most three elements and show that this small network represents all the possible conceptual distances between complete theories. As a corollary of this, we will see that there are only two non-trivial structures definable on three-element sets up to conceptual equivalence (i.e., up to elementary plus definitional equivalence). (shrink)

In their recent paper, Esfe et al. present some criteria for fake journals and propose some ‘features’ to recognize them. While I share most of the authors’ concerns about this issue in general, some of the reported criteria are not fit to differentiate fake journals from genuine ones. Here are some examples derived from their list, which illustrate that such criteria are not necessarily specific to fake journals only, but they could also apply to well-established journals and, therefore, should not (...) be considered as is. (shrink)

Reflective capacity is integral to core healthcare professional practice competencies. Reflection plays a central role in teacher education as reflecting on teaching behaviours with critical analysis can potentially improve teaching practice. The humanities including narrative and the visual arts can serve as a valuable tool for fostering reflection. We conducted a multinational faculty development workshop aiming to enhance reflective capacity in medical educators by using a combination of abstract paintings and narratives. Twenty-three family physicians or physicians-in-training from 10 countries participated (...) in the workshop. Qualitative assessment of the workshop showed that the combined use of art and narrative was well received and perceived as contributing to the reflective exercise. Participants generally felt that viewing abstract paintings had facilitated a valuable mood transformation and prepared them emotionally for the reflective writing. Our analysis found that the following themes emerged from participants’ responses: narratives from different countries are similar; the use of art helped access feelings; viewing abstract paintings facilitated next steps; writing reflective narratives promoted examination of educational challenges, compassion for self and other, and building an action plan; and sharing of narrative was helpful for fostering active listening and appreciating multiple perspectives. Future research might include comparing outcomes for a group participating in arts–narrative-based workshops with those of a control group using only reflective narrative or in combination with figurative art, and implementing a combination of qualitative and quantitative methods of assessment. (shrink)

The cover letter is not the main text destined to be evaluated or published. The content of the cover letter is already overlapped and redundant with the article's abstract. Cover letters look like the ‘misleading’ commercial ads; as good or as bad as they might be, they do not change the inherent value of the advertised product. The significance of a manuscript should be manifest in the 200–300 words of its abstract and alongside the manuscript as a whole. The aim (...) of cover letter to impress editors, recruiters or hiring managers, would give only a false and ephemeral impression because the veritable, lasting, impression is that ulterior impression related to the innate value of the candidate (or the manuscript), not from a cover letter that ends in the trash. (shrink)

In contrast to the conventional fund management industry with a profit-oriented logic based on risk and return, ethical and faith-based funds should follow the religious principles of their investment-style philosophy. Islamic funds should obey the theological teachings of the primary sources of Islam, the Quran and Sunnah, as stakeholders expect these religious teachings to influence the investment decisions of fund managers. In practice, Islamic fund managers use Accounting and Auditing Organization for Islamic Financial Institutions ’s screening criteria, based on secondary (...) sources of Islam, which allow investments that are only partially halal to be included in their portfolios. This study finds that a more religious logic in screening practices, although impairing diversification, does not necessarily harm performance. Thus, Islamic investment funds, and the wider ethical fund management industry, should, and could, adopt stricter screening criteria that match their investment mandates and bring more ethical business practices to the industry. (shrink)

Scientific journals ask authors to put their manuscripts, at the submission stage, sometimes in a complex style and a specific pagination format that are time consuming while it is unclear yet that the submitted manuscripts will be accepted. In the case of rejections, authors need to submit to another journal most likely with a different style and formatting that require additional work and time. To save authors’ time, publishers should allow authors to submit their manuscripts in any format and to (...) comply with the style required by the targeted journal only in revised versions, but not at the submission step when the manuscripts are not yet approved for publication. (shrink)

The Internet has revolutionized the way knowledge is currently produced, stored and disseminated. A few finger clicks on a keyboard can save time and many hours of search in libraries or shopping in stores. Online trademarks with an prefix such as e-library, e-business, e-health etc., are increasingly part of our daily professional vocabularies. However, the Internet has also produced multiple negative side effects, ranging from an unhealthy dependency to a dehumanization of human relationships. Fraudulent, unethical and scam practices are also (...) flourishing through for example misleading online advertising methods. Some social and professional networks gather users’ profiles for selling and advertising purposes, sometimes by making it technically difficult to unsubscribe. Here, I discuss some of these unethical aspects and propose some potential solutions to reduce them. (shrink)

This paper deals with the mystical experiences in Virginia Woolf’s artistic creation. Woolf denies any form of modernism that cannot transcend reality. There are moments, where reality is never what it is but a vision — a perspective — whose meaning is beyond the graspable. Reality, thus, becomes un-reality — a halo, and the artist becomes a contemplator — a devotee to such visionary manifestation. Virginia Woolf does not make an exception to this rule. She is par excellence a mystic. (...) The artistic design of her novels, mainly, To the Lighthouse, is of transcendental dimension. Both, Mrs Ramsay’s and Lily Briscoe’s perceptions of life are beyond the palpable: their selves merge within a process of sublimation comparable to that of mysticism. In other words, art (mainly fiction) becomes a process of change from the factual to the transmutable. (shrink)

The aim of this contribution is to examine and unveil the Augustinian time process and self-examination in Virginia Woolf’s “To the Lighthouse.” The latter is a successful (re)presentation of the interrelation between human consciousness and time “control”. The self cannot be defined without time dimension. Woolf seems to confirm that time is more interior than exterior and is an essential part of human being: it is through it that human being is felt as a part of the world. There are (...) some powerful statements of her characters that show strange similarities to Augustine’s doctrine of time, memory and existence. This triad characterizes his works, mainly “Confessions.” Woolf’s characters are so contemplative. We find them looking outward in order to discover their inside. The internal and the external are the focus of time knowledge and self-discovery. They are dialogically interrelated and define one another. The self is an ever “IS” within the presentness of the present: the “was” (past) is only a memory (“the no-longer”) and the “will be” (future) is only the “not-yet” that has to come in order to become a present. In Augustine’s doctrine, the past and the future do not exist because they are absent in the present. Yet, their only existence is the present – the NOW. Consciousness preserves one’s past within itself. The individual meets and examines himself through consciousness. Mrs. Ramsay in “To the Lighthouse” experiments these dimensions and tries to define herself through time. (shrink)

Does translation of the literary text really need a theory? If yes which one among so many, which complicate more than simplify the matter? Which strategy do we adopt to at least communicate something of the original to a target reader, who does not know anything of the source language? The key problem is the meaning. Is it really grasped? If yes, is it of the text, or of the author, or of the reader? Meaning is not restricted to linguistic (...) parameters; it is more cognitive and essentially based on the interpreter’s own world knowledge. The text is not only a product but essentially an on-going process of meaning. Though it has precise time and space when produced, it is, nonetheless, timeless and spaceless. When we animate it, through reading, it becomes a text within the scope of a new space and a new time. That is, the meaning in the process of translation becomes anew. The text is autonomous and its autonomy makes it have its own specificity and existence. And so, the meaning in/of the text is ever-changing: there is no one meaning in/of the text, as there is no one reader of the text. (shrink)

We show that there exists an atomic polyadic equality algebra of dimension n that is elementary equivalent to a completely representable algebra, but its diagonal free reduct is not completely representable.

(2003). U¨bermenschen, mestizas, nomads The onotology of becoming and the scene of transnational citizenship in anzaldu´a and nietzsche. Angelaki: Vol. 8, No. 3, pp. 41-57.

Welcome to Angelaki’s general issue 2018 II. Submissions for our general issues are accepted year-round. In view of an ever-rising rate of high-quality article submission, Angelaki is happy to anno...

À travers le présent entretien, Salah Stétié, écrivain au carrefour d’au moins deux traditions culturelles, envisage son rapport singulier à la question de l’entre-deux. Il évoque en particulier le lien très étroit qui l’unit aux civilisations de la Méditerranée ; la question de l’intervalle l’amène à parler du sens de son écriture poétique, de son rapport à la langue et à la traduction. Plus surprenant sans doute est le contexte premier qu’il donne à son exploration poétique, selon une inspiration (...) très orientale : une physique spirituelle de l’énergie — de la danse de l’énergie, au centre de laquelle le poète se tient, à « la source des vertiges ». C’est une entité quasi impersonnelle et insituable qui écrit, à la croisée des dimensions mentales, spirituelles et verbales — et d’un inconscient qui serait beaucoup plus large que le personnel. Cependant, pour Salah Stétié, le poète, loin de ne résider nulle part, développe une « citoyenneté surplombante » qui lui permet de circuler dans toute l’étendue du réel, de l’embrasser dans son ensemble et d’en témoigner sans exclusive. Through this interview, Salah Stétié, writer in the crossroads of at least two cultural traditions, envisages his singular relationship in the question of the in-between. He evokes in particular the very narrow link which unites him with the civilizations of the Mediterranean Sea ; the question of the interval leads him to speak about the sense of its poetic writing, about its relationship in the language and in the translation. More surprising doubtless is the first context which he gives to his poetic exploration, according to a very oriental inspiration: a spiritual physics of the energy—of the dance of the energy, in the center of which the poet stands, near to “the spring of the dizzinesses”. It is a quasi-impersonal and insituable entity who writes, between the mental, spiritual and verbal dimensions—and of an unconsciousness which would be much wider than the personal one. However, for Salah Stétié, the poet, far from livig in Utopia, develops an “overhanging citizenship” who allows him to travel in all the areas of the reality, to embrace them and to testify of them without any exclusive. (shrink)

In the literature, there have been several methods and definitions for working out whether two theories are “equivalent” or not. In this article, we do something subtler. We provide a means to measure distances between formal theories. We introduce two natural notions for such distances. The first one is that of axiomatic distance, but we argue that it might be of limited interest. The more interesting and widely applicable notion is that of conceptual distance which measures the minimum number of (...) concepts that distinguish two theories. For instance, we use conceptual distance to show that relativistic and classical kinematics are distinguished by one concept only. (shrink)

This paper deals with the study of the existence of weak positive solutions for sublinear Kirchhoff elliptic systems with zero Dirichlet boundary condition in bounded domainΩ⊂ℝNby using the subsuper solutions method.

Plants are permanently impacted by their environments, and their abilities to tolerate multiple fluctuating environmental conditions vary as a function of several genetic and natural factors. Over the past decades, scientific innovations and applications of the knowledge derived from biotechnological investigations to agriculture caused a substantial increase of the yields of many crops. However, due to exacerbating effects of climate change and a growing human population, a crisis of malnutrition may arise in the upcoming decades in some places in the (...) world. So, effective, ethical and managerial regulations and fair policies should be set up and applied at the local and global levels so that Earth may fairly provide the food and living accommodation needed by its inhabitants. To save some energy consumption, electric devices should be manufactured to work with solar energy, whenever available, particularly in sunny countries where sun is available most of the time. Such characteristic will save energy and make solar energy-based smartphones and laptops less cumbersome in terms of chargers and plugging issues. (shrink)

Scientific journals ask authors to put their manuscripts, at the submission stage, sometimes in a complex style and a specific pagination format that are time consuming while it is unclear yet that the submitted manuscripts will be accepted. In the case of rejections, authors need to submit to another journal most likely with a different style and formatting that require additional work and time. To save authors’ time, publishers should allow authors to submit their manuscripts in any format and to (...) comply with the style required by the targeted journal only in revised versions, but not at the submission step when the manuscripts are not yet approved for publication. (shrink)

As a conceptual approach in art practice, the female body has represented both a cultural barrier and a source of inspiration throughout art history. The adoption of the female body as an art theme is prevalent across many different artistic movements, using varying conceptual approaches. Women struggle against paradigms of inferiority to this day, though their individual cultural identity varies according to their society’s beliefs and customs – for example, many contemporary Middle Eastern cultures and customs are based on a (...) patriarchal past, when men wielded power over women. Women all over the world experience subjugation to varying degrees in the fields of employment, education, sexuality and reproductive choice. The female body in Middle Eastern societies is a red line that artists are not allowed to cross. Though many Middle Eastern civilizations have dealt freely with the female body, as can be seen in the paintings and sculptures of ancient Egypt, many social and religious factors made the female body taboo in most Middle Eastern cultures. However, on close scrutiny of modern art history in Middle Eastern and Islamic countries, we can identify outstandingly courageous female artists who succeeded in breaking the rules. They chose to express themselves through their own own form of art as an expression of freedom. They chose to use their own bodies as an art medium, which made them pioneers in their countries, and many female artists followed their example. Media art has flourished in Arab countries since the 1990s, especially in Egypt. Many of these female artists distinguished themselves as pioneers, aligning themselves with new art forms and challenging the prevailing stereotypical notion of the female artist at that time. This new mode of female self-expression and identity has developed over time and remains an ongoing process in the twenty-first century. This article considers how Middle Eastern female media artists have struggled to transform stereotypes of women by using their own bodies as an artistic element, and how they have expressed the concept of freedom through their self-body image. (shrink)

It is known that when Boabdil, the last of the Abencerrages, left Granada definitively, driven out by the reconquest, he gave a final look at his admirable city and, at that precise moment, sighed deeply. That sigh—el suspiro del Moro—has come down to us through history and after us will no doubt touch and disturb the sensibility of our descendants until the end of time. However, is it really a matter of Boabdil‘s sigh only, or is it the one, coming (...) from Adam, of those who have lost Paradise? Here, Boabdil seems to be one relay among others of that lament issuing from the depths of the species and rising, as regret and never-ceasing nostalgia, to the easily-agitated surface of our ocean of domesticity. Since that first garden, we have been the unloved children of this regret and this nostalgia. The angel with the fiery sword changes nothing: he does not have our memory that, alone, makes us every day a little less original and, in doing so, expels us, making us a little more defenseless than we were when we came out of the void. To remember is obviously to lose oneself, and we are at every moment in this vertiginous situation. As Heidegger said, to remember is to contemplate oblivion. (shrink)

Name der Zeitschrift: Der Islam Jahrgang: 94 Heft: 1 Seiten: 57-65.