Order:
Disambiguations
Karin Mogg [15]K. Mogg [2]Ken Mogg [2]
  1.  35
    Orienting of Attention to Threatening Facial Expressions Presented under Conditions of Restricted Awareness.Karin Mogg & Brendan P. Bradley - 1999 - Cognition and Emotion 13 (6):713-740.
  2.  35
    Attentional Bias for Threatening Facial Expressions in Anxiety: Manipulation of Stimulus Duration.Brendan P. Bradley, Karin Mogg, Sara J. Falla & Lucy R. Hamilton - 1998 - Cognition and Emotion 12 (6):737-753.
  3.  44
    Brief report time course of attentional bias for threat scenes: Testing the vigilance‐avoidance hypothesis.Karin Mogg, Brendan Bradley, Felicity Miles & Rachel Dixon - 2004 - Cognition and Emotion 18 (5):689-700.
  4.  28
    Covert and overt orienting of attention to emotional faces in anxiety.Brendan P. Bradley, Karin Mogg & Neil H. Millar - 2000 - Cognition and Emotion 14 (6):789-808.
  5.  58
    Attentional biases for emotional faces.B. P. Bradley, K. Mogg, N. Millar, C. Bonham-Carter, E. Fergusson, J. Jenkins & M. Parr - 1997 - Cognition and Emotion 11 (1):25-42.
  6.  31
    Selective attention to threat: A test of two cognitive models of anxiety.Karin Mogg, James McNamara, Mark Powys, Hannah Rawlinson, Anna Seiffer & Brendan P. Bradley - 2000 - Cognition and Emotion 14 (3):375-399.
  7.  32
    Attentional bias to threat in clinical anxiety states.Karin Mogg, Andrew Mathews & Michael Eysenck - 1992 - Cognition and Emotion 6 (2):149-159.
  8.  14
    Identification of angry faces in the attentional blink.Frances A. Maratos, Karin Mogg & Brendan P. Bradley - 2008 - Cognition and Emotion 22 (7):1340-1352.
  9.  17
    Attention control: Relationships between self-report and behavioural measures, and symptoms of anxiety and depression.Marie Louise Reinholdt-Dunne, Karin Mogg & Brendan P. Bradley - 2013 - Cognition and Emotion 27 (3):430-440.
  10.  17
    Health anxiety, anxiety sensitivity, and attentional biases for pictorial and linguistic health‐threat cues.Andrea Lees, Karin Mogg & Brendan P. Bradley - 2005 - Cognition and Emotion 19 (3):453-462.
  11. Selective attention and anxiety: A cognitive-motivational perspective.Karin Mogg & Brendan P. Bradley - 1999 - In Tim Dalgleish & M. J. Powers (eds.), Handbook of Cognition and Emotion. Wiley. pp. 145--170.
  12.  30
    Assessment of cognitive bias in anxiety and depression using a colour perception task.Karin Mogg, Andrew Mathews, Jon May, Matthew Grove, Michael Eysenck & John Weinman - 1991 - Cognition and Emotion 5 (3):221-238.
  13.  9
    Recollective experience and recognition memory for threat in clinical anxiety states.Karin Mogg, John M. Gardiner, Andreas Stavrou & Susan Golombok - 1992 - Bulletin of the Psychonomic Society 30 (2):109-112.
  14.  23
    The time course of attentional bias for emotional faces in anxious children.Allison M. Waters, Liza L. Kokkoris, Karin Mogg, Brendan P. Bradley & Daniel S. Pine - 2010 - Cognition and Emotion 24 (7):1173-1181.
  15. Biases in overt and covert orienting to emotional facial expressions.B. P. Bradley, K. Mogg & N. Millar - 2000 - In Eric Eich, John F. Kihlstrom, Gordon H. Bower, Joseph P. Forgas & Paula M. Niedenthal (eds.), Cognition and Emotion. Oxford University Press. pp. 14--789.
  16.  16
    Attention to drug-related cues in drug abuse and addiction: component processes.Matt Field, Karin Mogg & Brendan P. Bradley - 2006 - In Reinout W. Wiers & Alan W. Stacy (eds.), Handbook of Implicit Cognition and Addiction. Sage Publications.
    Direct download  
     
    Export citation  
     
    Bookmark  
  17.  47
    From the conscious into the unconscious: What can cognitive theories of psychopathology learn from Freudian theory?Karin Mogg, Lusia Stopa & Brendan P. Bradley - 2001 - Psychological Inquiry 12 (3):139-143.
  18. Hitchcock made only one horror film: Matters of time, space, causality, and the Schopenhauerian will.Ken Mogg - 2003 - In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press. pp. 84.
     
    Export citation  
     
    Bookmark  
  19.  32
    Small World, on Deborah Thomas Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films.Ken Mogg - 2003 - Film-Philosophy 7 (1).
    Deborah Thomas _Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films_ Moffat, Dumfriesshire, Scotland: Cameron and Hollis, 2000 ISBN 0-9065506-17-4 142 pp.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark