In lieu of an abstract, here is a brief excerpt of the content:Five Poems AMIT MAJMUDAR Observing Orpheus I hear the meaning turn back in his throat like Eurydice on the way up from the darkness. Music’s meaning is its making. As for me, I am one more animal in his entourage, learning a new thirst, finding a new south. None of us knew we had this instinct in us. If deserts hide wildflowers until first rain, bright ears are (...) blossoming out of our skulls. He doesn’t have much longer. I know this myth. A God douses the fire with a beehive. The Maenads smear their faces with a warpaint made of stoneground fireflies and pine sap. Hands—hands like his, that drew music through lyre strings into our forest like pieces of bread through a prison fence— are reaching for his body now, his lyre. Their weapons are hands, nothing but hands. They are infinite. They are enough. arion 27.1 spring/summer 2019 Her Metamorphoses First a beetle, body armor forged of chitin, exoskeleton he’ll never bruise, Undiscovered, unapologetically hermetic on her own Galapagos. Next a fruit bat, echolocating tangerines like a blind woman singing up at stars. Then a patio lizard, sunning herself for as long as she needs, A better place for keeping warm than bed with him. Next a sleek water moccasin, quick to make out another woman’s heat signature on his neck, Even quicker to strike. A caterpillar to poke holes in his lying roses And from that destruction to fashion two beautiful wings for herself. A buzzard, to clean up the roadside pile he left of her. A woman in full with no more soft blind pupa stages of her life cycle left, No more forms to force herself to fit for the sake of his pleasure, No more shapeshifts, no more slimming stripes, no more abdominal crunches: Just this body, just this last name, just this apartment, just this bowl of midnight cereal. Just her. 106 five poems Sisyphus Shove hard, shove, shove hard, eyes bloodshot, knees bent Till your boulder goes weightless and races ahead in descent. Force its dark door open inch by grim inch, Shove hard, shove, shove hard, eyes bloodshot, knees bent, Heels dug deep in hell’s steep hillside, teeth clenched. What gravity strips from you, gravity grants you again. Shove hard, shove, shove hard, eyes bloodshot, knees bent Till your body goes weightless and races ahead in ascent. Amit Majmudar 107 A Trinket for Persephone A deathwatch beetle burrows in the pale hall of your marrow, your underground, your tube of bone on which you’re riding home alone. This blackwinged locket with your soul emerges rattling from a hole, a rattle in your emptied throat, the diva’s final, graceless notes, a clicking echoed in the rafters, this bugbear insect coming after to scuttle across the marshy chest, sinkhole navel, and pubic nest out to the yard, below the porch untrackable by any torch until this bug with you inside has burrowed to the other side. It drops into the underworld, as if from some cocoon unfurled, to scale a queenly wrist and rest your brooch of black upon her breast. 108 five poems Four Ways of Looking at Argus 1. His Vigil These hundred eyes, these hundred balloons Tied to the boy-small wrist of my mind Are down to ninety-nine. I lost one to a bee sting late last June— I never thought of them as fragile Until that pinprick broke my vigil. I’m slowing down. I didn’t blink in time. I have no inkling why I keep This vigil—surely not to watch, Panoptic from this mountaintop, A heifer drifting off to sleep? I’m here, I must be here, to see A signal fire from the east That warns of Olympus under siege And Ares gory from a rout, Athena’s owl’s eyes gouged out, The naiads naked in a pen, The whole world given up to men. The Gods will need a monster then. 2. After Martial Hermes was in a fix: He needed lullabies To shutter Argus’s one hundred eyes And get the tethered heifer—coal-eyed Io—free Of Hera’s... (shrink)

This article examines the emergence of the Nyāya distinction between vāda and jalpa as didactic-scientific and agonistic-sophistical forms of debate, respectively. Looking at the relevant sutras in Gautama’s Nyāya-sūtra (NS 1.2.1-3) in light of the earlier discussion of the types of debate in Caraka Saṃhitā 8, the article argues that certain ambiguities and obscurities in the former text can be explained on the hypothesis that the early Nyāya presupposed an agonistic understanding of vāda similar to what we find in (...) Caraka. (shrink)

Vāda, the classical name for the act of discussion/debate in the Indian tradition, forms the basis of every conversation undertaken to reach correct knowledge. The paper explores the Indian tradition of Vāda and its subcategories with the intention of highlighting the all-encompassing and holistic nature of this Indian tool of cultural studies in both theory and praxis. It checks into its evolution through contemporary times, wherein it has lost its essence to accommodate the corrupted interests of modern individuals as well (...) as leaders and debaters. Through the analysis of various examples, the paper endeavours to establish Vāda as a comprehensive way to attain correct knowledge. Examples from day-to-day life as well as the historic-literary world help to explicitly comprehend these tools that have been used for establishing the nearest truth from ancient times in India. These tools are potent to all aspects of research across spatial-temporal limits as they are innate and immutable to all disciplines of knowledge and education. (shrink)

A reasoned argument or tarka is essential for a wholesome vāda that aims at establishing the truth. A strong tarka constitutes of a number of elements including an anumāna based on a valid hetu. Several scholars, such as Dharmakīrti, Vasubandhu and Dignāga, have worked on theories for the establishment of a valid hetu to distinguish it from an invalid one. This paper aims to interpret Dignāga’s hetu-cakra, called the wheel of grounds, from a modern philosophical perspective by deconstructing it into (...) a simple probabilistic mathematical model. The objective is to understand how and why a vāda based on a probabilistically weaker hetu can degrade into a Jalpa or vitaṇḍā. To do so, the paper maps the concept of ‘Bounded Rationality’ onto the hetu-cakra. Bounded Rationality, an idea coined by the management thinker Herbert Simon, is often employed in understanding decision-making processes of rational agents. In the context of this paper, the concept would state that the prativādin and ālocaka (debater) may not hold unbounded information to back their pratijñā (proposition). The paper argues that within the probabilistically deconstructed hetu-cakra model, most people argue in the ‘Zone of Bounded Rationality’, and thus, the probability of a debate degrading into Jalpa or vitaṇḍā is high. -/- . (shrink)

Poems and Commentaries by Amit Majmudar, Kelly Sievers, Bonnie Salomon, David Watts, Paul Boor, and Beth Lown.Jack Coulehan, Editor.