Chemicals have penetrated everyday lives of men who have sex with men as never before, along with new online and mobile technologies used to seek pleasures and connections. Poststructuralist (including queer) explorations of these new intensities show how bodies exist in the form of (political) surfaces able to connect with other bodies and with other objects where they may find/create a function (e.g., reproduce or disrupt hegemonies). This federally funded netnographic study explored how a variety of chemicals such as recreational (...) drugs, pharmaceuticals and steroids are contributing to the construction of gay, bisexual and other men having sex with men (GBMSM) communities and their interactions with idealized masculinities in the age of increasing technology. Five major thematic categories emerged from our analysis: (1) assembling bodies and technologies, (2) becoming orgiastic, (3) experiencing stigma, (4) becoming machinic and (5) negotiating practices. Our analysis explores how and why GBMSM pursue excesses of pleasure and connection through the assemblages they make with sexualized drug use, online platforms and other men. (shrink)

La thèse de cet ouvrage est que 1'art est une expression de la subjectivité, non seulement de la subjectivité relative, déjà psychologisée et mêlée au monde, mais tout autant et primordialement, de la subjectivité humaine absolue ...

Sudies on Buddhist philosophy and Vedanta philosophy of Śaṅkarācārya.

This article reviews the feminist theorization of the concept of citizenship in an attempt to contextualize it in a situation where the basic ingredients for a sovereign state do not exist. The formation of the Palestinian Authority included the reconstruction of the Palestinian ‘imagined’ community within which approaches to gender policies were reformulated to suit a new era. However, the feminist use of the concept of citizenship itself comes into question under conditions of prolonged Occupation. In this analysis, I submit (...) that while women’s NGOs and grass-roots organizations have an important role to play in creating space for women to politicize their demands in advocating full citizenship rights, there are serious limits to what institutions of civil society can achieve when the basic foundations for the state are in a precarious situation. (shrink)

The poetic image results from the effort undertaken by affectivity to express itself in a language that is not originally its very own, but that holds the advantage of being communicable not only at the level of representation, but at the level of feeling as well. The image is not considered, therefore, to be a synthesis of true and false. In the process of creation, the affect is the material principle of the image as an ideal unity of syntheses. It (...) is implied here that poetic writing is not about a content of internal aiming, previously possessed by consciousness, that is made to correspond with an element of the world, even­tually represented by means of sensible intuition. In order to illustrate this, the author interprets a poem by Nadia Tueni, showing that it is essentially about its own production. (shrink)

First we try to show that Henry’s philosophy of art meets Schelling’s ambition of exposing art as an organon of a philosophy of pathetic subjectivity (against the theory of imitation or reproduction). In this regard, Balzac’s novels serve as an illustration showing art to be the model of nature and not the other way round. Then Balzac’s main novel dealing with artistic creation, the Unknown Masterpiece, is interpreted using Henry’s grid, as an anticipation of Kandinsky’s abstraction.

Le concept de pandémonisme apparaît dans les Recherches sur la liberté humaine de Schelling en rapport avec l’émanatisme. Que l’être soit entièrement mauvais est une thèse que le philosophe ne saurait admettre. Mais il réserve une place essentielle à la puissance qui voudrait convertir au mal la totalité, Dieu compris. Cette étude examine la notion de Dieu inversé à l’horizon du pandémonisme afin d’en tirer toutes les conséquences.

Le mal, chez Marx, relève pour l'essentiel de la conjonction de trois catégories : l'inversion, le vampirisme et le destin.

Dans ces quelques pages nous examinons en quoi la thèse d’Anne Henry, d’une influence déterminante de Schelling sur Proust, peut être redevable à la conception que Michel Henry se fait de Schelling, notamment à travers L’Essence de la manifestation.

Parmi les grands thèmes qui régissent la Recherche du temps perdu, le mal n’est pas le moindre. Plus qu’un thème, c’est une idée directrice bien qu’elle change de valeur au cours du périple. C’est sur la perversion que le narrateur attachera sa constante attention, ce qui invite à concevoir le mal par-delà la simple détermination du sensible, entreprise pour laquelle le Traité sur la liberté de Schelling sera d’un précieux apport car il conçoit le mal comme une perversion des principes. (...) On suit ici cette ligne dans plusieurs directions en se basant sur la dialectique du bien et du mal. Une place importante est réservée à la proposition spéculative : le Bien est le Mal et à son renversement, le Mal est le Bien. (shrink)

The poetic image results from the effort undertaken by affectivity to express itself in a language that is not originally its very own, but that holds the advantage of being communicable not only at the level of representation, but at the level of feeling as well. The image is not considered, therefore, to be a synthesis of true and false. In the process of creation, the affect is the material principle of the image as an ideal unity of syntheses. It (...) is implied here that poetic writing is not about a content of internal aiming, previously possessed by consciousness, that is made to correspond with an element of the world, even­tually represented by means of sensible intuition. In order to illustrate this, the author interprets a poem by Nadia Tueni, showing that it is essentially about its own production. (shrink)

Professor Filippi Explores The Indian View Of Mortal Existence From An Individual S Conception To His/Her Journey To The Kingdom Of Yama With Rare Scientific Objectivity By Unveiling A Complex Network Of Sentiments, Beliefs, Scriptural References, Customs, Etc.