This book focuses on the problem of religious diversity, civil dialogue, and religion education in public schools, exploring the ways in which atheists, secularists, fundamentalists, and mainstream religionists come together in the public sphere, examining how civil discourse about religion fit swithin the ideals of the American political and pedagogical systems and how religious studies education can help to foster civility and toleration.

Este artículo reseña: Massimo La Torre. Nostra Legge è la Libertà. Anarchismo dei Moderni. Roma : Derive Approdi, 2017.

En este trabajo intento exponer las tesis de Sen sobre las características que demandamos a una teoría satisfactoria de la justicia, y sus críticas al modelo «trascendental» de teoría, que según él es lo que Rawls persigue. Según Sen, este modelo es inaceptable por ser inalcanzable e innecesario; lo que en nuestra práctica argumentativa intentamos lograr son juicios comparativos entre situaciones reales, y no sistemas completos de proposiciones acerca de ideales de la sociedad justa. Intentaré argumentar que el enfoque metaético (...) de Sen es débil por dos razones: no ofrece una reconstrucción adecuada de la teoría de Rawls, equivocándose sobre su carácter «completo», y no explica de qué manera los juicios comparativos de valor entre dos situaciones sociales no sean el resultado de una teoría «trascendental» de la justicia. Me propongo, entonces, solucionar el problema, presentando una mirada trascendental de las cuestiones de justicia, pero, al mismo tiempo, pluralista e incompleta. (shrink)

The book examines the life and the writings of Gabriele Biondo, a secular priest who lived in the little town of Modigliana between the second half of the fifteenth century and the first decades of the sixteenth century. Through a careful examination of his writings and the sources he used, this book allows the reader to obtain a more precise understanding of Biondo, his background, his life, his movements, the difficulties that he encountered (mainly with the ecclesiastical authorities (...) and the other members of the clergy, but also with civic leaders), and the main events of his life. Additionally, Biondo was the leader of a minor following formed by nuns, secular women, and laymen. Therefore, this book illustrates Biondo’s pastoral activity, the ideas and principles that supported his actions, and the objectives he was pursuing. Given these various objectives, this book is of interest to those scholars and academics interested in the religious tensions that swept through Europe in the years immediately preceding the Protestant Reformation and who, consequently, seek to investigate Biondo’s personal and complex answer to these tensions. (shrink)

Richard Shusterman suggested that Maurice Merleau-Ponty neglected “‘lived somaesthetic reflection,’ that is, concrete but representational and reflective body consciousness.” While unsure about this assessment of Merleau-Ponty, lived somaesthetic reflection, or what the late Sam Mallin called “body phenomenology”—understood as a meditation on the body reflecting on both itself and the world—is my starting point. Another is John Dewey’s bodily theory of perception, augmented somewhat by Merleau-Ponty. -/- With these starting points, I spent roughly 20 hours with St. Benedict Restores Life (...) to a Young Monk (c. 1360), a work of tempera and gold leaf on panel, by Giovanni Del Biondo, active in Italy from 1356 to 1398, on display in the Art Gallery of Ontario’s permanent collection. Following Dewey’s suggestion that “[t]he eye ... is only the channel through which a total response takes place,” meaning that motor, emotional, intellectual and non-visual perceptual capacities become active when we encounter paintings, I describe how the work engaged a range of bodily modalities; and how reflecting on these, in turn, supplied phenomenal articulations of life negating, preserving and enhancing forces important in the culture that produced it, and famously discussed by Friedrich Nietzsche. By virtue of the approach adopted, I also demonstrate Dewey’s belief that intimate engagement with art entails a total coordination of one’s capacities around the artwork, while simultaneously reinforcing Merleau-Ponty’s ideas about perception and how we can find phenomenal articulations of concepts such as the Nietzschean ones just mentioned. While focusing on Del Biondo’s painting, my main purpose is to engage in body phenomenology practices, and to show, in the words of Shusterman, how “[w]e might sharpen our appreciation of art through more attention to our somaesthetic feelings involved in perceiving art” and indeed the world. (shrink)

Bereits zur Zeit der europäischen Renaissance, lange vor der Ausrufung eines spatial turn in den Kulturwissenschaften, wurde das wechselseitige Verhältnis von Raum und Wissen als Analysekategorie eingeführt. Der Band demonstriert das mit Untersuchungen zu den archäologischen Landeskunden des 15. bis 17. Jahrhundert. In der geographisch-historischen Betrachtung erschlossen sich im 15. Jahrhundert Raumkonzepte, die wiederum auf das eigene Selbstverständnis zurückwirkten. Der vorliegende Band geht in Fallstudien zu landeskundlichen Forschungen der frühen Neuzeit der Geschichte des Raumwissens nach. Dabei kommt Flavio Biondos Italia (...) Illustrata (erschienen 1474) ein besonderes Interesse zu, da das Werk in vielen Bereichen Europas ähnliche Untersuchungen angeregt hat, etwa in Spanien, Skandinavien, der Schweiz und im Rheingebiet. (shrink)