De Rijke introduced a unary interpretability logic $$\textbf{il}$$, and proved that $$\textbf{il}$$ is the unary counterpart of the binary interpretability logic $$\textbf{IL}$$. In this paper, we find the unary counterparts of the sublogics of $$\textbf{IL}$$.

What is wealth? -- Looking at the world from God's perspective -- Changing your attitude to bring success -- Suffering caused by desire -- Accumulating beneficial wealth -- Making progress with love and ideals -- Creating "utopian economics" -- The path to progress -- The definition of progress -- The joy of progress -- The driving force of progress -- Realizing hope -- A life filled with light -- Living with optimism -- Living lightheartedly -- Believing tomorrow will be better (...) -- Expanding the circle of happiness -- Walking with God -- A mind that invites happiness -- The laws of the mind -- A mind that brings others happiness -- In tune with God's vibration -- A humble, accepting mind -- The power of prayer -- The true nature of wealth -- Wealth as a foundation -- Wealth and competition -- Good and evil in relation to wealth -- The right way to use wealth -- Accumulating inner wealth -- The study of human nature leads to success -- Gifts and talents -- The quality and period of effort -- Conditions for receiving inspiration -- I) the basis for inspiration -- II) a loving heart -- III) a positive attitude to life -- The person who is admired -- The goal is to soar -- A steady eye -- Making progress with a loving heart -- Confidence and abilities -- The goal is to soar -- The philosophy of progress -- The pledge to God -- The truth from God's perspective -- I) male and female souls -- II) God's ideal -- III) what is death? -- The true right to know -- I) the truth God created -- II) restoring religion -- Wrongdoing without knowing -- Toward the state of Arhat -- Aim for the world of Bodhisattva -- Postscript. (shrink)

We study modal completeness and incompleteness of several sublogics of the interpretability logic. We introduce the sublogic, and prove that is sound and complete with respect to Veltman prestructures which are introduced by Visser. Moreover, we prove the modal completeness of twelve logics between and with respect to Veltman prestructures. On the other hand, we prove that eight natural sublogics of are modally incomplete. Finally, we prove that these incomplete logics are complete with respect to generalized Veltman prestructures. As a (...) consequence of these investigations, we obtain that the twenty logics studied in this paper are all decidable. (shrink)

We study the fixed point property and the Craig interpolation property for sublogics of the interpretability logic \(\textbf{IL}\). We provide a complete description of these sublogics concerning the uniqueness of fixed points, the fixed point property and the Craig interpolation property.

Essa pesquisa teve como proposta realizar um estudo acerca da angústia na obra do escritor Haruki Murakami (1949-), tendo como ponto de apoio secundário a teoria de Sigmund Freud (1858-1939) da angústia. Visamos, com esse estudo, lançar luz sobre a literatura como modelo de leitura da vida humana, em nosso caso, uma leitura das angústias humanas a partir da literatura. Para isso, iremos abordar o próprio gênero literário em que a obra de Murakami está circunscrita, os principais conceitos que (...) dão suporte a esse caráter angustiante, presentes no texto murakamiano, e a influência de concepções e ideias filosóficos em sua obra. Como por exemplo, a teoria da Vontade de Arthur Schopenhauer (1788-1860) e a ideia do lugar do pensamento, postulado por Hannah Arendt (1906-1975) no quarto capítulo da obra “A vida do espírito". (shrink)

In this article, we offer a new conceptualization of intellectuals as carriers of cultural trauma through a case study of the Aum Affair, a series of crimes and terrorist attacks committed by the Japanese new religious movement Aum Shinrikyō. In understanding the performative roles intellectuals play in trauma construction, we offer a new dichotomy between “authoritative intellectuals,” who draw on their privileged parcours and status to impose a distinct trauma narrative, and “dialogical intellectuals,” who engage with local actors dialogically to (...) produce polyphonic and open-ended trauma narratives. We identify three dimensions of dialogical intellectual action: firstly, the intellectuals may be involved in dialogue with local participants; secondly, the intellectual products themselves may be dialogical in content; and thirdly, there might be a concerted effort on the part of the intellectuals to record and to disseminate dialogue between local participants. In the context of the Aum Affair, we analyze the works of Murakami Haruki and Mori Tatsuya as dialogical intellectuals while they sought, with the help of local actors’ experiences, to challenge and to alter the orthodox trauma narrative of Aum Shinrikyō as exclusively a social evil external to Japanese society and an enemy to be excluded from it. Towards the end of the article, we discuss the broader significance of this case study and suggest that in light of recent societal and technological developments, the role and scope of dialogical intellectuals as carriers of trauma are changing and possibly expanding. (shrink)

En este trabajo exploro el vínculo entre literatura y filosofía en la obra El fin del Mundo y un Despiadado País de las Maravillas del escritor japonés Haruki Murakami. Concretamente, me concentro en reconstruir la naturaleza de la conciencia y el concepto de identidad que es posible encontrar en su obra. A continuación, reconstruyo cuáles son las implicancias conceptuales principales para la filosofía de la mente y la filosofía moral contemporáneas.

El artículo aborda - principalmente a partir de los cuentos y de tres novelas - la génesis de algunos referentes de la cosmovisión narrativa de Murakami, así como el planteamiento de autor al que parece obedecer su obra. Ambos aspectos resultan cardinales para elucidar el soporte ficcional reconocible como rasgo de autor, entendido todo como ideario narrativo: coordenadas temáticas, constelación de personajes, tramas y escenarios, perspectiva narrativa elegida, recursos expresivos… Asimismo, se busca identificar la entidad de la entrada de elementos (...) fantásticos, componente de factura murakamiana; desde la rúbrica de realismo fantástico a que se asigna al autor, este trabajo se acerca al cúmulo de figuras, referentes y mecanismos fantásticos que jalonan las historias para comprobar qué fuentes socioculturales nutren este imaginario. Por lo referenciado, este bagaje fabulador correspondería al acervo oriental, la tradición mítica y legendaria de cuño japonés. A ello se une la catarsis que experimentan los personajes, relacionada con el concepto de Murakami sobre su creación. (shrink)

ベストセラー『7日間で突然頭がよくなる本』の著者による、はじめてのニッポン論。古代の神話や仏教、儒学、武士道から国学、さらには福澤諭吉らによる啓蒙書さえも「日本哲学である」と定義する。1500年にもお よぶ日本思想の遺伝子的深層を新視点から読み解く最新の入門書。.

In his monograph *Happiness for Humans*, Daniel C. Russell argues that someone’s happiness is constituted by her virtuous engagement in a certain special sort of activity, which he calls *embodied activity*. An embodied activity is one which depends for its identity on things which lie outside of the agent’s control. What this means is that whether or not it is possible for the activity to continue is not completely up to the agent. A motivating example is my activity of living (...) alongside my spouse. Whether or not it is possible for this activity to continue is not entirely within my control, because my spouse might die, or otherwise become unavailable to me. To defend the view that it’s embodied activities which are constitutive of happiness, Russell defends what he calls the *embodied conception* of the self. This is the view that the boundaries of the self whose happiness is at stake include all the constitutive parts of our embodied activities. In response, I provide two arguments. Firstly, I show that while Russell makes a good case for the relevance of embodied *activities* to happiness, he doesn’t establish that we must adopt the embodied conception of the *self* in order to obtain those insights. Secondly, I argue that to draw the boundaries of the self in accordance with the embodied conception involves forming beliefs in a way that is not epistemically responsible. In making this argument I rely on the claim that there is a strong, particular sense in which other people are unknowable to us, a claim which is developed in the fiction of Haruki Murakami. (shrink)

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Kojin Karatani wrote the essays in _History and Repetition_ during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events as a (...) series of repeated forms forged in the transitional moments of global capitalism. _History and Repetition_ cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of _History and Repetition_ into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of _The Eighteenth Brumaire of Louis Bonaparte_, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history. (shrink)

This paper investigates the consequences of taking seriously the metaphysics of Object-Oriented Ontology, as defined by Graham Harman, in the field of literature. Acutely focusing on just one possible mobilisation and application of the theory, the essay deploys OOO to read two major writers of the late 20th century, Don DeLillo and Murakami Haruki, in novel configurations made possible by applying an Object-Oriented method to the genre of Magic Realism. Using this method, the essay unearths an unarticulated avenue for (...) studying the genre and these authors against established national, cultural, and canonical boundaries in literature, putting into conversation various literary traditions based on formal characteristics found in the texts through OOO’s metaphysics, and suggesting wholly untested paths for literary study in the wake of Object-Oriented philosophies. (shrink)

Kojin Karatani wrote the essays in _History and Repetition_ during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events as a (...) series of repeated forms forged in the transitional moments of global capitalism. _History and Repetition_ cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of _History and Repetition_ into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of _The Eighteenth Brumaire of Louis Bonaparte_, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism (in both Europe and Japan) as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history. (shrink)

It can often seem as though existence is split in two: body and mind, flesh and spirit, moving and thinking. In the office or at study we are 'mind workers,' with seemingly superfluous bodies. Conversely, in the gym we stretch, run and lift, but our minds are idle. In How to Think About Exercise, author and philosopher Damon Young challenges this idea of separation, revealing how fitness can develop our bodies and minds as one. Exploring exercises and sports with the (...) help of ancient and modern philosophy, he uncovers the pleasures, virtues and big ideas of fitness. By learning how to exercise intelligently, we are contributing to our overall enjoyment of life and enhancing our full humanity. Find out how bestselling author Haruki Murakami quit smoking and took up running, and why the simple act radically changed his whole outlook on life; why Schopenhauer thought that swimming was a sublime act; how Charles Darwin came up with some of his best ideas while exercising; and much more. (shrink)

This article explores Pan-Asianism; that is, the loose set of convictions which predicate, firstly, that Asia—beyond its complex and changing geographical, cultural, and religious characteristics—c...

Richard Landes is professionally a historian but in this book under review, he is a philosopher of violence; especially genocides and the Holocaust. The reviewer has synoptically read him, Susan Neiman on the one hand and Haruki Murakami and Stephen King on the other hand. The review flows between the history of ideas, philosophy and literary studies since all three are connected to each other.