Sports medicine clinicians face conflicts of interest in providing medical care to athletes. Using a survey of college football players, this study evaluates whether athletes are aware of these conflicts of interest, whether these conflicts affect athlete trust in their health care providers, or whether conflicts or athletes' trust in stakeholders are associated with athletes' injury reporting behaviors.

This is the first complete, one-volume English translation of the ancient Chinese text Xunzi, one of the most extensive, sophisticated, and elegant works in the tradition of Confucian thought. Through essays, poetry, dialogues, and anecdotes, the Xunzi articulates a Confucian perspective on ethics, politics, warfare, language, psychology, human nature, ritual, and music, among other topics. Aimed at general readers and students of Chinese thought, Eric Hutton’s translation makes the full text of this important work more accessible in English than ever (...) before. Named for its purported author, the Xunzi has long been neglected compared to works such as the Analects of Confucius and the Mencius. Yet interest in the Xunzi has grown in recent decades, and the text presents a much more systematic vision of the Confucian ideal than the fragmented sayings of Confucius and Mencius. In one famous, explicit contrast to them, the Xunzi argues that human nature is bad. However, it also allows that people can become good through rituals and institutions established by earlier sages. Indeed, the main purpose of the Xunzi is to urge people to become as good as possible, both for their own sakes and for the sake of peace and order in the world. In this edition, key terms are consistently translated to aid understanding and line numbers are provided for easy reference. Other features include a concise introduction, a timeline of early Chinese history, a list of important names and terms, cross-references, brief explanatory notes, a bibliography, and an index. (shrink)

This highly original history of ideas considers the impact of Hegel on French philosophy from the 1920s to the present. As Baugh's lucid narrative makes clear, Hegel's influence on French philosophy has been profound, and can be traced through all the major intellectual movements and thinkers in France throughout the 20th Century from Jean Wahl, Sartre, and Bataille to Foucault, Deleuze, and Derrida. Baugh focuses on Hegel's idea of the "unhappy consciousness," and provides a bold new account of (...) Hegel's early reception in French intellectual history. (shrink)

Laspro et al. (2024) contemplate the first whole eye transplant (WET) procedure in humans. They discuss the implications of such a procedure on the physical, social, and psychological well-being of...

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

This paper examines college athletes’ perceived support for concussion reporting from coaches and teammates and its variation by year-in-school, finding significant differences in perceived coach support. It also examines the effects of perceived coach support on concussion reporting behaviors, finding that greater perceived coach support is associated with fewer undiagnosed concussions and returning to play while symptomatic less frequently in the two weeks preceding the survey. Coaches play a critical role in athlete concussion reporting.

State concussion laws and sport-league policies are important tools for protecting public health, but also present implementation challenges. Both state laws and league policies often require athletes provide written acknowledgement of having received concussion-related information and/or of their responsibility to report concussion-related symptoms. This paper examines these requirements in two ways: an analysis of the variation in state laws and sport-league policies and a study of their effects in a cohort of collegiate football players.

Concussion is a form of traumatic brain injury that has been defined as a “trauma-induced alteration in mental status that may or may not involve loss of consciousness.” Terms such as getting a “ding” or getting your “bell rung” are sometimes used as colloquialisms for concussion, but inappropriately downplay the seriousness of the injury. It is estimated that between 1.6 and 3.8 million concussions occur annually in the United States as a result of participation in sports or recreational activities. To (...) date, there are no objective, biological markers for concussion; rather, the current diagnosis of concussion is dependent upon symptom reporting by the athlete. In the acute phase, concussions can result in a broad spectrum of symptoms that can be transient or last for days, weeks, or even months. Symptom prolongation is generally referred to as post-concussion syndrome. (shrink)

This engaging book takes us on philosophical tour, following in the footsteps and thoughts of some great philosophers and thinkers. A fresh and imaginative reading of great philosophers, offering a new way of understanding some of their major works and ideas.

This is the second of two articles investigating the filmic representations of Jesus and the Christ-event. The first article investigated the theological and esthetic issues raised by the major works in the one hundred years' tradition of the Jesus film. The present study takes into consideration the films which approach the Jesus story and the Christ-event metaphorically, the so-called Christ-figure films. It begins with a discussion of the biblical-theological foundations for such a metaphorical representation, and then it analyses a series (...) of films which can be interpreted as adopting this approach. Jesus of Montreal is analysed as a transitional film which represents both literal and metaphorical images of Jesus, privileging, however, the metaphorical approach. The classical American western Shane is seen as shifting its content and themes away from the typical «mythical » western in order to better accommodate the Jesus and Christ themes. The filmic embodiment of the Jesus story and Christ-event in women Christ-figures is examined in two films, Babette's Feast and Bagdad Café . Then the longer original version of one of Kieslowski's Decalogue films, A Short Film about Love, is interpreted as an extended metaphor of the salvific encounter between Jesus and Mary Magdalene. Finally, Bresson's masterpiece, Au hasard Balthazar, is considered as creating in its protagonist, the donkey Balthazar, the most audacious and theologically profound Christ-figure i. (shrink)

The persistence of sexual harassment in the workplace, despite the general abhorrence for the behavior and programs designed to eradicate it, is puzzling. This paper proposes that gender differences in perceptions of sexual harassment and power differentials in the workplace which permit men to legitimize and institutionalize their perspective are implicated. These two phenomena combine to result in blaming the victim of sexual harassment for her own plight. Shifting attention to the target of sexual harassment facilitates the persistence of sexual (...) harassment because the institutionalized responses to the problem remain unquestioned. (shrink)

Marcuse and Sartre take up the problem of alienating otherness from a Marxist perspective, Marcuse in One-Dimensional Man and Sartre in his Critique of Dialectical Reason. For Sartre, the “series” is a social relation that places individuals in competition, mediated by the materialized result of past praxis. For Marcuse, the loss of agency results from the productive apparatus determining the needs and aspirations of individuals. The question is how to convert alienating negativity into a negation of the society that negates (...) individuals. For Sartre, this “negation of the whole” can come only from a mortal threat facing all members of the serialized group. For Marcuse, it comes from the individual becoming aware of her alienation, especially through works of art. For both, revolt must be a historically constituted, collective “living contradiction.”Marcuse et Sartre abordent le problème de l’altérité aliénante à partir d’une perspective marxiste, Marcuse dans L’homme unidimensionnel et Sartre dans sa Critique de la raison dialectique. Pour ce dernier, la « série » est une relation sociale qui met les individus en compétition, médiatisée par le résultat matérialisé de la praxis passée. Pour Marcuse, la perte de pouvoir est causée par le dispositif de production qui régule les besoins et les aspirations des individus. La question est ainsi comment transformer la négativité aliénante en une négation de la société qui nie les individus : d’après Sartre, cette « négation du tout » ne peut venir que d’une menace mortelle subie par tous les membres du groupe sérialisé ; si l’on en croit Marcuse, elle vient plutôt du fait qu’un individu prenne conscience de son aliénation, notamment à travers l’oeuvre d’art. Pour les deux, la révolte doit être, dans tous les cas, une « contradiction vivante » collective et historiquement constituée. (shrink)

In the one hundred years of the art of the cinema, one of the themes that repeatedly has interested film makers and audiences is the life of Christ. The many films on Jesus of Nazareth and the Christ-event raise a number of issues, both theological and esthetic. In the first part of this article, the author analyzes some of these issues, focusing precisely on the crucial decisions regarding both content and style that the film maker approaching the Jesus theme must (...) make. In the second part of the article, the author considers briefly the more important films of the early years Jesus film tradition, and then does a more in-depth analysis of the major films of the tradition: the Hollywood Jesus epics, the Jesus musicals, the scandal film of Scorsese, three important Italian productions, and finally the masterpiece of the tradition, Pasolini's The Gospel According to St. Matthew. A subsequent article is announced which will analyze the many films which approach the Jesus story and the Christ-event metaphorically. (shrink)

Le dialogue entre Sartre et Aron a commencé lorsqu'ils étaient tous les deux à l'École normale superiéure dans les années 1920, et a continué, d'une manière souvent indirecte et intermittente, jusqu'à la parution du livre d'Aron, Histoire et dialectique de la violence, qui est une analyse de la Critique de la raison dialectique de Sartre.

In his ground-breaking series of films The Decalogue , Krzysztof Kieslowski creates an enigmatic character who appears in nine of the ten otherwise-disconnected films. Kieslowski neither names this mysterious man nor allows him one word of dialogue. In several of the films, the man is seen by other characters; in others he remains invisible to them. Sometimes he seems to influence the decisions of the protagonists; other times, he seems to remain a passive observer of their problems. Many scholars who (...) write on The Decalogue either do not note the «silent witness», or limit themselves to peripheral comments of little substance; others comment only briefly, and superficially on his enigmatic presence in one or other of the films. The present article offers a detailed analysis of the «silent witness» in each of the Decalogue films and develops a comprehensive synthesis of his critical moral significance in the series, proposing that the witness is an effective metaphor of the providential presence of the loving God for the protagonists; while respecting their liberty, he moves in their often-troubled lives, guides their moral decisions, gives them hope and brings them to higher levels of freedom and Christian responsibility. (shrink)

In the context of the well-recognized dialogue between faith and film culture, this article considers Ang Lee's award-winning and controversial film, Brokeback Mountain . Against the misinterpretations and ideological rhetoric that coopted the film, it effects a close reading of the narrative, tracing the development of the film's central theme, the constitutive vocation of the human being to give and receive love, an experience touched by human sinfulness and divine grace. After analyzing the film's masterful adaptation of the short story (...) on which it is based, its complex use of metaphorical language and its rich, expressive soundtrack, the article concludes with a consideration of the epilogue of the film as representing a breakthrough of grace and as an expression of the redeeming power of love. (shrink)

I use Jonathan Bennett’s, Gilles Deleuze’s and Pierre Macherey’s interpretations of Spinoza to extract a theory of time and duration from Spinoza. I argue that although time can be considered a product of the imagination, duration is a real property of existing things and corresponds to their essence, taking essence (as Deleuze does) as a degree of power of existing. The article then explores the relations among time, duration, essence and eternity, arguing against the idea that Spinoza’s essences or Spinoza’s (...) eternity are atemporal. Essences and eternity both involve necessary references to time, but the time involved is not that of the “fortuitous sequence of events” apprehended through sensory experience. Rather, the “time” is that implicit in the necessity of God’s self-determination through God’s differentiation into natura naturans and natura naturata, which is involved in the production and differentiation of eternal essences. (shrink)