This forward-thinking, non-traditional reference work uniquely maps out how new developments in 21st century philosophy are entering into dialogue with the study of literature. Going beyond the familiar methods of analytic philosophy, and with a breadth greater than traditional literary theory, this collection looks at the profound consequences of the interaction between philosophy and literature for questions of ethics, politics, subjectivity, materiality, reality and the nature of the contemporary itself.

An extensive critical study of cinematic representations of Irish queer masculinities.

Explores the political, cultural and conceptual significance of sexual pleasure through Deleuze's philosophy. How is sexual pleasure inscribed into conceptions of the body, gender, health and the human? What is its role in the construction of these notions? And, most importantly, how can it contribute to an expansion of what they mean?Intervening into fields including posthumanist, disability, animal and feminist studies, and current critiques of capitalism and consumerism, Frida Beckman addresses these questions to recover a theory of sexuality from Deleuze's (...) work. (shrink)

Reveling in the self-reflexive and the metacinematic, Quentin Tarantino's films are often associated with a Baudrillardian postmodernity. His most recent Inglorious Basterds continues in the same self-referential vein as his earlier films but adds a blatant falsification of history which pushes the question of the reality and images even further. But, this essay asks, is a Baudrillardian perspective the most fruitful one in comprehending the creative potential of Tarantino's latest film? Moving from Baudrillard through Virilio to Deleuze and Guattari, the (...) essay explores ways in which the film's investment in vision and screens opens for a creative and enabling engagement with images - not cinema as truth, as Deleuze would have it, but the truth of cinema. As such, Tarantino's in many ways outrageous film provides an important contribution to analyzes of the relation between perceptions of the image and conceptions of the real and contributes to the politically crucial endeavor of understanding what images 'want.'. (shrink)

Culture Control Critique is an attempt to address the current crisis in cultural critique, situate it in relation to what it sees as a powerful tendency toward political allegory in contemporary Anglo-American mainstream culture, and analyse how this tendency can be understood in relation to the totalizing tendencies of control society.

Applies Deleuze's philosophical ideas, such as the body-machine and becoming, to sex. These 12 new essays develop a fresh philosophical approach to the study of sex and sexuality as practice. The contributors pursue the restricting as well as the liberating force of sex in relation to a spread of themes and subjects including the limits of the human, bacteria, death, disability and animality.

Exploring the evolution of the conceptual persona of the idiot from the philosophical idiot in Deleuze to the Russian idiot in Deleuze and Guattari, this article suggests that their use of the figure of Antonin Artaud as a model for an idiocy that is freed from the image of thought is problematic since Artaud in fact evinces a nostalgia for the capacity for thought. The article invites the writings of Kathy Acker and argues that Acker makes possible a more successful (...) way of thinking of the event of thought beyond the Image and thereby a new conceptual persona of the post-Russian idiot. (shrink)