When he died in 1984, Michel Foucault was widely regarded as one of the most powerful minds of this century. Hailed by historians and lionized in America, he continues to provoke lively debate. This meticulously documented narrative debunks the many myths and rumors surrounding the brilliant philosopher to consider that all Foucault's books are "fragments of an autobiography".

This paper presents a direction for narrative ethics based on ethical ideas found in the works of Michel Foucault. Narrative ethics is understood here at the meta-level of cultural discourse to see how the moral subject is constituted by the discursive practices that structure the contemporary debate on reproductive technologies. At this level it becomes meta-narrative-ethics. After a theoretical discussion, this paper uses two literary narratives representing the polarized views in the debate to show how the (...) moral subject may be compelled to relate to its self. Ethics is redefined as Foucauldian rapport à soi, and ethical analysis, at this meta-level, shows how the moral self is intimately connected to cultural discourse. (shrink)

This paper argues in favour of the beneficial currency of Thomas Carlyle's ‘On Heroes, Hero-worship and the Heroic in History’ in three ways, each of which finds the basis of its critique in aspects of Foucault's theories of discursive practice, as explored in Foucault's theories of historical discourse; 1) that Carlyle's terminology connects with his discursive practice in an ambiguous manner, as his concept of worship is more akin to study than devotion, if we take the text of (...) his lectures as evidence of his perception; 2) the sources of enlightenment Carlyle offers us, based on these studies of heroic individuals, may provide an exemplar for interdisciplinary scholarship centred around biographies of notable individuals, and finally; 3) we challenge the notion that heroes such as those Carlyle offers us can be manifest in the present and argue that the depth of insight Carlyle demonstrates into his subjects is only possible by means of a lengthy temporal transition: the historicity of these narratives, and the narratives of social codification, cultural development and long-term impact witnessed and described over generations, is what makes them feasible at all. (shrink)

Based primarily on his 1981-1982 course, The Hermeneutics of the Subject , I contend that Michel Foucault’s robust treatment of ancient models for self-salvation answers his systematic problem of a lost spiritual art of living primarily through a sustained dichotomy between the Hellenistic-Roman and Christian models of conversion. In this way his intended recovery of an aesthetic-ascetic spiritual “resistance” is accomplished through a methodology of resistance. He relies on an accelerating arrangement of polarities between the aim and practice of (...) immanent self-return and what he takes to be the coercive discourses of transcendent self-renunciation. Though such historiography may raise questions for some readers, my aim is simply to show how, for Foucault, the dichotomizing is necessary for grounding his own understanding of the art of ”conversion.”. (shrink)

In his last two books and in the essays and interviews associated with them, Foucault develops a new mode of ethical thought he describes as an aesthetics of existence. I argue that this new ethics bears a striking resemblance to the virtue ethics that has become prominent in Anglo-American moral philosophy over the past three decades, in its classical sources, in its opposition to rule-based systems and its positive emphasis upon what Foucault called the care for the self. (...) I suggest that seeing Foucault and virtue ethicists as engaged in a convergent project sheds light on a number of obscurities in Foucault's thought, and provides us with a historical narrative in which to situate his claims about the development of Western moral thought. (shrink)

In this essay I propose a new reading of Michel Foucault’s main thesis about biopower and biopolitics. I argue that organisation represents the neglected key to Foucault’s new conceptualisation of power as something that is less political and more organisational. This unique contribution was lost even on his closest interlocutors. Foucault’s work on power had a strong influence on organisation and management theory but interestingly not for the reasons I am proposing. In fact, although theorists in management (...) and organisation studies have emphasised power in relation to discipline, control and subjectivity they have overlooked the transformative meaning of Foucault’s organisation. His work on biopolitics has attracted opposition, too, as evidenced by the controversy sparked by Giorgio Agamben about Foucault’s biopolitics. From Agamben’s critique, it appears that Foucault’s notions of politics and power do not allow a deconstruction of the violence of the concentration camp. However, a critical reading of Primo Levi’s biographical narratives reveals the camp as a place where the prisoners’ability to organise their daily lives secured survival. To make sense of Levi’s revelation, I use John Dewey’s notion of habits as forms of organisation and reconnect it to Foucault’s organisation. A shared understanding of the objective conditions of human activity and experience highlights the similarities between Dewey’s pragmatism and Foucault’s pragmatic metaphysics. In the end, however, Foucault’s metaphysical background has caught up with him, pushing him away from his own most radical proposal that organisation was the new form of power and the new substance of politics. (shrink)

Sartre and Foucault were two of the most prominent and at times mutually antagonistic philosophical figures of the twentieth century. And nowhere are the antithetical natures of their existentialist and poststructuralist philosophies more apparent than in their disparate approaches to historical understanding. A history, thought Foucault, should be a kind of map, a comparative charting of structural transformations and displacements. But for Sartre, authentic historical understanding demanded a much more personal and committed narrative, a kind of interpretive (...) diary of moral choices and risks compelled by critical necessity and an exacting reality. Sartre's history, a rational history of individual lives and their intrinsic social worlds, was in essence immersed in biography. In Volume One of this authoritative two-volume work, Thomas R. Flynn conducts a pivotal and comprehensive reconstruction of Sartrean historical theory, and provocatively anticipates the Foucauldian counterpoint to come in Volume Two. (shrink)

Sartre and Foucault were two of the most prominent and at times mutually antagonistic philosophical figures of the twentieth century. And nowhere are the antithetical natures of their existentialist and poststructuralist philosophies more apparent than in their disparate approaches to historical understanding. A history, thought Foucault, should be a kind of map, a comparative charting of structural transformations and displacements. But for Sartre, authentic historical understanding demanded a much more personal and committed narrative, a kind of interpretive (...) diary of moral choices and risks compelled by critical necessity and an exacting reality. Sartre's history, a rational history of individual lives and their intrinsic social worlds, was in essence immersed in biography. In Volume One of this authoritative two-volume work, Thomas R. Flynn conducts a pivotal and comprehensive reconstruction of Sartrean historical theory, and provocatively anticipates the Foucauldian counterpoint to come in Volume Two. (shrink)

ABSTRACT: In his last two books and in the essays and interviews associated with them, Foucault develops a new mode of ethical thought he describes as an aesthetics of existence. I argue that this new ethics bears a striking resemblance to the virtue ethics that has become prominent in Anglo‐American moral philosophy over the past three decades, in its classical sources, in its opposition to rule‐based systems and its positive emphasis upon what Foucault called the care for the (...) self. I suggest that seeing Foucault and virtue ethicists as engaged in a convergent project sheds light on a number of obscurities in Foucault’s thought, and provides us with a historical narrative in which to situate his claims about the development of Western moral thought. (shrink)

Michel Foucault was an energetic activist, yet his bleak depiction of totalizing power and his refusal to make normative claims have led many to judge that Discipline and Punish (1975) did not sustain a positive political project. This article offers a new, contextualist account of Foucault’s political purposes by reading Discipline and Punish as a tool for coalition building through historical worldmaking. Addressing the division and marginalization of movements on France’s “alternative left” like feminism and gay liberation, (...) class='Hi'>Foucault wove together their differentiated concerns into a shared historical world. His apparently demoralizing identification of the same forms of power everywhere in fact revealed new possibilities for alliance. Focusing on Foucault’s unifying historical narratives reveals a positive project beyond the negative, denaturalizing “critique of power” we usually associate with his political thought. Foucault’s coalitional work of worldmaking may offer a model for genealogical political theory today. (shrink)

For many feminists working on sexual violence, Michel Foucault is not one of the most obvious allies, to say the least. While I agree that Foucault’s treatment of sexual violence is troublesome and at times deeply problematic, I argue that Foucault’s critique of sexuality does not require betraying our convictions about the damages caused by sexual violence. In fact, in challenging normative discourses of sex and sexuality, Foucault actually offers a promising framework for theorizing sexual trauma (...) survival. To draw out the possibilities of this framework, I suggest a rereading of Foucault’s telling of the Jouy-Adam case in History of Sexuality, Volume I. Where the focus of Foucault’s account is on the institutional treatment of the perpetrator, a farmhand named Charles-Joseph Jouy, my retelling aims to situate the child, Sophie Adam, within Foucault’s critique. In doing so, I suggest two ways in which survivors are affected by normative discourses of sexuality. First, the knotting together of sex and identity raises the stakes of naming acts of sexual violence by increasing the weight of identifying a perpetrator as a deviant and oneself as a victim or survivor. Second, I consider Foucault’s critique of our concept of sex and suggest that the view of sex as a teleological event with a clear starting and ending point limits our ability to conceptualize sexual violence and survival as sometimes exceeding the language of events or disrupting linear notions of time. I suggest that situating survivors within Foucault’s critical philosophy will allow us to more readily imagine the place of survivors within Foucault’s positive philosophy (particularly as taken up in queer theory) and will help us to open up alternative modes and narratives of survival. (shrink)

In 1978 and 1979, the concept of governability was introduced by Foucault in his lectures at the Collège de France. The concept derives from the Christian figure of the shepherd. From this starting-point, Foucault was to embark upon a eulogy of liberalism, in contrast to the Marxist critique of political economy. However these two discourses, which both partake of the general structure of grand narrative, differ in their political and philosophical presuppositions. The latter is rooted in the (...) tradition of natural law and is directed towards revolution, while the former, rooted in the tradition of English radicalism, is directed towards resistance. These two traditions may however have much to say to one another. (shrink)

From the 1981 “Sexuality and Solitude” to the 1982 “Le combat de la chasteté” to the 1984 History of Sexuality, Volume 2, Michel Foucault’s published works have long recognized the influence of the historian of late antiquity, Peter Brown. With the 2018 publication of Foucault’s draft of Les Aveux de la chair (Confessions of the Flesh) bearing no mention of Brown, the depth of this influence requires further elaboration. Despite Brown not appearing in the “Index of Modern Authors,” (...) Confessions of the Flesh reflects Foucault’s debt to Brown for his readings of Augustine of Hippo and his conceptualizations of sexuality and subjectivity. Analyzing archival evidence alongside biographical narratives helps us better understand Brown’s vital influence as Foucault was shifting his History of Sexuality project, his archival practices, and his genealogy of subjectivity. Appreciating the textual and conceptual engagement between Foucault and Brown thus illuminates not only Confessions of the Flesh as Volume 4 in the History of Sexuality series but also the conceptual and methodological developments of both scholars in their disciplinary intersections. (shrink)

Michel Foucault was a kaleidoscopic thinker. He gathered the received opinions, established norms and major facts of our cultural heritage and shifted the ensemble ever so slightly. The results were startlingly new configurations. What had been perceived as necessary relationships, inviolable limits, pivotal events, emerged in this altered perspective as contingencies that supported quite different descriptions. This might simply be subsumed by some narrativist theory as evidence that a variety of stories can incorporate the same facts. But Foucault (...) shifts the perspective on narrative as well. The chain of influences, the temporal continuities, the sustaining consciousness, the totalizing dialectic—these dissolve or are relativized by the method he employs. In sum, Foucault is an historian, but suo modo. Unlike that of the old or even the “new” French historians, his is a self-declared history of the present, an objective, he argues, fully in accord with the spirit, if not the letter, of the Enlightenment. I shall try to illuminate the nature and implications of that original approach to history by focusing on one of his most striking kaleidoscopic moves, the shift from time to space as the paradigm guiding his approach to historical topics. Of course, the kaleidoscope itself is a spatial, and indeed an atemporal instrument. (shrink)

In The Government of the Living, Foucault demonstrates elegantly and convincingly the emergence of a new idea and practice of penitence within the early Church, one that traced its origins to the Bible but in fact represented a departure from earlier Christian beliefs. This shift occurred largely under the influence of monastic and ascetic tendencies that came to play an increasingly powerful role in the second and third centuries after Christ. I suggest that this is the fundamental contribution of (...) the lectures, rather than the framing narrative concerning truth and power. In my comments, I focus on the ideas of conversion, change of heart, remorse, and repentance, and show how the classical Greek and Latin terms for a change of mind assume meanings as widely different as “conversion” and “penitence.” This semantic slide or instability mirrors and enables the reinterpretation of Biblical faith as penitence. I also discuss the relationship between self-disclosure, as the classical writers understood it, and confession, and relate this to a new conception of the inviolable self. (shrink)

Foucault’s argument that a major break occurred in the nature of power in the European Eighteenth century—an unprecedented socialization of medicine and concern for the health of bodies and populations, the birth of biopolitics—has become since the 1990s a dominant narrative among sociologists but is rarely if ever scrutinized in its premises. This article problematizes Foucault’s periodization about the politics of health and the way its story has been solidified into an uncritical account. Building on novel historiographic (...) work, it challenges the modernist bias of histories of biopolitics and public health and considers an earlier and more plural history of collective practices of health of which the story told by Foucault is just one important episode. Finally, it discusses the implications of this revised model for wider sociological debates on the link between modernity, health and the body. (shrink)

In 1978 and 1979, the concept of governmentality was introduced by Foucault in his lectures at the Collège de France. Foucault finds the genealogical origin of this concept in the Christian figure of the shepherd. From this starting-point, he then embarks on a eulogy of liberalism, in stark contrast to the Marxist critique of political economy. These two grand narratives of modern liberalism differ markedly in their political and philosophical presuppositions. The latter, rooted in the tradition of natural (...) law, is directed towards revolution. The former, rooted in the tradition of English radicalism, is directed towards resistance. Beyond their different reconstructions of liberalism, however, the article concludes by showing how these two narratives, can in fact be combined in a politically fruitful way. (shrink)

An examination of the relation between war and politics, by one of the twentieth century’s most influential thinkers From 1971 until 1984 at the College de France, Michel Foucault gave a series of lectures ranging freely and conversationally over the range of his research. In Society Must Be Defended , Foucault deals with the emergence in the early seventeenth century of a new understanding of war as the permanent basis of all institutions of power, a hidden presence within (...) society that could be deciphered by an historical analysis. Tracing this development, Foucault outlines the genealogy of power and knowledge that had become his dominant concern. (shrink)

The present paper motivates one possible answer to Kant’s question, “What remains of the Enlightenment?” by reinterpreting the relation between Foucault and critical tradition from Kant to the Frankfurt School. The Enlightenment has left us with “normative superstition,” or a healthy form of skepticism about the justification of modern institutions and ideals. Along these lines, I adopt an interpretation of Foucault that diverges from the standard view. I argue that he shares with his detractors a common heritage of (...) this “critical attitude,” placing him squarely in line with Kant, Hegel, and critical theory generally. If it is possible to view this critical attitude as an expression of Enlightenment-oriented views, then there are reasons to believe that his so-called “postmodernism” is nothing more than hyper-modernism. The lines of this last argument have been made elsewhere, notably in Robert Pippin’s important work, but there is a need to situate Foucault in the unfolding narrative of modernity, rather than label him a hostile opponent to it. In my view, the “Foucault addiction” now so popular is consistent with the critical tradition and the aim of this paper is to develop this claim. (shrink)

Abstrak: Artikel ini menyajikan pandangan Foucault tentang intelektual spesifik sebagai lawan dari intelektual universal atau tradisional yang diklaim oleh para pemikir modernis, yang pada umumnya mendasarkan pemikiran mereka pada esensi, fondasi, transendensi, universalia, atau apa yang disebut narasi-narasi besar. Intelektual spesifik Foucault tidak didasarkan pada akal universal yang dilihat sebagai sumber dari semua kapasitas manusiawi yang membebaskan. Dalam kuliah-kuliah dan seminar-seminarnya yang terakhir, Foucault berbicara mengenai parrhesia (truth-telling), yaitu bagaimana seorang individu menyadari dirinya sebagai subjek kebenaran dan (...) etika. Intelektual sejati disebutnya sebagai parrhesiast yang tidak hanya mampu kebenaran kepada orang lain, tetapi lebih dari itu ia harus mampu menyampaikan kebenaran kepada dirinya sendiri. Ini berarti bahwa ia memiliki relasi khusus dengan dirinya, dalam arti bahwa ia matang dan dewasa dalam penampilannya (model adanya), dan bahwa ia tidak hanya mampu menyampaikan kebenaran melalui kata-kata, tetapi juga melalui tindakan dan hidupnya sendiri. Nyata bahwa selalu ada relasi antara kata-kata dengan tindakan. Kata-kata Kunci: Kuasa, wacana, intelektual spesifik, parrhesia, subjek, etika, modalitas, dan permainan kebenaran. Abstract: The paper shows Foucaults own stand on specific intellectual as contrasted to the universal or traditional intellectual claimed by modernist thinkers, which is mainly based on essence, foundation, transcendence, universals, etc, or what one calls grand narratives. Specific intellectual is not based on the universal reason which is claimed to be the source of all human capacities in liberating him or herself. In his last lectures and seminars Foucault talked about parrhesia (truth-telling), that is how the individual is aware of him/her self to be the subject of truth and of ethics. The true intellectual is then called the parrhesiast, who is able not only to tell the truth to other people, but moreover he or she should be able to tell the truth to him/her self. This means that he has a special relation to him/her self, in the sense that he/she is mature in his/her mode of being, and that means he/she is able not only to tell the truth through words but also through his own conduct. There is always a correspondence between words and deeds. Keywords: Power, discourse, specific intellectual, truth-telling, subject, ethics modality, and truth-games. (shrink)

This article examines the pedagogic vision of audiovisual archives in Ici et ailleurs ( Here and Elsewhere, 1974/1978) (shot by Sonimage and drawn from the abandoned project Jusqu’à la Victoire [1970]) in terms of the stratification of images and sounds. Drawing on Gilles Deleuze and Michel Foucault, Tom Conley writes that a diagram that depends upon the division between the visible and the enunciable may be comprehended in terms of a map and as a line of forces. Such strata (...) can act as signposts for diverse and multilateral readings of film, as viewers “read” cinematic landscapes and time-images. In Ici et ailleurs, stratigraphic shots juxtapose the Western, static home life of a family in France with the nomadic life of Fedayeen troops in Jordan and Palestine. This article argues that Sonimage’s narrative specificity relies upon an “in-between” method that defines an inter-space between semantic orders. (shrink)

The article discusses the narrative turn as a key for the analysis of sociological/social theories. To that end, we present some preliminary results of an inquiry around the theories of modernization put forward by the Italian-Argentine sociologist Gino Germani. We look into the narrative of transition, its paradoxes and a counter narrative found in some of his works. From this point we draw some conclusions about the limits of the "narrative turn" as a perspective for social (...) theory analysis and display, as an alternative, Foucault's perspective of re-problematization. We primarily look into the danger of homogenization that the "narrative turn" entails, in spite of the heterogeneity of elements which, as we shall argue, form the modernization theory found in Germani. In this sense, towards the end, the article seeks to contribute to a reflection on the work with theoretical texts and proposes an approach able to observe the historical and material singularities involved in his production. El artículo discute la perspectiva del giro narrativo como clave de análisis de teorías sociológicas/sociales. Para ello, presenta como "caso" algunos resultados preliminares de una indagación sobre las teorías de la modernización presentes en los textos del sociólogo ítalo-argentino Gino Germani. Se analiza el funcionamiento, en los textos germanianos, de una narrativa de la transición, sus paradojas, así como de una contranarrativa crítica de la modernidad. A partir de ello, se exponen algunos límites del abordaje propuesto por el giro narrativo al que se contrapondrá, como alternativa, la perspectiva foucaultiana de re-problematización. Fundamentalmente, se analizan los peligros de homogenización que comporta el tipo de análisis propuesto por el giro narrativo en desmedro de la heterogeneidad de elementos que, según argumentaremos, componen la teoría de la modernización presente en Germani. En este sentido, hacia el final, el artículo busca aportar a una reflexión respecto del trabajo con textos teóricos y propone un abordaje atento a las singularidades histórico-materiales asociadas a su producción. (shrink)

In the late 1960s, Georges Canguilhem introduced the concept of ‘scientific ideology’. This concept had not played any role in his previous work, so why introduce it at all? This is the central question of my paper. Although it may seem a rather modest question, its answer in fact uncovers hidden tensions in the tradition of historical epistemology, in particular between its normative and descriptive aspects. The term ideology suggests the influence of Althusser’s and Foucault’s philosophies. However, I show (...) the differences between Canguilhem’s concept of scientific ideology and Althusser’s and Foucault’s respective concepts of ideology. I argue that Canguilhem was in fact attempting to solve long-standing problems in the tradition of historical epistemology, rather than following the lead of his younger colleagues. I argue that Canguilhem’s ‘refurbishment without rejection’ of Bachelard’s epistemology, which the concept of scientific ideology was aimed to implement, was necessary to justify the historical narratives that Canguilhem had constructed in his own work as a historian of concepts. A strict acceptance of Bachelard’s epistemology would have made it impossible to justify them. Canguilhem’s concept of scientific ideology therefore served as a theoretical justification of his practice as a historian. I maintain that the concept of scientific ideology was needed to reconcile Bachelard’s normative epistemology with Canguilhem’s view of the history of science and its aims, which differed from Bachelard’s more than it is generally acknowledged. (shrink)

Introduction : setting the stage for the research narrative -- Foucauldian props for data interpretation and representation i -- Foucauldian props for data interpretation and representation ii -- Data analysis choices and the crisis of representation -- Data analysis choices and the fictional representation of narrative -- Raising the curtain on sunnyside college -- The performance of collegiality -- The fluidity in the emerging relations of power -- The unfolding of leadership distribution -- Bringing down the curtain? -- (...) Presenting conclusions and theorisations : the quasi-final stage. (shrink)

Despite Foucault’s claim in his final interview that his ‘whole philosophical development’ was determined by his reading of Heidegger, to date little has been published exploring the relationship between these thinkers. Undoubtedly, the primary reason for this silence is the seeming impossibility of reconciling Foucault and Heidegger’s work. Indeed, in key respects, we could hardly imagine two more different philosophers. Heidegger seeks to recover a primordial sense of being that he believes has been lost through the history of (...) the West. Foucault pursues an entirely contrary trajectory, calling into question both the primordial status of forms of thought and experience, and the transcendental closure of philosophical-historical narratives. Heidegger’s work is focused on a single question (the question of being), developing a single way into this question. (shrink)

The use of narrative research is often informed by a commitment to social justice on the part of the researcher. An example of this literature, Morwenna Griffiths' Action for Social Justice in Education: Fairly Different (2003), is taken here to illustrate the understanding of power and the way in which the relationship between theory and practice is conceived. The language and tone of such texts illustrate the role of a certain inheritance of psychology in the construction of subjectivity, which (...) shapes our understanding and conduct of the personal and professional. This, and the way in which the 'reflective practitioner' forms part of broader contemporary understandings of the self within liberal political rationality, is discussed with reference to work informed by the thought of Michel Foucault in order to provide a critique of the stated objectives of narrative research and the accompanying agenda of social justice. It is argued that without further attention being given within such work both to what is meant by narrative and social justice, and to assumptions regarding the nature of the operation of power, its emancipatory objectives are undermined. (shrink)

In this article, I describe how I made use of Foucault theoretically and methodologically in a study of five specific parrhesiastic scholars. Such scholars challenge hegemony in educational policies and practices, and advocate for educational reform and societal structures that move toward equity instead of marginalization. The article begins by exploring Foucault's notion of specific intellectuals through the experiences of the scholars. It then moves to an explanation of why the five scholars selected for this study should be (...) considered specific parrhesiastic scholars. An account of how I made use of Foucault in this study follows. My interpretation of Foucault's work into a research methodology for this project has been a process of identifying illustrations of technologies of the self and technologies of power in text, dialogue, and narrative—qualitative data, which I analyzed using a framework that merged these technologies into the analytical categories of (1) application of logos, (2) engagement with politeia, and (3) practice of techne toubiou. (shrink)

This essay critically analyzes a common metaphor in political theory, which figures the growth of power as a process of “spreading” or “diffusion.” It argues that narratives that cast the generalization of power as a movement of “spreading” often fail to furnish the specific type of historical evidence that they imply, such that these narratives are frequently received as richly suggestive yet ultimately unjustified. This essay develops an alternative way of conceptualizing the generalization of power, one that rests on rigorous (...) yet speculative evidence of the sort that political theorists are best positioned to find: not proof of literal extension or application of existing powers to new domains, but accidental convergences, isomorphisms, and ideal combinations among disparate practices that introduce large powers into the world. To do this, the essay revisits Foucault’s narrative of the generalization of disciplinary power in modern Western societies, which is perhaps the clearest source for the familiarity of the figure of “spread” in contemporary political theory. It shows that Foucault’s incessant use of the “spread” metaphor naturally invites the dismissive reading that Discipline and Punish received in many quarters, for it implies a historical process that Foucault cannot justify. Yet I argue that in a brief self-criticism, Foucault provides the rudiments for a conception of power’s generalization far more useful and compelling than the metaphoric of “spread.” I suggest that this alternative, if developed, is not just the proper frame for interpreting Foucault’s narrative, but a promising practical resource for contemporary theorists of general powers. (shrink)

In this paper, I trace some of Ricoeur’s criticisms of Foucault in his major works on historiography, and evaluate them. I find that Ricoeur’s criticisms of Foucault’s archaeological project in Time and Narrative are not particularly worrisome, and that Foucault’s “critical” project actually provides alternatives for enriching and expanding on some of Ricoeur’s later insights in Memory, History, Forgetting and – in particular – for troubling the distinction made between critique and ontology.

This article concerns the relevance of postfoundationalism, including the ideas of Michel Foucault, for political science. The first half of the article distinguishes three forms of postfoundationalism, all of which draw some of their inspiration from Foucault. First, the governmentality literature draws on Marxist theories of social control, and then absorbs Foucault’s focus on power/knowledge. Second, the post-Marxists combine the formal linguistics of Saussure with a focus on hegemonic discourses. Third, some social humanists infuse Foucauldian themes into (...) the New Left’s focus on culture, agency and resistance. The second half of the article then describes a research program that may bring together these varieties of postfoundationalism. This research program includes aggregate concepts that overtly allow for the constitutive role of meanings in social life and the contingent nature of these meanings. The concepts are: situated agency, practice and power. A postfoundational research program also needs concepts that demarcate a historicist form of explanation, that is, concepts such as narrative, tradition and dilemma. Finally, this research program contains specific empirical focuses to link these aggregate and explanatory concepts back to governmentality, post-Marxism and social humanism. (shrink)

Recent controversies surrounding Michel Foucault suggest tensions and unresolved issues in his unfinished work. Here we interrogate Foucault’s legacy in relation to his claim that the welfare-state is a secularization of the Christian pastorate. We challenge Foucault’s binary narrative of the Christian flock versus the Graeco-Roman citizen and expand the focus to other ‘technologies of power’ in medieval Islam. Rather than an outburst of governmentality in modernity, we suggest a transregional and longue durée history of which (...) the Christian pastorate was merely one facet. This non-binary framework indicates that Foucault’s claim of a ‘demonic’ fusion of sovereign and pastoral power in modern politics requires significant revisitation. Finally, we claim that Foucault’s much-discussed fascination with neoliberalism may have roots in this one-sided narrative regarding the birth of the welfare-state. (shrink)

Steven Spielberg‘s filmed representation of the Holocaust dares its viewers to experience, as secondary witnesses, atrocities committed by the Nazis in Poland. The film is yet another form of testimonial narrative (audio-visual but lacking a full historical context, except for a few on-screen titles) which aligns the survivors, who have come to be known as the Schindler Jews, and their descendants, on the one hand, and Spielberg‘s cameraman (comparable to an internalized narrator), Spielberg the film director (an external, omniscient (...) narrator), and the film-theater audience, on the other. We are all turned into witnesses in the same process and at the same time in which the real witnesses, the survivors, testify to the horror of the Holocaust. (shrink)

Misreadings of Derrida's Of Grammatology were prevalent from the time of its debut, up to the present day. For fifty years, Derrida's generalised textuality has been misread as though he meant there was nothing outside text in the traditional sense. This misreading always serves to re-institute notions of linear temporal progress, either among self-styled avant-garde authors who would like to break with past traditions, or among self-styled conservatives who hope to repeat them. If the binaries that divide these works from (...) past texts are undecidable, the ground for such temporal progress disappears, along with the divisions by which we create linear narratives of history. The misreading of Derrida is an attempt to exorcise this undecidability and regain the intellectual and market value of novelty or repetition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.1 (2005) 23-24 [Access article in PDF] Schechtman's Narrative Account of Identity Grant Gillett Keywords personal identity, narrative self, memory I have long been an admirer of Schechtman's sensitive and psychologically realistic account of personal identity. In the present piece, she addresses the issues surrounding personal identity through Locke's view and problems attending that view and the psychological continuity theories descended from it.She (...) examines the claim that the person is more extensive than the conscious mind and includes aspects of nonconscious mental activity. Schechtman argues that one must have a self-conception that includes a trajectory where present experience unfolds meaningfully out of one's past replete with implications for what one does and how one does it. She locates, in current writing on the self, the idea of a perceiver or narrator self who tries to make sense out of herself as a human being with certain thoughts and feelings and is sometimes at a loss to do so. To this potentially very rich starting point we need only add the fact that a person draws on discursive and narrative skills that have been inscribed in her being to do this narrative, editorial, and judicial task and that many of these skills have been imbibed with mother's milk (and father's voice). From this discursively inscribed set of resources and orientations arise guilt, shame, pride, aspiration, vulnerability, and that crucial sense of who one is as a person among others.It follows that here we might also find the source of the discontents that induce a person to apply to a psychiatrist or counselor for help with the narrative work required to fashion a liveable self. If Schechtman is right, the cognitive capacities contributing to memory and "keeping track of oneself"(in a deep and satisfying way) are to be found in part in the nonconscious domain rather than the thin layer of consciousness and propositional attitude psychology that enters the mind of an analytic philosopher or a psychiatrist uninterested in depth.I think she is right and that this paper and her more extensive work on the constitution of self represent a fertile point at which psychiatrists and psychotherapists can begin the task of understanding the nature of identity and the challenges involved in finding one that will serve the unfolding project of understanding and forming the self. I believe that the resources that individuals need for this task are derived from one's rootedness in culture and human relationships where the levels of self that support consciousness can be nurtured according to what Michel Foucault calls the techniques proper to the care of the self. Schechtman has done us a favor in taking the debates surrounding neo-Lockean [End Page 23] views of personal identity and outlining a perspective on identity and memory that can lead us to develop our understanding of the complexity of the human psyche as it roams through the jungle/jumble of discursive life and tries to nourish itself on what it finds there.Grant Gillett is a Professor of Medical Ethics at the University of Otago in Dunedin, New Zealand. He is also a practicing neurosurgeon. His philosophical work is in philosophy of mind and psychiatry, continental philosophy, and bioethics. His most recent books are The Mind and Its Discontents (Oxford University Press) and Bioethics in the Clinic (Johns Hopkins University Press). He works on postmodern and traditional analytic approaches to mind, language, and psychiatry. He can be reached at Dunedin Hospital and Otago Bioethics Centre, University of Otago Medical School, PO Box 913, Dunedin, New Zealand, or via e-mail at [email protected].... (shrink)

Sheehan deals with relatively recent authors—Conrad, D. H. Lawrence, Virginia Woolf, Beckett. He is critical of humanism, by which he seems to understand a kind of anthropocentric and limitative image of human beings, imposed on the public by narrative, among other things. As against this, he is setting the animal, the mechanical, and the transcendental, but the definition of the latter is, to say the least, bizarre—“the ability to evade compromise and contingency”. Reformulating narrativity is, according to Sheehan, the (...) best attempt or search by the moderns to define a new kind of human. His whole project is, to put it bluntly, rather confused. There are some intelligent and original commentaries on Schopenhauer, for instance but Sheehan soon falls back under the spell of Michel Foucault, Edward Said, and Terry Eagleton and seems to contribute rather few original comments to the discussion. In a word, this is a good example of how the interface philosophy/literature ought not to be visited. (shrink)

In manuscripts and unpublished articles written in the 1950s, Foucault developed a notion of myth that was intimately linked to what he called “imaginary forces,” a notion that he framed as a new critical approach. Its most important functions lie in exposing how mythological narratives naturalize social processes, and in developing a skeptical stance towards the allegedly liberating function of truth. This notion of myth is central in History of Madness, but it features most prominently in a passage that (...) was omitted from the first English translation. Here, Foucault criticizes the narrative that Enlightenment psychiatry told about its own origins, which naturalized social processes. The young Foucault’s notion of myth is strikingly similar to the Marxist notion of second nature. (shrink)

Nietzsche, Foucault, and Rorty are each ethical thinkers in that widest sense that concerns questions of who we ought to be, and each seeks to answer those questions through accounts of self-creation that are distinguished by the style and scope of embeddedness in some community they rely on. Nietzsche’s is a middle-ground position between Rorty and Foucault since he offers an affirmation of community, on grounds that Rorty might accept, without acquiescence to the status quo, a concern for (...) Foucault. Nietzsche aims to place himself in a community, but one in part defined by its vigilance in identifying its blind spots, in knowing that it does not always know itself. In particular, I would like to say that Rorty misses the force of Nietzsche’s views on self-creation and the affirmation of community because Rorty mischaracterizes Nietzsche’s perspectivism by construing it along narrative rather than affective or physiological lines. (shrink)

Por Laura Fraga de Almeida Sampaio, tradutora do livro A aula inaugural, que Foucault pronunciou ao assumir a cátedra vacante no Collège de France pela morte de Hyppolite, pode ser considerada um texto de ligação entre suas obras, datadas dos anos 60, como História da loucura, As palavras e as coisas, A arqueologia do saber, centradas predominantemente na análise das condições de possibilidade das ciências humanas, e as que se seguiram a maio de 68, como Vigiar e punir, voltados (...) ao exame da microfisica do poder. Foucault desvenda a relação entre as práticas discursivas e os poderes que as permeiam. Ao perceber os diversos procedimentos que cerceiam e controlam os discursos da sociedade, o autor comprova que "o discurso não é simplesmente aquilo que traduz as lutas ou os sistemas de dominação, mas aquilo pelo que se luta, o poder de queremos nos apoderar". Na segunda parte do texto, Foucault anuncia a direção em que prosseguirá suas investigações no decorrer dos cursos no Collège de France, apontando para o que denomina o "conjunto crítico" e o "conjunto genealógico" e lança o projeto de estudo das interdições que atingem o discurso da sexualidade. A este trabalho dedicará muitos anos, após a publicação do primeiro volume da História da sexualidade, em 1976: A vontade de saber (uso dos prazeres, vol.2, O cuidado de si, vol, 3, ambos de 1984). (shrink)

Michael Foucault's writing has shaped the teaching of half a dozen disciplines, ranging from literary criticism to the history of criminology. But none of his books offers a satisfactory introduction to the entire complex body of his work. The Foucault Reader precisely serves that purpose. It contains selections from each area of Foucault's thought, a wealth of previously unpublished writings, and an interview with Foucault during which he discusses his philosophy with unprecedented candor.

From the 1960s, mathematical and computational tools have been developed to arrive at human population trees from various kinds of serological and molecular data. Focusing on the work of the Italian-born population geneticist Luigi Luca Cavalli-Sforza, I follow the practices of tree-building and mapping from the early blood-group studies to the current genetic admixture research. I argue that the visual language of the tree is paralleled in the narrative of the human diasporas, and I show how the tree was (...) actually mapped onto the surface of the earth. This visual and textual structure is mirrored in the liberal discourse of unity in diversity that has been criticized as running counter to the socio-political effects of human population genetics. From this perspective, one may ask how far the phylogenetic diagram in its various forms is a manifestation of the physics of power that according to Michel Foucault consists in mechanisms that analyse distributions, movements, series, combinations, and that uses instruments to render visible, to register, to differentiate and to compare. It is one among other disciplinary technologies that ensure the ordering of human diversity. In the case of intra-human phylogenetic trees, population samples and labels are one issue. Another is that the separated branches seem to show groups of people, who have in reality been interacting and converging, as isolated. Often based on so-called isolated peoples, molecular tree diagrams freeze a hierarchical kinship system that is meant to represent a state before the great historical population movements. (shrink)

Michel Foucault's ethics of embodiment, focusing upon care of the self, has motivated feminist scholars to pursue promising models of embodied resistance to disciplinary normalization. Cressida Heyes, in particular, has advocated that these projects adopt practices of “somaesthetics,” following a program of body consciousness developed by Richard Shusterman. In exploring Shusterman's somaesthetics proposal, I find that it does not account for the subjective challenges of resisting normalization. Based on narrative theories of subjectivity, the role narrative plays in (...) normalization, and a commitment to developing concrete, feminist practices of embodied ethics, I develop a model of “narrative somaesthetics” based on an updated consciousness-raising model that emphasizes group heterogeneity and narrative conflict that deals with these challenges. Through an analysis of interviews with self-identified femme lesbians and a “female to femme” transition support group featured in the documentary film, FtF: Female to Femme, I argue that narrative somaesthetics enables the analytical, genealogical work required to identify and weaken normalization's constraints on embodied feminist ethics. (shrink)

What kind of freedom, and what kind of individual, has the French Revolutionary tradition sought to propagate? Paul Cohen finds a distinctly French articulation of freedom in the texts and lives of eight renowned cultural critics who lived between the eighteenth century and the present day. Arranged not according to the lives and times of its protagonists but to the narrative themes and structures they held in common, Cohen’s study discerns a single master narrative of liberty in modern (...) France. He captures these radicals, whose tradition bids them to resist the authority of power structures and public opinion. They denounce bourgeois and utilitarian values, the power of Church and State, and the corrupting influence of everyday politics, and they dream of a revolutionary rupture, a fleeting instant of sometimes violent but always meaningful transgression. An eloquent and insightful work on French political culture, _Freedom's Moment_ also helps explain how France, even as it has oscillated between political stagnation and crisis, has held onto its faith that liberty, equality, and fraternity remain within its grasp. Examines the ideas of Rousseau, Robespierre, Stendahl, Michelet, Bergson, Peguy, Sartre, and Foucault. (shrink)

This volume is a wonderful introduction to Foucault and a testimony to the deep humanity of the man himself.

For Hannah Arendt, spontaneous, ‘initiatory’ human action and interaction are suppressed by the normalizing pressures of society once ‘life’ - that is, sheer life - becomes the primary concern of politics, as it does, she finds, in the modern age. Arendt’s concept of the social is indebted to Martin Heidegger’s analysis of everyday Dasein in Being and Time , and contemporary political philosophers inspired by Heidegger, such as Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Giorgio Agamben, tend to reproduce her account of (...) the withdrawal of the political in modernity. In this article, I complicate Arendt’s theory by turning to Michel Foucault’s parallel but diverging understanding of the nature of power in modern society to show, surprisingly, that Foucault’s narrative of the emergence of modern power pictures a society that is more, not less, politicized. Key Words: Hannah Arendt • bio-power • Michel Foucault • Philippe Lacoue-Labarthe • modernity • Jean-Luc Nancy • pastoral power • the social • rulership. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On the Historicity of the Archive:A Counter-Memory for Lynne Huffer's Mad for FoucaultShannon WinnubstLynne Huffer likes to laugh. I haven't known her very long and I don't even know her very well, but this much I am certain of: the woman likes to laugh. Whether at amusing intellectual witticisms or truly boisterous, gut-splitting observations of life's absurdities, Professor Huffer enjoys laughing. It comes as little surprise, then, that it (...) is the ludic aspect, which is intimately connected to the erotic aspect, of Foucault's work that she aims to rehabilitate in this remarkable, provocative, beautifully written, meticulously researched, and often funny book, Mad for Foucault: Rethinking the Foundations of Queer Theory.This book is an unusual one. Replete with the intellectual rigor of archival research, subtle, nuanced challenges to accepted translations, critical historical contextualizations, and complex theorizing at the most abstract levels, it is—despite its own anxieties—an intensely academic undertaking. But at the same time, in one of many of its own doublings (the Deleuzian trope through which Huffer initiates her discussion of Foucault), it is also an intensely personal undertaking, shaped by several interludes of appropriately ironic confessions: of Huffer's own coup de foudre in the Foucault archives of a twelfth-century premonasterian abbey in Normandy; of her politico-intellectual biography from high theory French departments to feminist love/hate relations with Foucault; and of her own struggles with various forms of so-called "madness." Giving voice to a transformative experience of encountering "a different Foucault" in that twelfth-century monastery, Huffer clearly gives an account of what Ladelle McWhorter, in her Bodies and Pleasures (McWhorter 1999), calls "undergoing" [End Page 215] Foucault. Huffer herself described it to me as "a work of passion"—and this is clear on every page.Consequently, the challenges that it brings to us as readers, thinkers, and cultural theorists are likewise intense and doubled—both academic and personal, both intellectual and politico-ethical, both theoretical and erotic, both historical and present, and both philosophical and not. She invites us, from the outset, to work through these doublings and the folding back upon themselves that become our intricate enactments and reflections upon our subjectivities. Again, her own beginning with the Deleuzian concepts of doublings, foldings, and coextensivity sets the framework for the kinds of intricate unravelings, especially of dialectical thinking, Huffer undertakes. The text consequently unfolds on multiple levels and requires a reading that is also multiply attentive and attuned. I take the heart of her project—namely, to begin the labor of articulating a desubjectivating, queer, feminist ethics of eros that will enact a more promising, less "caged" freedom in its resistance to the normalizing forces of biopolitics—to be a critical endeavor shared by many cultural theorists working in our contemporary milieu. Huffer's rejuvenation of the language of ethics in this project is most welcome and my comments today are meant to engage her in this shared labor of articulating a queer feminist ethics.The most explicit and innovative narrative of Mad for Foucault is Huffer's doubling of Foucault's 1961 History of Madness and his 1976 History of Sexuality, Volume 1. Much more than a mere tracing of Sexuality One's roots in an earlier, lesser known work, Huffer returns to Madness as a site of erotic ethical possibilities that are utterly absent in the ridiculously popular and popularized Sexuality One. Her return to Madness thereby constitutes a critical intervention in not only Foucault scholarship, but also in queer theory. As Huffer puts it, "Not only is Madness an earlier consideration of sexuality, but, historically, analytically, and stylistically, it gives a thicker, experiential texture to its subject than Sexuality One" (Huffer 2010, xiv). In skeletal terms, Huffer argues that Madness gives us the story of the great split between reason and unreason that occurred in the seventeenth century: due to bourgeois moral exclusion and the ascendancy of rationalism, this Age of Reason produces abnormality, which includes sexuality within its wide arc. Reading Foucault's writing of Madness in the late 1950s alongside his first love affair with Jean Barraqué (Huffer 2010, 13-16) and his struggles with... (shrink)