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  1.  22
    Bot, or not? Comparing three methods for detecting social bots in five political discourses.Ulrike Klinger, Tobias R. Keller, Paul Samula & Franziska Martini - 2021 - Big Data and Society 8 (2).
    Social bots – partially or fully automated accounts on social media platforms – have not only been widely discussed, but have also entered political, media and research agendas. However, bot detection is not an exact science. Quantitative estimates of bot prevalence vary considerably and comparative research is rare. We show that findings on the prevalence and activity of bots on Twitter depend strongly on the methods used to identify automated accounts. We search for bots in political discourses on Twitter, using (...)
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  2.  58
    Hearsay viewed through the lens of trust, reputation and coherence.Francesco Martini - 2017 - Synthese 194 (10):4083-4099.
    Hearsay or indirect testimony receives little discussion even today in epistemology, and yet it represents one of the cardinal modes for the transmission of knowledge and for human cognitive development. It suffices to think of school education whereby a student listens to teachers reporting knowledge acquired, often indirectly, from the most varied sources such as text books, newspapers, personal memory, television, etc… Or let us consider the importance of oral tradition in the social and cultural development of civilisations. Or even (...)
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  3.  24
    Making «art» in Prehistory: signs and figures of metaphorical paleolithic man.Fabio Martini - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):41-52.
    We owe our first graphic experiences to Neanderthal Man, who introduced to the cultural baggage of the genus Homo two metaphorical behaviors that are fundamental in terms of their innovation: one concerns the preservation of the bodies of the dead through burial, the other is the making of signs, which in this stage of evolution do not yet represent recognizable subjects but only lines. This attests to the creation of a graphical tool that materializes and makes visible that which exists (...)
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  4.  25
    Prima e al di là dell'arte: origine dei segni e delle figurazioni nell'arte paleolitica.Fabio Martini - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (2):49-60.
    Figurative experience, as a codified system of images, emerges in Europe about 40.000 years ago. Together with the development of a figurative system, Homo sapiens acquired his modern cognitive architecture: an entirely articulated language, as well-developed as our current phonological system is, and others cognitive capacities such as basic drawing skills, self-consciousness and group cohesiveness. “Making sign”, as a complex nonverbal symbolism, is a crucial stage in human evolution: a stage of complex symbolism by means of a non-verbal language. Its (...)
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  5.  16
    The Geometric Enigma. A Book Symposium.Ellen Dissanayake, Dean Falk & Fabio Martini - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):85-98.
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  6. Test of the violation of local realism in quantum mechanics with no use of bell's inequalities.G. Giuseppe, F. Martini & D. Boschi - 1996 - Erkenntnis 45 (2-3):367 - 377.
    A novel and versatile polarization-entanglement scheme is adopted to investigate the violation of the EPR local realism for a non-maximally entangled two-photon system according to the recent nonlocality proof by Lucien Hardy. In this context the adoption of a sophisticated detection method allows direct determination of any element of physical reality (viz., determined with probability equal to unity in the words of Einstein, Podolsky and Rosen) for the pair system within complete measurements that are largely insensitive to the detector quantum-efficiencies (...)
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  7.  2
    A proximidade pesquisador/objeto como potência criativa: percursos investigativos entre as cenas musicais de Porto Alegre e Montevidéu.Felipe Gue Martini - 2018 - Logos: Comuniação e Univerisdade 24 (3).
    A reflexão sobre a proximidade do pesquisador com seu objeto empírico de pesquisa, no caso as cenas musicais do rock independente de Porto Alegre e Montevidéu, surge a partir da noção de psicanálise do conhecimento objetivo, de Gaston Bachelard. Através de questionamentos teóricos críticos, o autor propõe a apreensão poética das realidades objetivas da pesquisa, onde a musicalidade é percebida como potencial metodológico no universo da observação participante.
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  8.  5
    Deutsche Literatur in der Zeit des »bürgerlichen Realismus«.Frtiz Martini - 1960 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 34 (4):581-666.
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