How is consciousness possible? What biological purpose does it serve? And why do we value it so highly? In Soul Dust, the psychologist Nicholas Humphrey, a leading figure in consciousness research, proposes a startling new theory. Consciousness, he argues, is nothing less than a magical-mystery show that we stage for ourselves inside our own heads. This self-made show lights up the world for us and makes us feel special and transcendent. Thus consciousness paves the way for spirituality, and allows us, (...) as human beings, to reap the rewards, and anxieties, of living in what Humphrey calls the "soul niche." Tightly argued, intellectually gripping, and a joy to read, Soul Dust provides answers to the deepest questions. It shows how the problem of consciousness merges with questions that obsess us all--how life should be lived and the fear of death. Resting firmly on neuroscience and evolutionary theory, and drawing a wealth of insights from philosophy and literature, Soul Dust is an uncompromising yet life-affirming work--one that never loses sight of the majesty and wonder of consciousness. (shrink)

How is consciousness possible? What biological purpose does it serve? And why do we value it so highly? In Soul Dust, the psychologist Nicholas Humphrey, a leading figure in consciousness research, proposes a startling new theory. Consciousness, he argues, is nothing less than a magical-mystery show that we stage for ourselves inside our own heads. This self-made show lights up the world for us and makes us feel special and transcendent. Thus consciousness paves the way for spirituality, and allows us, (...) as human beings, to reap the rewards, and anxieties, of living in what Humphrey calls the "soul niche." Tightly argued, intellectually gripping, and a joy to read, Soul Dust provides answers to the deepest questions. It shows how the problem of consciousness merges with questions that obsess us all--how life should be lived and the fear of death. Resting firmly on neuroscience and evolutionary theory, and drawing a wealth of insights from philosophy and literature..."--Jacket. (shrink)

Two symmetry arguments are discussed, each purporting to show that there is no more room for a preferred division of spacetime into instants of time in general relativistic cosmology than in Minkowski spacetime. The first argument is due to Gödel, and concerns the symmetries of his famous rotating cosmologies. The second turns upon the symmetries of a certain space of relativistic possibilities. Both arguments are found wanting.

In a preceding issue of Faith and Philosophy Stewart Goetz criticized a paper of mine in which I try to show that libertarians need not be committed to the principle of alternative possibilities (PAP) and that Frankfurt-style counterexamples to PAP are no threat to libertarianism. In my view, the main problem with Goetz’s arguments is that Goetz does not properly understand my position. In this paper, I respond to Goetz by summarizing my position in as plain a way as possible. (...) Goetz’s charge against my position has two parts, first, that it isn’t libertarian and, second, that it provides no good reason for libertarians to abandon PAP. This paper briefly presents my answers to these two parts of Goetz’s charge. (shrink)

Arkadii Dragomoshchenko, Russia's leading founder of Language poetry, in his new collection of essays fuses seemingly disparate elements of poetry, philosophy, journalism, and prose in an attempt to capture the workings of memory. At stake is not what he writes about -- whether memory, Gertrude Stein, immortality, or a walk on Nevsky Prospect -- but how he writes it. Formally, Dragomoshchenko never tires of digression, creating playful games of patience and anticipation for his reader. In so doing, he pushes story (...) and closure into the background -- arriving, finally, but not to a destination. Ultimately, Dragomoshchenko "carefully seeks out the dust of traces from the period of oblivion," which evidently lead to the oblivion of minds. (shrink)

This paper aims to demonstrate how museum collection sustainability is grounded in a range of concrete care practices that are social and material. It explores the unstable nature of heritage materials, drawing on the ecological approach of infrastructure and maintenance studies in the field of art and museums. To do this, I analyse the role of mundane operations in the daily functioning of an exhibition area, presenting data from fieldwork I conducted from 2015–2016 at the Musée du quai Branly in (...) Paris, which preserves collections of art and ethnology from outside Europe. I observed the museum's preventive conservation practices, which work to minimise the risks of material deterioration of heritage objects, focusing attention on stabilising the relationship between objects and their environments. These practices contribute to the construction of the temporalities of museum objects. In exploring the means and devices of preserving these heritage objects, the very assumption of perpetuation is destabilised. Environments continually unfold with the silent material metamorphosis of objects. The exhibition becomes a place of flows, where a multitude of entities circulate and cohabit at different scales, such as insects, dust, and powdery fragments. The daily human work of vacuuming, cleaning, trapping, and measuring provide a set of actions united with other entities engaged in the material life of the exhibited object. As we zoom in on the exhibition space, different timelines emerge that are inextricably linked to the different lives of the museum. (shrink)

ArgumentThis article explores the entangled histories of three imaging techniques in early nineteenth-century British physical science, techniques in which a dynamic event (such as a sound vibration or an electric spark) was made to leave behind a fixed trace on a sensitive surface. Three categories of “sensitive surface” are examined in turn: first, a metal plate covered in fine dust; second, the retina of the human eye; and finally, a surface covered with a light-sensitive chemical emulsion (a photographic plate). For (...) physicists Michael Faraday and Charles Wheatstone, and photographic pioneer William Henry Fox Talbot, transient phenomena could be studied through careful observation and manipulation of the patterns wrought on these different surfaces, and through an understanding of how the imaging process unfolded through time. This exposes the often-ignored materiality and temporality of epistemic practices around nineteenth-century scientific images said to be “drawn by nature.”. (shrink)

J C Walker; Dusting Off Educational Studies: a methodology for implementing certain proposals of John Wilson’s, Journal of Philosophy of Education, Volume 18, I.

Dust is a distinctive material that, in addition to its physical properties, reveals anthropological and cultural dimensions, particularly within aesthetic contexts. In a collaborative project focused on “dust,” a theoretical-systematic approach is combined with an artistic-practical-participatory one. Philosophical reflections and artistic concepts related to the material “dust,” specific artworks involving dust, and the relationship between artwork and theory are interwoven. Thus, the text discusses various types of dust, the role of the artist, different modes of perception, cultural context, forms of (...) dust and materiality, media-specific characteristics, and questions of mediation. Throughout this process, common practices of artistic and theoretical engagement are transformed and developed. (shrink)

J C Walker; Dusting Off Educational Studies: a methodology for implementing certain proposals of John Wilson’s, Journal of Philosophy of Education, Volume 18, I.

Daniel Dennett’s Consciousness Explained is probably the most widely read book about consciousness ever written by a philosopher. Despite this, the book has had a surprisingly small influence on how most philosophers of mind view consciousness. This might be because many philosophers badly misunderstand the book. They claim it does not even attempt to explain consciousness, but instead denies its very existence. Outside of philosophy the book has had more influence, but is saddled by the same misunderstanding. Now, 30 years (...) after publication, Consciousness Explained deserves reconsideration from anyone interested in consciousness. Here I make a case for this. To start, I will clear up the central misunderstanding of the book. With that done, I will explain and update Dennett’s tantalizing approach to consciousness and the mind. The result brings us very, very close to explaining consciousness. Or so I will argue. (shrink)

Basic research is often weird, and it's often boring. It's the years spent mapping the neurons of zebra fish, so that future scientists can have a more detailed biological model to work with. It's the chemical analysis that has to happen, so that two decades from now somebody else can discover a new cancer-fighting drug. Basic research is about curiosity, and knowledge for knowledge's sake. By it's very nature, basic research relies on public funding. But by it's very nature, it's (...) hard to explain how the public benefits from the basic research we fund. (shrink)

The Encyclopedia of the Inexact Sciences brings together Raymond Queneau's research into an idiosyncratic canon of nineteenth-century works, each written by what he variously refers to as a ‘litera...

Histories of nursing that disregard their linkage to broader historical movements often lead to historically detached versions of nursing identity that omit the perspective of their sources and the ideas of their time. Drawing on materials retrieved through a multilayered research strategy comprising internal and external sources, this article examines the development of a nursing identity in Chile during the period starting in the 1950s through the early 2000s. We analysed the sociopolitical contexts in which the nursing profession grew, the (...) changing direction of its role and how the nursing identity transformed itself. Through the use of historical sources and oral testimonies, we aim to give a nuanced account of how the history of public health and that of the country more broadly changed the object of identification of nurses, creating only relatively recently a sense of nursing community. Processes of identification, fragmentation and integration are highlighted, which challenge usual notions of history as a linear process. (shrink)

This essay seeks to illuminate the changing nature of experimental physics in the 1860s and 1870s by analysing the creation of dust tubes and dust figures by the German experimentalist August Kundt, and by showing how Kundt and his associate Emil Warburg used the ‘Kundt tube’ to test the new kinetic theory of gases. In so doing, the essay seeks to show how Kundt came to revise the vision of experimental physics that he had learned from his teacher Heinrich Gustav (...) Magnus, a vision in which the experimentalist's goal was to establish ‘the facts’. Kundt, by contrast, came to envision experimental physics as being in the service of theory: to confirm or disconfirm theory, or to provide theorists with new phenomena to theorize about. Kundt's vision, it is argued, is emblematic of the changing nature of experimental physics and reflective of the rise of the new subdisciplines of theoretical and experimental physics. (shrink)

_Quintessence of Dust_ by Harry Redner argues for a science of matter and philosophy of mind based on emergence through five stages. It criticises mechanistic approaches to mind and advocates a philosophic synthesis of the natural sciences, social sciences and humanities.

Ruby in the Dust: Poetry and History in Padmāvat by the South Asian Sufi Poet Muḥammad Jāyasī. By Thomas de Bruijn. Leiden: Leiden University Press, 2012. Pp. 371. [American ed., 2013. Dist. by University of Chicago Press.].

[A dilettante admires a constellation from a hot tub, and considers it the next day. Is it a prose poem, creative nonfiction, or "light" verse; phenomenology, astrophysics, metaphysics, or half-lit paronomasia?]A photon hit my retina. Again, again; others also hit. The sensation seemed continuous, albeit twinkling, rather than as discrete and separated points. It was like dust, but I didn't blink.It came from a thing I would call bright, in front of me, over my head, on a dark night; it (...) is said to be a star from the cluster of a pattern I learned to call Cassiopeia, and just in a similar way, I learned about my retina, and I learned about photons, and I learned that some consider them a duality of either wavering... (shrink)

The art of living today has shifted to a continuous state of the experimental. In one of his last texts, Telemorphosis, renowned thinker and anti-philosopher Jean Baudrillard takes on the task of thinking and reflecting on the coming digital media architectures of the social. While “the social” may have never existed, according to Baudrillard, his analysis at the beginning of the twenty-first century of the coming social media–networked cultures cannot be ignored. One need not look far in order to find (...) oneself snared within some sort of screenification of a techno-social community. “What the most radical critical critique, the most subversive delirious imagination, what no Situationist drift could have done... television has done.” Collective reality has entered a realm of telemorphosis. (shrink)

John Ruskin, a famous English philosopher and art professional, wrote "The Ethics of the Dust" in 1866. It is the best thing he has ever executed like it. In this book, Ruskin teaches morals in a totally distinctive way: he uses the fairy world as a metaphor to teach morals to kids. There are a variety of conversations within the story between elemental beings that represent various things about nature, education, and being yourself. The Fairy Queen, who is a good (...) man or woman, teaches the alternative fairies approximately the whole thing, from a way to be lovely and do their task to being fair and honest. Some of Ruskin's moral training come from his symbolic tales and his poetry. He talks about being honest, how training can exchange someone, and how human beings are related to the herbal international thru the fairy chats. No, "The Ethics of the Dust" isn't just a story. It's a psychological portray that makes human beings consider how they act morally and the way society as an entire act morally. Ruskin's specific mix of magic and morals is a laugh and easy way to teach humans approximately being aware about others and their very own variations. (shrink)

Nicholas Humphrey thinks that consciousness is a kind of illusion. He claims that when we have conscious sensory experiences, it seems to us that we are aware of certain “phenomenal” properties like colours, smells, sounds, when in reality there are no such things. In fact, there cannot be any such things, since phenomenal properties are impossible. Something in our brains causes us to have experiences which represent “extraordinary otherworldly properties”. The whole of conscious experience seems to us like something “magical”; (...) hence the subtitle of the book. (shrink)