18 found
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David Topper [12]David R. Topper [6]
  1.  36
    ‘To reason by means of images’: J. J. Thomson and the mechanical picture of nature.David R. Topper - 1980 - Annals of Science 37 (1):31-57.
    Throughout his life J. J. Thomson was committed to a mechanical interpretation of nature. This work proceeded in several stages. Early in his career he attempted a Lagrangian formulation of mechanics. But due to certain epistemological difficulties with this approach, he began exploring various analogies and models, particularly those involving vortex motion. After his discovery of the electron in 1897, he commenced a synthesis of the electron with his previous physical conceptions. The result was a hypothesis of the ether as (...)
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  2.  10
    Galileo, Sunspots, and the Motions of the Earth: Redux.David Topper - 1999 - Isis 90:757-767.
  3.  54
    Newton on the Number of Colours in the Spectrum.David Topper - 1990 - Studies in History and Philosophy of Science Part A 21 (2):269.
  4.  16
    The Plausibility of Galileo's Tidal Theory.Martin Clutton-Brock & David Topper - 2011 - Centaurus 53 (3):221-235.
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  5.  65
    Art in the realist ontology of J. J. Gibson.David R. Topper - 1983 - Synthese 54 (1):71 - 83.
  6.  5
    Galileo, Sunspots, and the Motions of the Earth: Redux.David Topper - 1999 - Isis 90 (4):757-767.
  7.  9
    “I know that what I am saying is rather obscure …”: On Clarifying a Passage in Galileo's Dialogue.David Topper - 2000 - Centaurus 42 (4):288-296.
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  8.  20
    On the fidelity of pictures: A critique of Goodman's disjunction of perspective and realism.David Topper - 1984 - Philosophia 14 (1-2):187-197.
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  9.  59
    Toward a retreat from relativism.David Topper - 1987 - Journal of Aesthetics and Art Criticism 46 (2):302-304.
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  10.  19
    The parallel fallacy: On comparing art and science.David Topper - 1990 - British Journal of Aesthetics 30 (4):311-317.
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  11.  10
    Alexander Marr. Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy. 376 pp., illus., tables. Chicago/London: University of Chicago Press, 2011. $45. [REVIEW]David R. Topper - 2012 - Isis 103 (1):169-171.
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  12.  8
    Andrew Robinson. Sudden Genius? The Gradual Path to Creative Breakthroughs. xxxv + 371 pp., illus., bibl., index. Oxford/New York: Oxford University Press, 2010. $34.95. [REVIEW]David R. Topper - 2011 - Isis 102 (3):595-596.
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  13.  7
    Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy. [REVIEW]David Topper - 2012 - Isis 103:169-171.
  14.  7
    Cosmic Imagery: Key Images in the History of Science. [REVIEW]David Topper - 2009 - Isis 100:630-631.
  15.  8
    John D. Barrow. Cosmic Imagery: Key Images in the History of Science. xiv + 608 pp., index. New York: W. W. Norton, 2008. $39.95. [REVIEW]David R. Topper - 2009 - Isis 100 (3):630-631.
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  16.  12
    James Elkins. Six Stories from the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980–2000. xx + 274 pp., illus., figs., index. Stanford, Calif.: Stanford University Press, 2008. $29.95. [REVIEW]David R. Topper - 2008 - Isis 99 (4):869-870.
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  17.  12
    Sudden Genius? The Gradual Path to Creative Breakthroughs. [REVIEW]David Topper - 2011 - Isis 102:595-596.
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  18.  6
    Six Stories from the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980–2000. [REVIEW]David Topper - 2008 - Isis 99:869-870.