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  1.  16
    Mishaps, errors, and cognitive experiences: on the conceptualization of perceptual illusions.Daniele Zavagno, Olga Daneyko & Rossana Actis-Grosso - 2015 - Frontiers in Human Neuroscience 9.
  2.  8
    The Combined Effect of Motion and Lightness Contrast on Anomalous Transparency.Olga Daneyko, Daniele Zavagno & Rossana Actis-Grosso - 2022 - Gestalt Theory 44 (1-2):147-160.
    Summary We report an effect of anomalous transparency that is similar to other phantom effects. In an experiment aimed at testing the combined role of motion of the occluding surface and lightness contrast and polarity on the perception of anomalous transparency, we found that transparency is perceived only with low contrast, and enhanced when the occluding surface is moving. A tentative explanation is suggested, based on simultaneous lightness contrast as a segregation factor and on motion as an integration factor, and (...)
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  3.  5
    Quale psicologia dell’arte.Daniele Zavagno - 2011 - Rivista di Estetica 48:237-251.
    Despite there are many university classes entitled “Psychology of art”, and a noticeable production of scientific literature accumulated over the years around psychological aspects concerning art, I argue here that psychology of art still does not exist as an independent subject of research. The main ways in which psychology addressed art are discussed, and the problems and limitations of such approaches are pointed out. An integrated approach to the foundation of psychology of art as an independent psychological science is sketched (...)
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    Quale psicologia dell’arte.Daniele Zavagno - 2011 - Rivista di Estetica 48:237-251.
    Despite there are many university classes entitled “Psychology of art”, and a noticeable production of scientific literature accumulated over the years around psychological aspects concerning art, I argue here that psychology of art still does not exist as an independent subject of research. The main ways in which psychology addressed art are discussed, and the problems and limitations of such approaches are pointed out. An integrated approach to the foundation of psychology of art as an independent psychological science is sketched (...)
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