Contemporary discussions of information overload have important precedents during the years 1550-1750. An examination of the early modern period in Europe, including work of humanism, science, theology, and popular encyclopedias demonstrates that perceptions of information overload have as much to do with the ways in which knowledge is represented as with any quantitative measurers in the production of new texts, ideas, or facts. Key figures in this account include Francis Bacon, Conrard Gesner, Francesco Sacchini, Johann Heinrich Alsted, Casoar Bauhin, Rempert (...) Dodeones, Samuel Bochrt, Johann Jakob Scheuchzer, John Wilkins, Jonathan Swift, Ephraim Chambers, Smauel Johnson, Denis Diderot, and Louis-Sébastian Mercier. (shrink)

In his discussions on literature, Merleau-Ponty often turns to the notion of deviation as a constitutive principle of literary language. Deviation indicates the capacity of a literary work to transgress against its own limits and to offer an experience of otherness, or alterity. This alterity is not given in the work, but is constituted by the recipient through the more visceral and physical aspects of literary language. The recipient of the work thus adopts a second voice: that of the author (...) or creator of the work, which is absent from the text yet is reconstructed by the reader in a post hoc manner. The analysis of Merleau-Ponty’s ideas is complemented using the aesthetic insights of Paul Valéry, from which the philosopher was greatly inspired. The essay further explores the way in which the notion of literature as deviation illuminates other aspects in Merleau-Ponty’s theory of language.Dans son examen de la littérature, Merleau-Ponty se penche souvent sur la notion d’écart considérée en tant que principe constitutif du langage littéraire. L’écart indique la capacité d’une oeuvre littéraire de dépasser ses propres limites et d’offrir une expérience d’autrui, de l’altérité. Cette altérité n’est pas donnée dans l’oeuvre, mais elle est constituée par le destinataire à travers les aspects les plus viscéraux et les plus physiques du langage littéraire. Le destinataire de l’oeuvre adopte ainsi une deuxième voix : celle de l’auteur ou du créateur de l’oeuvre, qui est absente du texte mais est reconstituée après coup par le lecteur. L’analyse de la réflexion de Merleau-Ponty est complétée à partir des intuitions esthétiques de Paul Valery, dont le philosophe a été largement inspiré. Cet article explore ensuite la manière dont la notion de littérature comme écart nous permet de mettre en lumière d’autres aspects de la théorie du langage de Merleau-Ponty. Nelle sue riflessioni sulla letteratura Merleau-Ponty si rivolge spesso alla nozione di scarto quale principio costitutivo del linguaggio letterario. Lo scarto indica la capacità di un’opera letteraria di oltrepassare i propri limiti, offrendo così l’esperienza di un’alterità. Quest’alterità non si dà nell’opera, ma è costituita dal destinatario attraverso gli aspetti più fisici e viscerali del linguaggio letterario. Così il destinatario dell’opera adotta una seconda voce, quella del creatore o dell’autore, che è assente dal testo e tuttavia è ricostruita dal lettore a posteriori. L’analisi delle riflessioni merleau-pontiane è integrata a partire dalle intuizioni estetiche di Paul Valery, da cui il pensiero del filosofo fu ampiamente ispirato. Il saggio esplora inoltre il modo in cui la nozione di letteratura come scarto ci consenta di illuminare altri aspetti della riflessione merleau-pontiana sul linguaggio. (shrink)

The essay analyses the development of Joseph de Maistre’s ideas on war and peace. Commonly seen as advocating militarism and bloodshed, Maistre’s insights and propositions on the nature of war are in fact highly modern and original. As a witness to the European upheaval of 1792-1815, Maistre emphasizes the indeterminacy and unpredictability of modern war, and its irreducibility to a science or a doctrine. In order to regulate and restrain warfare, Maistre argues, it is necessary to cultivate public opinion, an (...) elusive and difficult process which can only be sustained by informal cultural institutions. The essay also examines the legacy of Maistre’s ideas on war and peace in political thought. (shrink)