9 found
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  1.  30
    Decoding emotions in expressive music performances: A multi-lab replication and extension study.Jessica Akkermans, Renee Schapiro, Daniel Müllensiefen, Kelly Jakubowski, Daniel Shanahan, David Baker, Veronika Busch, Kai Lothwesen, Paul Elvers, Timo Fischinger, Kathrin Schlemmer & Klaus Frieler - 2018 - Cognition and Emotion 33 (6):1099-1118.
    ABSTRACTWith over 560 citations reported on Google Scholar by April 2018, a publication by Juslin and Gabrielsson presented evidence supporting performers’ abilities to communicate, with hig...
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  2.  18
    Investigating the importance of self-theories of intelligence and musicality for students' academic and musical achievement.Daniel Müllensiefen, Peter Harrison, Francesco Caprini & Amy Fancourt - 2015 - Frontiers in Psychology 6.
  3.  18
    Information-Theoretic Measures Predict the Human Judgment of Rhythm Complexity.Remi Fleurian, Tim Blackwell, Oded Ben‐Tal & Daniel Müllensiefen - 2017 - Cognitive Science 41 (3):800-813.
    To formalize the human judgment of rhythm complexity, we used five measures from information theory and algorithmic complexity to measure the complexity of 48 artificially generated rhythmic sequences. We compared these measurements to human prediction accuracy and easiness judgments obtained from a listening experiment, in which 32 participants guessed the last beat of each sequence. We also investigated the modulating effects of musical expertise and general pattern identification ability. Entropy rate and Kolmogorov complexity were correlated with prediction accuracy, and highly (...)
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  4.  38
    Environmental and mental conditions predicting the experience of involuntary musical imagery: An experience sampling method study.Georgia A. Floridou & Daniel Müllensiefen - 2015 - Consciousness and Cognition 33:472-486.
  5.  17
    The Musical Emotion Discrimination Task: A New Measure for Assessing the Ability to Discriminate Emotions in Music.Chloe MacGregor & Daniel Müllensiefen - 2019 - Frontiers in Psychology 10.
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  6.  4
    Modeling Timbre Similarity of Short Music Clips.Kai Siedenburg & Daniel Müllensiefen - 2017 - Frontiers in Psychology 8.
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  7.  16
    Perception of Leitmotives in Richard Wagner's Der Ring des Nibelungen.David J. Baker & Daniel Müllensiefen - 2017 - Frontiers in Psychology 8.
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  8.  7
    What Makes Babies Musical? Conceptions of Musicality in Infants and Toddlers.Verena Buren, Daniel Müllensiefen, Tina C. Roeske & Franziska Degé - 2021 - Frontiers in Psychology 12.
    Despite major advances in research on musical ability in infants, relatively little attention has been paid to individual differences in general musicality in infants. A fundamental problem has been the lack of a clear definition of what constitutes “general musicality” or “musical ability” in infants and toddlers, resulting in a wide range of test procedures that rely on different models of musicality. However, musicality can be seen as a social construct that can take on different meanings across cultures, sub-groups, and (...)
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  9.  8
    Development and validation of the first adaptive test of emotion perception in music.Chloe MacGregor, Nicolas Ruth & Daniel Müllensiefen - 2023 - Cognition and Emotion 37 (2):284-302.
    The Musical Emotion Discrimination Task (MEDT) is a short, non-adaptive test of the ability to discriminate emotions in music. Test-takers hear two performances of the same melody, both played by the same performer but each trying to communicate a different basic emotion, and are asked to determine which one is “happier”, for example. The goal of the current study was to construct a new version of the MEDT using a larger set of shorter, more diverse music clips and an adaptive (...)
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