Cybernetically enhanced humanoids, the Borg assimilate entire civilizations using advanced technology. Genocidal destroyers, the Borg's ultimate goal is perfecting their species through the imperialistic incorporation of other species‘ biological and technological distinctiveness. Anxieties about the Borg focus on their invincible militarism, genocidal threat, ruthless cruelty, totalitarian collectivism, torturous technology, and physical monstrousness. The philosophical assumptions that underlie transhumanism can be traced to French philosopher Ren'e Descartes, who provided the foundation for Enlightenment philosophy and scientific advancement. The perfectionist goal of the (...) transhumanist project might lead to discrimination against those not wealthy enough to afford the genetic and cybernetic enhancements that become available. The fundamental philosophical premise that makes the Borg collective consciousness possible is shared by transhumanism: thoughts, memories, and personality traits are reducible to patterns of neural energy in the brain, and these patterns can be electronically simulated, transmitted, changed, or controlled. (shrink)

Sparkling woodsprites flutter in the forest and bioluminescent willow tendrils illuminate the strange ritual that ends Avatar. Human Jake lies head to head with his human–Na'vi hybrid avatar. Through the biological–spiritual ritual, Jake's human mind is transferred to his Na'vi body. Some viewers might see Avatar as advocating science and biotechnology as the salvation of a doomed humanity. If this view is correct, the movie would be reflecting the techno‐utopian philosophy known as transhumanism. Like transhumanism, though for different reasons, Avatar (...) views the human species as corrupted and endangered. Moreover, both transhumanism and Avatar hold out the promise of some form of transcendence or salvation for the human race. Exalting spiritualism, pantheism, and nature while sounding alarm bells about the dangers of technology and scientific materialism, Avatar ultimately endorses a positive philosophy, antithetical to transhumanism. (shrink)

For humans, Westworld is a fun, Old West Disneyland; for theartificial humans, it is a “living hell”, as robot Android Bernard describes it in “Bicameral Mind”. Ruled by a despot and controlled through programmed indoctrination, omniscient surveillance, and secret police, Westworld resembles a concentration camp as described by philosopher Hannah Arendt in The Origins of Totalitarianism. This chapter explores the parallels between Westworld and historical instances of totalitarian oppression and colonialization as well as the justified use of violence as a (...) revolutionary weapon, drawing on the work of Hannah Arendt and Frantz Fanon. Fanon viewed colonialism and occupation as violence personified and systematic enslavement. His most influential work The Wretched of the Earth analyzed the effects of occupation and provided a handbook to combat those effects. This book achieves significance as an essay on the nature and morality of violent liberation from the perspective of the persecuted victim. (shrink)