If political fake news is a serious concern for democratic politics, no less worrisome is scientific news with patently distorted content. Prima facie, scientific misinformation partially escapes the definition of fake news provided by empirical and philosophical analysis, mainly patterned after political disinformation. Most notably, we aim to show that people are often unaware not only of disseminating, but also of producing false or misleading information. However, by leveraging the philosophical and psychological literature, we advance some reasons for keeping scientific (...) misinformation under the same umbrella, broadening the definition of fake news in order to account for it as well. In concluding, we shall advance some ideas on how to reform scientific communication, which may help to address the issue of scientific misinformation. (shrink)

While inanimate objects can neither experience nor express emotions, in principle they can be expressive of emotions. In particular, music is a paradigmatic example of something expressive of emotions that surely cannot feel anything at all. The Contour theory accounts for music expressiveness in terms of those resemblances that hold between its external and perceivable properties and the typical contour of human emotional behavior. Provided that some critical aspects are emended – notably, the stress on the perception of similarity instead (...) of the more plausible hypothesis that the listener perceives manifestations that are similar – we are inclined to endorse contour theory. In particular, we share its basic idea that expressive properties are perceived. Although other kinds of processes – high-level conceptual inferences, imagination – sometimes characterize our encounters with music, still perception constitutes the standard process underlying the detection of expressiveness. Moreover, we propose to extend contour theory to visual arts. Taking into consideration, as a case study, depicted landscapes, we observe that they frequently cannot but express emotions such as joy, sadness, liveliness or melancholy. The fact that pictures, unlike music, lack any temporal dimension is a prima facie reason for doubting the extendibility of contour theory’s conceptual arsenal to them. Nevertheless, while being obviously unable to behave somehow, we claim that depicted landscapes can perfectly convey dynamic information. If this is the case, the extension of the notion of contour to visuals art via the stress on the notion of dynamism would represent a second interesting revision of contour theory. (shrink)

Our lives are commonly involved with fictionality, an activity that adults share with children. After providing a brief reconstruction of the most important cognitive theories on pretence, we will argue that pretence has to do with metarepresentations, albeit in a rather weakened sense. In our view, pretending entails being aware that a certain representation does not fit in the very same representational model as another representation. This is a minimal metarepresentationalism, for normally metarepresentationalism on pretense claims that pretending is or (...) entails representing a representation qua representation, i.e. as conceptualised as a representation, in its very content. In the final section we will try to draw some consequences of our view as to the debate in cognitive science on mindreading. Given this minimal metarepresentationalism, the two main positions on mindreading, the ‘theory theory’ and the ‘simulation theory’, turn out to be closer than one would have originally supposed. (shrink)

Caterina può apparire arrabbiata, ma anche un brano musicale può manifestare emozioni: un passaggio triste, una marcia gioiosa, una modulazione che apre a nuovi sentimenti. Anche gli oggetti inanimati possono manifestare emozioni che pure, a differenza di quanto accade per persone e animali, non possono esperire. Sebbene le attribuzioni di emozioni agli oggetti inanimati possano essere trattate, in linea di principio, come esempi di metafore, esse sembrano invero catturare un’esperienza reale. Per quanto anche un bollitore possa fischiare gioiosamente o un (...) salice piangente apparire malinconico, non vi è dubbio che le opere d’arte siano particolarmente suscettibili di manifestare emozioni - essere espressive di emozioni1. Tra queste, la musica occupa da sempre una posizione privilegiata. Un brano musicale, che in quanto oggetto inanimato non può provare alcunché, è nondimeno in grado di raggiungere straordinarie vette di espressività emotiva. Ciò avviene del tutto indipendentemente da vari elementi - il testo, il titolo del brano o il programma di sala che lo accompagna - i cui eventuali significati emotivi espliciti possono semmai innestarsi, arricchendoli o persino contraddicendoli, su quelli di per sé manifestati della cosiddetta “musica pura”. (shrink)

The functional role of mirror neurons has been assessed in many different ways. They have been regarded, inter alia, as the core mechanism of mind reading, the mechanism of language understanding, the mechanism of imitation. In this paper we will discuss the thesis according to which MNs are a conceptual mechanism. This hypothesis is attractive since it could accommodate in an apparently simple way all the above-mentioned interpretations. We shall take into consideration some reasons suggesting the conceptualist characterization of MNs, (...) as well as some possible replies. We shall figure out how an argument for the conceptualist hypothesis could be deployed, focusing on the notion of off-line processes, which turns out to be the crucial property necessary to ascribe concept possession. Our conclusion will be that, despite of there being some evidence for the conceptualist account, the issue cannot be definitely settled, because there are both experimental shortages and conceptual difficulties. In particular, there are three distinct senses in which MNs can be regarded as a conceptual mechanism, but we shall argue that only one of these interpretations can be defended. (shrink)

On the traditional view, a sense of selfhood appears relatively late in infancy, since to be, or to possess, a self is taken to require such capacities as language and metacognition. Recent research in psychology, however, shows that there are some rudimentary forms of self-consciousness already in the very first months of life. The exercise of these early abilities in interactional contexts with caretakers shapes gradually a sense of self, or a primitive form of what we also call “personal identity”, (...) following a psychological terminology. In this paper we shall argue that the hypothesis of a very precocious personal identity can accord an important role to the Other in the formation of the Self without being committed to some outdated versions of empiricism or relativism. In the first section we introduce a pair of views about selfhood that seem to lead to relativism. In the second section we present what we call the “precocious identity view”. In the third section we describe the role of the Other in the precocious identity view. Finally, we make some remarks concerning what kind of (self-)consciousness is actually involved in the precocious identity view. (shrink)

Contrary to what Descartes argued many centuries ago, the self seems far from being a simple and indivisible entity, easily accessible to personal scrutiny. In this paper I will endorse an anti-cartesian attitude, starting from two different perspectives. On the one hand, I will consider clinical and developmental studies showing how strongly interpersonal relations modulate the quality of introspective access. In this section, I will take into account Neisser's theory of self knowledge and Gergely and Watson's constructivist approach. On the (...) other hand, I will consider the extended mind paradigm, a recent philosophical model that seems compatible with the idea that some important aspects of the self could also be extended to the physical world. This latter point acquires special importance when considering how much some particular electronic tools such as second generation search engines will be widespread in the future. (shrink)

The present essays tries to point out limits and constraints on our thought faculty. To this purpose it tackles, on the one hand, evolutionary psychology, and on the other massive modularity, construed as both consistent with evolutionary psychology and experimentally supported. We apply the results to an analysis of the development and epidemiology of religious belief.

: In direct opposition to the dominant nativist perspective tracing back to Descartes, William James suggested that the sense of self is constructed through a never-ending process of reflexivity. In more recent years, empirical data from various psychological domains have further strengthened this constructivist perspective. Notably, Gergely and Watson’s social biofeedback model has been proposed as a central mechanism in the development of emotional introspection, which itself constitutes a crucial step in the process leading to a mature sense of self. (...) In accordance with the social biofeedback model, it has been suggested that reiterated failures in biofeedback mechanisms predispose an individual to mental suffering. While borderline personality disorder and antisocial behavior have received the most attention, here I make a preliminary attempt to examine the impact of dysfunctional biofeedback on the pathogenesis of narcissism, suggesting that some central features of pathological narcissism may result from serious and reiterated disruptions in social biofeedback. This preliminary exploration aims to deepen our understanding of the origins of psychological suffering. In this sense, my effort could contribute to the construction of a causal model going beyond the purely categorical, atheoretical analysis of mental diseases typical of the diagnostic and statistical manuals. Keywords: Self; Self-ing Process; Social Biofeedback Model; Narcissism Il farsi e il disfarsi del sé. Biofeedback sociale, meccanismi causali e narcisismo patologico Riassunto: La prospettiva costruttivista sullo sviluppo del sé, efficacemente difesa da William James in opposizione all’innatismo di stampo cartesiano, è oggi ulteriormente avvalorata da numerosi dati empirici provenienti da diversi ambiti della psicologia. Il modello del biofeedback sociale di Gergely e Watson è stato proposto quale meccanismo centrale nello sviluppo dell’introspezione emotiva. In accordo a tale modello, ripetuti gravi fallimenti del biofeedback predispongono al disturbo mentale, segnatamente al disturbo borderline di personalità e al comportamento antisociale. In questo saggio mi occuperò di disturbo narcisistico di personalità, suggerendo che anche alcuni dei sintomi principali di questa patologia potrebbero derivare da disfunzioni gravi e reiterate del biofeedback. Nonostante la sua natura preliminare, la mia indagine si inscrive nell’alveo di quelle ricerche che mirano costruzione di un modello causale che vada oltre l’analisi puramente categoriale e ateoretica tipica dei manuali statistico-diagnostici. Parole chiave: Self; Identità personale; Social Biofeedback Model; Disturbo narcisistico di personalità. (shrink)

Introduzione Il problema filosofico centrale di Lexical Competence (Marconi 1997 — i riferimenti che faremo sono relativi all’edizione italiana apparsa due anni dopo) è che cosa distingue la comprensione del linguaggio da parte di un agente umano da quella che potrebbe essere attribuita a un sistema artificiale. Nel rispondere a questa domanda Marconi (d’ora in poi, M.) offre una teoria della conoscenza del significato, descrive cioè in che cosa consiste conoscere il significato delle parole...