A book on human communication that is worthy of its subject must introduce the reader to the dynamic interaction of a number of diverse fields. Colin Cherry's book, over successive editions, has served for twenty years as perhaps the most literate and readable introduction to this interaction available. Readers have consistently found that fields within their specialty are covered with authority; that fields far removed are covered with clarity; and that the connections among them are shown to be close and (...) natural. This third edition includes a new chapter, "Feeling, Knowledge, and Understanding," that extends the book's reach into philosophy, and in particular communicates some existential points-of-view. In it the author undertakes to demonstrate that "The language of physical science is inadequate for discussion of what is essentially human about human communication." In addition, numerous changes have been introduced throughout the text, and the bibliography has been expanded and updated. (shrink)

'Human Communication' is a field of interest of enormous breadth, being one which has concerned students of many different disciplines. It spans the imagined 'gap' between the 'arts' and the 'sciences', but it forms no unified academic subject. There is no commonly accepted terminology to cover aU aspects. The eight articles comprising this book have been chosen to illustrate something of the diversity yet, at the same time, to be comprehensible to readers from different academic disciplines. They cannot pretend to (...) cover the whole field! Some attempt has been made to present them in an order which represents a continuity of theme, though this is merely an opinion. Most publications of this type form the proceedings of some sympo sium, or conference. In this case, however, there has been no such unifying influence, no collaboration, no discussions. The authors have been drawn from a number of different countries. The first article, by John Marshall and Roger Wales concerns the pragmatic values of communication, starting by considering bird-song and passing to the infinitely more complex 'meaningful' values of human language and pictures. The 'pragmatic aspect' means the usefulness - what does language or bird song do for humans and birds? What adaptation or survival values does it have? These questions are then considered in relation to brain specialisation for representation of experience and cognition. (shrink)