15 found
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  1. Hegel's dialetic of master and slave as a model for the relation between artistic creation and aesthetic appreciation.Claude Gandelman & Itshaq Klein - 1978 - Philosophy and Social Criticism 5 (1):36-45.
  2.  17
    The metastability of primitive artefacts.Tsili Doleve-Gandelman & Claude Gandelman - 1989 - Semiotica 75 (3-4):191-214.
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  3.  21
    Iconizing the Text / Textualizing the Body.Assi Farber & Claude Gandelman - 1993 - American Journal of Semiotics 10 (1/2):11-33.
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  4. Commemorative essay.Claude Gandelman - 1997 - Semiotica 117 (1):1-13.
     
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  5.  7
    Estetica metastabile.Claude Gandelman - 1990 - Idee 13:101-109.
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  6. Film as text/text as film.Claude Gandelman - forthcoming - Semiotica.
  7.  10
    Philosophy as a sign-producing activity: The metastable Gestalt of intentionality.Claude Gandelman - 1982 - Semiotica 39 (1-2):287.
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  8.  12
    Surrealism and the Book.Claude Gandelman - 1989 - American Journal of Semiotics 6 (2/3):305 - 312.
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  9.  8
    Scatological Semiotics.Claude Gandelman - 1989 - American Journal of Semiotics 6 (4):13 - 31.
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  10.  21
    The Doktor Faustus of Thomas Mann as a drama of iconicity.Claude Gandelman - 1984 - Semiotica 49 (1-2).
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  11.  11
    The Metastability of Signs/Metastability as a Sign.Claude Gandelman - 1979 - Semiotica 28 (1-2).
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  12.  27
    The semiotics of signatures in painting: A peircian analysis.Claude Gandelman - 1985 - American Journal of Semiotics 3 (3):73-108.
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  13.  50
    The Semiotics of Signatures in Painting: A Peircian Analysis.Claude Gandelman - 1985 - American Journal of Semiotics 3 (3):73-108.
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  14.  14
    The semiotic square as a ’catastrophe’.Claude Gandelman - 1988 - Semiotica 70 (1-2):79-98.
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  15.  17
    Reading Pictures, Viewing Texts.Renee Riese Hubert & Claude Gandelman - 1992 - Substance 21 (2):124.
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