The bulk of the present volume focuses on the reuse of Buddhist texts. The Introduction gives some background to the topic of textual reuse in general and discusses the reasons for undertaking the analysis of textual reuse within Buddhist texts. It then elaborates on the extent of its pervasiveness within Buddhist literature through the example of Tibetan ritual texts. Lastly, it takes stock of the articles on text-reuse and discusses some general lines of interpretation of the phenomenon of textual reuse (...) in Buddhism, highlighting the importance of the genre over that of the time and language of composition. Thus, philosophical or technical texts tend to quote explicitly, whereas ritual texts see the predominance of the conveyed message over the transparency of the transmission so that reuse is mostly silent. Religious texts of various forms come in between these two extremes. (shrink)

A detailed study of a probably 10th century Tibetan tantric text, including critical editions, diplomatic transcriptions, introductory materials, and other historical analysis.

This article considers issues of authorship and textual development over the generations, focusing on the contributions of the erudite scholar/lama Dudjom Jigdral Yeshe Dorje, to the revelations of Bhutan’s national saint, Pema Lingpa, on the tantric deity Vajrak?laya. Dudjom Rinpoche compiled a number of ritual practice texts for this revelation cycle, also writing commentarial instructions on them. Here, two of his compilations are examined in detail, considering how they relate to the original revelation, what they add, and what they neglect, (...) reflecting on what they might tell us about Tibetan approaches to continuing textual production in revelatory traditions. Much of Dudjom Rinpoche’s ‘Ultra Secret Razor Lifeforce’ Framework text for the Major Practice session reproduces virtually unchanged his earlier Framework text for the Dudjom tradition ‘Meteoric Iron Razor’, which itself draws on Guru Chöwang’s ‘Ultra Secret Razor’, as presented by Terdak Lingpa, the founder of Mindroling Monastery in central Tibet. On the other hand, Dudjom Rinpoche’s main Ritual Manual for Pema Lingpa’s cycle is more clearly rooted in the Pema Lingpa cycle, but there has been considerable re-working of the phrasing and even of some key visualisations. Some of the significant modifications were already present in an earlier Ritual Manual of the third Sungtrul or Pema Lingpa reincarnation, Tsultrim Dorje, and Dudjom Rinpoche acknowledges this source. In assessing Dudjom Rinpoche’s two texts, various aspects of the productive process are highlighted, such as: the ‘blessings’ of a current generation high status lama connected with the tradition; the needs of the ritual community for familiar textual structures and liturgies; beautiful metrical verses for chanting; the integration of materials from the broader tantric heritage, but also the preservation of some highly individual elements of the revelation. (shrink)

The Dalai Lama’s Secret Temple: Tantric Wall Paintings from Tibet. Ian A. Baker. Photographs by Thomas Laird. Thames and Hudson, London 2000. 216 pp, inc. 150 colour illus. £36.00. ISBN 0 500 510032.

PIATS 7: Proceedings of the 7th Seminar of the International Association for Tibetan Studies, Graz 1995. 7 volumes. General Editor Ernst Steinkellner, Verlag der Österreichischen Akademie der Wissenschaften, Vienna 1997-98. ISBN 3-7001-2657-3/2658-1/2659-X/2712-X/2748-0/2749-9.