Results for 'Carolee Schneemann'

18 found
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  1.  4
    Seasonal fractional political idiosyncratic aesthetics.Carolee Schneemann - 2008 - In Francis Halsall, Julia Alejandra Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice. Stanford, Calif.: Stanford University Press. pp. 213-224.
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  2.  32
    A Transformative Subfield in Rehabilitation Science at the Nexus of New Technologies, Aging, and Disability.Carolee J. Winstein, Philip S. Requejo, Elizabeth M. Zelinski, Sara J. Mulroy & Eileen M. Crimmins - 2012 - Frontiers in Psychology 3.
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  3.  8
    Thomas Walker's Ear: Political Legitimacy in Post-Conquest Quebec.Carolee Pollock - 2000 - Lumen: Selected Proceedings From the Canadian Society for Eighteenth-Century Studies 19:203.
  4. Paradigms of the Beholder. The Perception of Art in a Global Age: Over Here - Over There.Peter J. Schneemann - 2011 - Diogenes 58 (3):112-120.
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  5.  11
    Lost in Translation: Simple Steps in Experimental Design of Neurorehabilitation-Based Research Interventions to Promote Motor Recovery Post-Stroke.Natalia Sánchez & Carolee J. Winstein - 2021 - Frontiers in Human Neuroscience 15.
    Stroke continues to be a leading cause of disability. Basic neurorehabilitation research is necessary to inform the neuropathophysiology of impaired motor control, and to develop targeted interventions with potential to remediate disability post-stroke. Despite knowledge gained from basic research studies, the effectiveness of research-based interventions for reducing motor impairment has been no greater than standard of practice interventions. In this perspective, we offer suggestions for overcoming translational barriers integral to experimental design, to augment traditional protocols, and re-route the rehabilitation trajectory (...)
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  6.  24
    " It is disastrous to name ourselves". Die Abstrakten Expressionisten als Chronisten und Interpreten ihrer eigenen Kunst.Peter J. Schneemann - 1998 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 43 (2):269-287.
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  7.  10
    Les paradigmes du regard. La perception de l'art à l'ère globale.Peter J. Schneemann - 2010 - Diogène 231 (3):150.
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  8.  7
    Les paradigmes du regard. La perception de l'art à l'ère globale.Peter J. Schneemann - 2011 - Diogène 3:150-161.
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  9.  53
    Strategic investment decisions in multi-stage contests with heterogeneous players.Hendrik Sonnabend, Sandra Schneemann, Marco Sahm & Christian Deutscher - 2021 - Theory and Decision 93 (2):281-317.
    When heterogeneous players make strategic investment decisions in multi-stage contests, they might conserve resources in a current contest to spend more in a subsequent contest, if the degree of heterogeneity in the current contest is sufficiently large. We confirm these predictions using data from German professional soccer, in which players are subject to a one-match ban if they accumulate five yellow cards. Players with four yellow cards facing the risk of being suspended for the next match are less likely to (...)
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  10.  10
    Remedial Training of the Less-Impaired Arm in Chronic Stroke Survivors With Moderate to Severe Upper-Extremity Paresis Improves Functional Independence: A Pilot Study.Candice Maenza, David A. Wagstaff, Rini Varghese, Carolee Winstein, David C. Good & Robert L. Sainburg - 2021 - Frontiers in Human Neuroscience 15.
    The ipsilesional arm of stroke patients often has functionally limiting deficits in motor control and dexterity that depend on the side of the brain that is lesioned and that increase with the severity of paretic arm impairment. However, remediation of the ipsilesional arm has yet to be integrated into the usual standard of care for upper limb rehabilitation in stroke, largely due to a lack of translational research examining the effects of ipsilesional-arm intervention. We now ask whether ipsilesional-arm training, tailored (...)
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  11. Population Size and the Rate of Language Evolution: A Test Across Indo-European, Austronesian, and Bantu Languages.Simon J. Greenhill, Xia Hua, Caela F. Welsh, Hilde Schneemann & Lindell Bromham - 2018 - Frontiers in Psychology 9.
  12.  9
    Motor Deficits in the Ipsilesional Arm of Severely Paretic Stroke Survivors Correlate With Functional Independence in Left, but Not Right Hemisphere Damage.Shanie A. L. Jayasinghe, David Good, David A. Wagstaff, Carolee Winstein & Robert L. Sainburg - 2020 - Frontiers in Human Neuroscience 14.
    Chronic stroke survivors with severe contralesional arm paresis face numerous challenges to performing activities of daily living, which largely rely on the use of the less-affected ipsilesional arm. While use of the ipsilesional arm is often encouraged as a compensatory strategy in rehabilitation, substantial evidence indicates that motor control deficits in this arm can be functionally limiting, suggesting a role for remediation of this arm. Previous research has indicated that the nature of ipsilesional motor control deficits vary with hemisphere of (...)
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  13.  84
    Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice.Francis Halsall, Julia Alejandra Jansen & Tony O'Connor (eds.) - 2008 - Stanford, Calif.: Stanford University Press.
    _Rediscovering Aesthetics_ brings together prominent international voices from art history, philosophy, and artistic practice to discuss the current role of aesthetics within and across their disciplines. Following a period in which theories and histories of art, art criticism, and artistic practice seemed to focus exclusively on political, social, or empirical interpretations of art, aesthetics is being rediscovered both as a vital arena for discussion and a valid interpretive approach outside its traditional philosophical domain. This volume is distinctive, because it provides (...)
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  14. Fracturas corporales : fundamento de un sistema de producción discursiva en Interior scroll de Carlee Schneemann.por Antonio Sustaita - 2021 - In Diego Lizarazo Arias & Fabián Giménez Gatto (eds.), Cuerpos inciertos: potencias, discursos y dislocaciones en las corporalidades contemporáneas. Ciudad de México: Siglo Veintiuno Editores.
     
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  15.  24
    Review Essay: Postcolonial Politics, Pathologies, and Power: Decolonization and the Decolonized, by Albert Memmi, translated by Robert Bonnono. Minneapolis: University of Minnesota Press, 2006. 148 pp. $54.00 ; $17.95 . The Selected Writings of Eqbal Ahmad, edited by Carolee Bengelsdorf, Margaret Cerullo, and Yogesh Chandrani. New York: Columbia University Press, 2006. 664 pp. $69.50 ; $27.50. [REVIEW]Keally McBride - 2007 - Political Theory 35 (4):517-521.
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  16.  12
    La recuperación de la Escuela de Salamanca en el contexto de la Kulturkampf alemana.María Martín Gómez - 2023 - Araucaria 25 (54).
    La “Escuela de Salamanca”, como etiqueta histórica, ha sido cuestionada y actualizada en múltiples ocasiones y desde intereses muy diversos. En este artículo se investiga el origen del concepto en la teología alemana del siglo XIX (en autores como Franz Ehrle y Gerhard Schneemann, especialmente) y se presta atención al contexto político y religioso en el que emerge (la denominada _Kulturkampf _alemana), con el propósito de comprender mejor las notas definitorias que se le otorgaron.
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  17. Against Raunchy Women's Art.Cynthia Freeland - 2009 - In Curtis Carter (ed.), Art and Social Change. International Association for Aesthetics. pp. 56-72.
    This article criticizes what I call "Raunchy" feminist art by employing discussions of pornography and objectification from Eaton and Nussbaum. Artists considered include Carolee Schneeman, Cindy Sherman, Lisa Yuskavage, and Jenny Saville. The article includes by citing examples of feminist art dealing with erotic material in a more productive manner: Eija-Liisa Ahtila, Kiki Smith, and Marlene Dumas.
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  18.  17
    Feminist Art, Content, and Beauty.Keith Lehrer - 2013 - In Peg Brand Weiser (ed.), Beauty Unlimited. Indiana University Press. pp. 297-305.
    Art reconfigures experience. Art is a mentalized physical object. Danto remarks that art is embodied meaning. Hein says that feminist art chats on the edge. Our mental life is filled with meaning, but art opens the question of the meaning of experience. . . . Art, chatting on the edge of experience, nevertheless invites us to choose our stance in that world. I suggest that that is the beauty, or, at least the value, of art. The art experience presents us (...)
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