Maria Kokoszyńska-Lutmanowa (1906-1981) was a Polish philosopher and student of Kazimierz Twardowski, the founder of the Lvov-Warsaw School. In 1938 she went to the University of Cambridge (Newnham College) on a Sarah Smitton Fellowship. There she attended George Edward Moore’s lectures as well as one of Ludwig Wittgenstein’s Lectures on the Foundations of Mathematics in 1939. In this interview which was conducted with Alois Eder she talks about her encounter with Wittgenstein. It was published in 1978 in the Polish art (...) and culture magazine Odra and is her only published memoir about Wittgenstein. The interview is republished here both in English translation and as facsimile of the original publication with the kind permission of the Odra magazine. (shrink)

In his newly reissued and revised book, the philosopher Ian Dearden at- tempts a critical inquiry into a philosophical position he calls “nonsensi- calism,” which he takes to correspond to the view “that it is possible to be mistaken in thinking one means anything by what one says”.1 He holds that an unexamined assumption to this effect is implicit in a large swathe of philosophical work dating from a period stretching throughout most of the 20th century, thanks to the widespread (...) tendency of philosophers to accuse each other of talk- ing nonsense. This is, according to the author of the book, most visible in the earlier and later philosophical writings of Wittgenstein, in logical pos- itivism, and in representatives of the Oxford-based “ordinary language” philosophy movement, as well as in the writings of many of those subse- quently writing under the influence of these. Dearden coins a special term to refer to the sort of error that philosophers are accusing each other of having committed: he calls such cases of error “illusions of meaning.”. (shrink)

In his newly reissued and revised book, the philosopher Ian Dearden at- tempts a critical inquiry into a philosophical position he calls “nonsensi- calism,” which he takes to correspond to the view “that it is possible to be mistaken in thinking one means anything by what one says”.1 He holds that an unexamined assumption to this effect is implicit in a large swathe of philosophical work dating from a period stretching throughout most of the 20th century, thanks to the widespread (...) tendency of philosophers to accuse each other of talk- ing nonsense. This is, according to the author of the book, most visible in the earlier and later philosophical writings of Wittgenstein, in logical pos- itivism, and in representatives of the Oxford-based “ordinary language” philosophy movement, as well as in the writings of many of those subse- quently writing under the influence of these. Dearden coins a special term to refer to the sort of error that philosophers are accusing each other of having committed: he calls such cases of error “illusions of meaning.”. (shrink)

This study examines the philosophical question of how it is possible to appreciate music aesthetically as an expressive art form. First it examines a number of general theories that seek to make sense of expressiveness as a characteristic of music that can be considered relevant to our aesthetic appreciation of the latter. These include accounts that focus on resemblances between music and human behaviour or human feelings, on music's powers of emotional arousal, and on various ways in which music may (...) be imaginatively construed by listeners. It argues that none of these are entirely satisfactory. Then it proposes an alternative account, focusing on what is involved when our appreciation of music as an expressive art is informed by our awareness of it as something that is expressively interpreted in performance. It is claimed that this offers the basis for a better understanding of at least some aspects of expressiveness in music and its relevance to aesthetic appreciation. (shrink)

This article explores the clarificatory potential of a specific way of approaching philosophical problems, centered on the analysis of the ways in which philosophers treat the relationship between ontological and historical forms of commitment. Its distinctive feature is a refusal to begin from any premises that might be considered “ontologistic” or “historicistic.” Instead, the relative status of the two forms of commitment is left open, to emerge in the light of more specific inquiries themselves. In this case the topic in (...) question is furnished by an essay from the early twentieth century German philosopher Herman Schmalenbach, entitled “Der Genealogie der Einsamkeit”. The aim is to show how the import of Schmalenbach’s historicophilosophical treatment of certain features arguably central to the spiritual practices and religious beliefs of Christianity can be more effectively grasped when approached in these terms. The first part provides an overview of the key points of Schmalenbach’s essay, while the second presents some conceptual-analytic considerations as a basis for exploring relations between ontological and historical forms of commitment as these figure in his text. Some possible broader implications for Christianity and its relationship to modern society are then also briefly sketched. (shrink)

This article explores the clarificatory potential of a specific way of approaching philosophical problems, centered on the analysis of the ways in which philosophers treat the relationship between ontological and historical forms of commitment. Its distinctive feature is a refusal to begin from any premises that might be considered “ontologistic” or “historicistic.” Instead, the relative status of the two forms of commitment is left open, to emerge in the light of more specific inquiries themselves. In this case the topic in (...) question is furnished by an essay from the early twentieth century German philosopher Herman Schmalenbach, entitled “Der Genealogie der Einsamkeit”. The aim is to show how the import of Schmalenbach’s historico-philosophical treatment of certain features arguably central to the spiritual practices and religious beliefs of Christianity can be more effectively grasped when approached in these terms. The first part provides an overview of the key points of Schmalenbach’s essay, while the second presents some conceptual-analytic considerations as a basis for exploring relations between ontological and historical forms of commitment as these figure in his text. Some possible broader implications for Christianity and its relationship to modern society are then also briefly sketched. (shrink)

This article reviews the book Selected Issues in the History of Polish Philosophy, by Tomasz Mróz.