INDIAN AND WESTERN PHILOSOPHY- A Study in Contrasts By BETTY HEIMANN. Originally published in I937. Contents include: 1. INTRODUCTION 13 2. THEOLOGY 2Q 3. ONTOLOGY AND ESCHATOLOGY 46 4. ETHICS 63 5. LOGIC 79 6. AESTHETICS 98 7. HISTORY AND APPLIED SCIENCE Il6 8. THE APPARENT RAPPROCHEMENT BETWEEN WEST AND EAST 131 EPILOGUE 147 INDEX OF PROBLEMS TREATED 149. INDIAN AND WESTERN PHILOSOPHY. CHAPTER I. INTRODUCTION: ONE ceuvre dart est un coin de la creation vu d travers un temperament, says (...) Zola and we may be justified in applying this aphorism when we venture on a some what similar survey and attempt an artificial selection from World-Philosophy throughout the ages. My aim, however, is not to elaborate any finished outline of all the philosophical conceptions that have arisen in East and West up to the present day, but merely to indicate the essential and fundamental tendencies and principles. In tracing the sources of Western Philosophy to Plato and Aristotle, and still earlier to the pre-Socratics of ancient Greece, I became convinced that all translations are, to a greater or less degree, modes of interpretation. I studied the Classics, therefore, from the linguistic standpoint, and this procedure ultimately developed into a philosophical method intimately associated with the psychological aspects of Philology. In pursuing this task I discovered at the same time the specifically material basis of all Western thought. In other words in my regress from the history of modern Philosophy to the dawn of Greek speculation, or to repeat to the pre-Socratics, I found myself able to trace the main trends of Western Philosophy to the prior era of the Greek Sophists, whose outstanding role as the actual founders of Western thought is, in my opinion, too frequently underestimated. Their basic dogma which has held good in the West ever since was, Man is the Measure of all things. At this point an equally important feature must be emphasized for throughout this age of the Sophists there persists the profound contrast between the typically Western, and the equally distinctive Eastern, intellectual and spiritual atmospheres. In this connection, still further, I was deeply impressed by the far-reaching divergence of the Western anthropological tendency from the older cosmic out look upon Man as being part and parcel of the Universe And this radical antithesis is to be dis cerned in contemporary Greek drama. For Aeschylus, the Marathonomaches, creates all his immortal tragedies in the genuinely cosmic mood. Every in fraction of cosmic order, with no single exception, must generate its own inevitable reaction, and also its punishment, in order that the primal cosmic harmony may once more be restored... (shrink)