25 found
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  1.  27
    Preface.Bernard Lightman & Bernard Zelechow - 1996 - The European Legacy 1 (5):1671-1672.
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  2.  5
    Art and enlightenment: Aesthetic theory after Adorno.Bernard Zelechow - 1992 - History of European Ideas 14 (3):459-460.
  3.  19
    A painting is a painting? Some cracks in the armour of formalist aesthetics and analytic philosophy.Bernard Zelechow - 1994 - History of European Ideas 18 (1):79-85.
  4.  9
    Biblical speech and modern consciousness in the post-modern age: The double paradox of modernism.Bernard Zelechow - 1994 - History of European Ideas 18 (6):885-900.
  5.  10
    Crossroads between culture and mind: Continuities and change in theories of human nature.Bernard Zelechow - 1995 - History of European Ideas 21 (2):271-280.
  6.  11
    Derrida, deconstructionism and Nietzsche: The tree of knowledge and the tree of life.Bernard Zelechow - 1989 - History of European Ideas 11 (1-6):901-905.
  7.  14
    Fear and trembling and joyful wisdom1— The same book; A look at metaphoric communication.Bernard Zelechow - 1990 - History of European Ideas 12 (1):93-104.
  8.  15
    Hegel's idealism: The satisfactions of self-consciousness.Bernard Zelechow - 1991 - History of European Ideas 13 (4):467-468.
  9. Is There a New Derrida?Bernard Zelechow & Georges Perec - forthcoming - The European Legacy.
     
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  10.  1
    Introduction to the essays on post-modern criticism.Bernard Zelechow - 1995 - History of European Ideas 20 (4-6):783-784.
  11. Kierkegaard, the aesthetic and Mozart's' Don Giovanni'.Bernard Zelechow - 1992 - In George Pattison (ed.), Kierkegaard on art and communication. New York: St. Martin's Press. pp. 64--77.
     
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  12.  18
    Memories of the blind: The self-portrait and other ruins.Bernard Zelechow - 1995 - History of European Ideas 21 (4):618-620.
  13.  16
    Neo-Baroque: A sign of the times.Bernard Zelechow - 1995 - History of European Ideas 21 (2):271-280.
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  14.  23
    Proust: identity, time and the postmodern condition.Bernard Zelechow - 2004 - The European Legacy 9 (1):79-90.
    The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the problematization of the self that had been banished and/or erased by formalism, structuralism and deconstruction. (...)
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  15.  27
    Pseudoscientific Reasoning and Social Competitiveness in Art.Bernard Zelechow & Hrvoje Lorkovic - 1997 - The European Legacy 2 (1):64-67.
  16.  32
    Revelations/Derrida.Bernard Zelechow - 1997 - The European Legacy 2 (1):80-85.
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  17.  30
    Religion and science: The Nietzschean version.Bernard Zelechow - 1996 - The European Legacy 1 (5):1740-1751.
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  18.  18
    Subject and consciousness: A philosophical inquiry into self-consciousness.Bernard Zelechow - 1991 - History of European Ideas 13 (5):662-664.
  19.  5
    The concept of the self.Bernard Zelechow - 1994 - History of European Ideas 18 (1):87-91.
  20.  15
    The languages of paradise.Bernard Zelechow - 1995 - History of European Ideas 21 (2):271-280.
  21.  22
    The opera: The meeting of popular and elite culture in the nineteenth century.Bernard Zelechow - 1993 - History of European Ideas 16 (1-3):261-266.
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  22.  6
    The post-modern and the post-industrial.Bernard Zelechow - 1992 - History of European Ideas 14 (5):723-723.
  23.  11
    The prophetic role of the arts, especially opera, in nineteenth-century culture1.Bernard Zelechow - 1991 - History of European Ideas 13 (6):747-761.
  24.  2
    The return of thematic criticism.Bernard Zelechow - 1995 - History of European Ideas 21 (2):271-280.
  25.  9
    The surrealist mind.Bernard Zelechow - 1992 - History of European Ideas 14 (5):723-727.