Modern cities have recently evolved as centres for material and intangible exchanges and this obliges us to rethink the urban scene. The passing from the industrial era to the new age of information has rendered obsolete the models envisaged by Max Weber, Georg Simmel and Walter Benjamin. Basing her argument on the typology put forward by Saskia Sassen, Barbara Freitag sketches out the different profiles of contemporary cities. Urban centres are now defined by the level, scale and intensity of the (...) exchanges to which they give rise. On the first level is the global city, nerve centre of the globalized economy (Tokyo, New York, London...) and capable of challenging the power of the state. On the second level are the megalopoles (Mexico, São Paulo...), which are only prevented from joining the ranks of the global cities because much of their population is excluded from the global economy. Next come the metropoles, cities like Paris (‘19th-century capital’), which have retained a way of life global centres can no longer provide. However, most of the world’s population is concentrated in the peripheral boroughs of the information society’s global economy. It is for the sake of this population that attention must be paid to the transformations endured by 21st-century cities. (shrink)

The Guise Cooperative, a project out carried in northern Paris by Jean-Baptiste André Godin (1817-88), who was inspired by the utopian ideas of Charles Fourier (1772-1837), put into practice a model that: (a) was politico-democratic in its self-management by the workers in a foundry; (b) was socio-economic in combining for the first time international competition and social benefits; (c) anticipated ecological arguments in developing industrialization processes; (d) embodied religious tolerance; (e) outlived the genuine socialism inspired by Marx. Godin’s ‘Palais Social’ (...) in Guise, still lived in today by around 300 descendants of the workers, was proclaimed a Human Heritage monument and handed over to the European Union in 1991. (shrink)

Résumé Projet réalisé au nord de Paris par Jean-Baptiste André Godin, (1817-1888), s’inspirant de l’idée utopique de Charles Fourier (1772-1837), le Familistère de Guise a mis en œuvre un modèle : (a) politico-démocratique d’autogestion par les ouvriers d’une usine de fourneaux ; (b) socio-économique qui alliait pour la première fois compétitivité internationale et bénéfices sociaux; (c) qui anticipait le raisonnement écologique dans le développement des processus d’industrialisation; (d) de tolérance religieuse (e) ayant survécu au socialisme réel inspiré de Marx. Le (...) Palais Social de Godin à Guise, habité à ce jour par environ 300 descendants des ouvriers, a été déclaré Patrimoine de l’humanité et confié à l’Union Européenne en 1991. (shrink)

This paper compares Tocqueville's concept of democracy to the social and political evolution of Brazil. It draws attention to the different points of departure which marked the establishment of American and Brazilian societies, through the works of authors such as Laura de Mello e Souza, Gilberto Freyre, Florestan Fernandes, Celso Furtado, and Sérgio Buarque de Holanda. It notes that, despite conditions being more favourable for the formation of a democratic society in the United States than in Brazil, subsequent to the (...) founding periods a certain coming together occurred in the process of formation of the two societies. The 'similarity of differences' between American and Brazilian societies becomes clear as soon as one brings together the roles played by the three constituent ethnic groups of these societies, which, by their simple existence, link difference to inequality. (shrink)

Democracia -- Modernidade -- Psicanálise -- Literatura.