The main goal of the present research is to examine socio-ecological hypothesis on apology and compensation. Specifically, we conducted four studies to test the idea that an apology is an effective means to induce reconciliation in a residentially stable community, whereas compensation is an effective means in a residentially mobile community. In Studies 1, 2a and 2b, American and Japanese participants (national difference in mobility; Study 1) or non-movers and movers (within-nation difference in mobility; Studies 2a and 2b) imagined the (...) situations in which they were hurt by their friends and rated to what extent they would be willing to maintain their friendships upon receipt of apology or compensation. The results showed that compensation was more effective in appeasing residentially mobile people (i.e., Americans and movers) than stable people (i.e., Japanese and non-movers), while apology was slightly more effective appeasing residentially stable people than residentially mobile people (significant in Study 1; not significant in Studies 2a and 2b). In Study 3, by conducting an economics game experiment, we directly tested the hypothesis that mobility would impair the effectiveness of apology and enhance the effectiveness of compensation. The results again partially supported our hypothesis: In the high mobility condition compensation increased one’s willingness to continue the relationship with the offender, when compared to willingness in the low mobility condition. The importance of socio-ecological perspective on the forgiveness literature is discussed. (shrink)

Dass sich ein neuartiger Kulturvergleich zwischen Japan und Europa ausgehend von Heideggers Stimmungsanalysen entwickeln lasst, wurde bisher noch nicht gesehen, obwohl es sich von seiner Offenheit fur ostasiatische Denktraditionen her anbietet. Die Verfasserin entwickelt zunachst eine neue Rekonstruktion von Heideggers Stimmungsphanomenologie und verklammert sie dann systematisch mit seiner Unterscheidung von -erstem- und -anderem Anfang- der Seinsgeschichte. Auf dieser Basis analysiert sie die Grundstimmung Japans im Ruckgang auf ihren ersten Anfang im Shinto-Kult und gelangt so zur Moglichkeit eines anderen Anfangs der (...) japanischen Kultur, der zugleich von globaler Bedeutung sein konnte.". (shrink)

Objectives: This study aimed to conduct a systematic review and meta-analysis of randomized controlled trials (RCTs) to improve subjective well-being (SWB), including evaluative, hedonic, and eudemonic well-being, and the mental component of quality of life (QOL) of working population. Methods: A literature search was conducted, using PubMed, Embase, PsycINFO, and PsycARTICLES. Eligible studies included those that were RCTs of any intervention, conducted among healthy workers, measured SWB as a primary outcome, and original articles in English. Study characteristics, intervention, outcomes, and (...) results on SWB outcomes were extracted by the investigators independently. After a brief narrative summarizing and classifying the contents of the interventions, the included outcomes were categorized into each aspect of SWB (evaluative, hedonic, and eudemonic well-being, and the mental component of QOL). Finally, the characteristics of the effective interventions for increasing each aspect were summarized, and the pooled effect of interventions on SWB was investigated by a meta-analysis. Publication bias was investigated by drawing a funnel plot and conducting Egger's test. Results: From the 5,450 articles found, 39 met the inclusion criteria for the systematic review. The interventions included in this review were classified into six categories (physical activity, ergonomics, psychological, environmental, multicomponent intervention, and others). The meta-analysis from 31 studies showed that the pooled effect of included interventions on SWB was significantly positive (standardized mean difference (SMD) = 0.51; standard error (SE) = 0.10). A funnel plot showed there were extremely large or small SMDs, and Egger's test was significant. Thus, we conducted sensitivity analysis, excluding these extreme SMDs, and confirmed that the estimated pooled effect was also significantly positive. Subgroup analyses for separate types of interventions showed the effects of psychological interventions (e.g., mindfulness, cognitive behavioral based approach, and other psychological interventions) were also significantly positive. Conclusion: The current study revealed the effectiveness of interventions for increasing SWB. Specifically, psychological interventions (e.g., mindfulness, cognitive behavioral based approach, and other psychological interventions) may be useful for improving SWB. (shrink)

The present study examined the effect of residential mobility on impression formation. In the study, participants were first engaged in a residential mobility priming task where they were asked to imagine and describe either frequent moving life or less frequent moving life. They then evaluated their attitudes toward four types of target persons: competent vs. incompetent and warm vs. cold. As a result, in the high-mobility condition, the effect of competence was observed only when participants evaluated a warm person, whereas (...) in the low-mobility condition, it appeared only when participants evaluated a cold person. The potential influence of individual residential mobility on the relationship formation is also discussed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Sacrificial "As-If" and Avuncular HilarityLiving by MéconnaissanceWiel Eggen (bio)INTRODUCTION: THE CURIOUS QUESTIONAt my departure for anthropological fieldwork in the Central African Republic (RCA), just after Girard's seminal work La Violence et le sacré had come to upset my structuralist tutors in Paris, I was given a list of penetrating questions to probe in the field, since my research was to be conducted in an area known for its a-cephalous (...) traditions with little or no political or religious centralization.1 The prime critique concerned Girard's apparent return to a bluntly utilitarian vision of myth and religion as the mental framework of society's ritual foundations, in line with Durkheim's functionalist analysis of archaic religion, which was finely reworded in Lord Raglan's recent preface to a cluster of Hocart's articles titled The Life-Giving Myth.2 The approach had come to dominate, as a way of unraveling outdated transcendentalist claims, and also underpinned Freudian and Marxist attacks on religion. After Kant's Critique of Pure Reason had given the lie to any claims of access to transcendent realms, the deontological view of religion as society's functionalist toolbox for orderly [End Page 69] conduct became dominant. But, inspired also by such "masters of suspicion" in human sciences, structuralism had set out even beyond that utilitarian perspective. In a decisive bolt of relativism, it took myths to be a mere mental ordering of daily observations into a logical frame, independent of any ritual or social utility. So, how could Girard once again declare social control via rituals to be religion's true aim, allot a prime role to sacrificial rites, and, most alarmingly, thereby raise the suspicion of aiming to rehabilitate Christian dogmas?I was urged to go and check this theory on sacrifices, scapegoating, social rivalry, and on the shaping of archaic society, its forms of authority, and even sacred kingship. Reflecting on the questions, though, I noted that they overlooked a critical point in Girard's hypothesis, which I read as reverse functionalism. In fact, Girard viewed religion's social function and the issuing cultural regulations as rooted in a radical "lie," or in what he labels méconnaissance. Worded in evolutionary terms, he hypothesized not so much a kind of Darwinian utilitarian adaptation, but rather the alternative of "exaptation," or what has been called an oblique functionalism.After I had learned enough of the Banda language to start my research, though, my schedules were thrown in disarray on my first evening in the village that was to be my starting point. It presented me with a curious quandary. The village of Wademi, some 25 km north of Ippy, in the sparsely populated wooded savannah, was home to two exogamous patrilineal clans that straddle a little river and sit on a dirt road constructed by the colonial power for the collection of cotton. To oversee this two-clan unit a chief had been appointed with the title of makonji, a loanword from the national Sango language. This gentle, friendly man had offered to host me in his own cemented house and organized a welcome for me in the customary way of staging a pleasant storytelling session, punctuated with joyous songs and dances, lasting well into the night. Most of the stories and songs figured Tere, the famous trickster figure, who resembles Ture in neighboring Azande-land, well documented by E. Evans-Pritchard.3 The enjoyable, moonlit session was shot through with outbursts of laughter. It brought the two clans together, including the women and children. Before turning in, the makonji's junior son, who had been assigned my assistant and interpreter, came to convey his father's sincere but puzzling query, whether Tere actually was the same as Jesus Christ. Actually, his French name in Banda phonetics implied so: Christ Jésu = Tre se te jesu; and "Jesu Christ = Jesu Tre."4 Taken by surprise and much in need of some rest after a rather demanding day, I politely asked to let the issue rest till the morning.This question was all the more disturbing, as Christians were wont to call Jesus the Lord, and relate this to chieftaincy... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Artist as Professional in JapanKazuyo Nakamura and Akio OkazakiThe Artist as Professional in Japan, edited by Melinda Takeuchi. Stanford, Calif.: Stanford University Press, 2004, 262pp., $45.00 cloth.With the increase of cross-cultural academic exchange in our time, more accurate information on art from other cultures has become more easily available, and curriculum development of art education directed toward multiculturalism has been brought to realization. There is need emerging (...) among art educators for academic resources for teaching cross-cultural subject matters, and The Artist as Professional in Japan provides historical information helpful in gaining a critical understanding of the nature of Japanese art discourse. The volume is edited from a fresh sociocultural perspective by Melinda Takeuchi, professor of Japanese art at Stanford University.Takeuchi, noticing that few scholarly books on the profession of Japanese artists are available to students of art history in the United States, set about the volume in concerted efforts with her colleagues. The volume consists of individual case studies on different Japanese artists; they are well-known sculptors, painters, potters, printmakers, and architects and are recognized in Japan as representative in different eras from the seventh to the twentieth century. Running through the individual studies, there is a concern for political forces that shaped art discourse and the identity of the Japanese artist. The following questions are asked: What degree of control did the artists exercise over their métier? What were some of the dynamics operating in the production, consummation, and evaluation of art and artist? How was the image of the artist formed during various periods? Working with these questions, seven case studies address issues of canon formation of art by looking into the terrain of the meaning of a critical word, Shoku-nin; it literally means people (nin) with an occupation (shoku) and denotes the collective artisan class.Different art historians and art theorists take a unique approach for developing each case study in the volume. Donald F. McCallum's study in chapter 2 is on the Buddhist Icons of the Shaka Triad during the Asuka Period (ca.590-ca.650), and it is asked what were the political forces working on the production of the [End Page 118] icons. In contrary to orthodox view, it is argued that the icons were produced not by an individual sculptor named Tori-busshi but by the guilds of which the supervisor was Tori. Also, it is argued that the icons were produced with the patronage of soga clan, the dominant political force of the time, not by the imperial family, including Shotoku Taishi.Karen L. Brock in chapter 3 examines the case of E'nichibo Jonin (active ca.1211-ca.1243), the painter of Saint Myoe. The case shows that the ateliers of temples, such as Kozanji in Kyoto, played a central role in producing and distributing sacred images. This study makes clear that few individual painters, such as those named ebusshi, participated in the formation of the canon of Japanese painting, but collective political forces, such as Kozanji ateliers, exercised power in bringing out sacred objects.In chapter 4 Melinda Takeuchi takes up the case of Tosa Mitsunobu (1434-ca.1523), an artisan painter active in Kyoto court circles. It shows a historical fact particular to Japanese art discourse—that later artists manipulated the names of earlier ones for professional or cultural merits. Taking notice of the fact that Mitsunobu's name late became synonymous with a production unit that shares secret techniques of products, Takeuchi concludes, "In the end, the name of an artist transcends time, space, materiality, and ultimately discourse itself" (101).The study of Louise Allison Cort in chapter 5 is on the case of Morita Kyuemon in the seventeenth century, a warrior trained as a potter and running the Odo pottery in the Tosa domain. By exploring the motivations of the Tosa domain in trying to transform local products into refined and stylish pottery worthy of formal presentation to other domain rulers (daimyo), to government officials, and to the shogun in Edo, this chapter demonstrates how both the potter and the ruler actively sought to join the aesthetic mainstream of their own day.In... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Japanese Buddhism: A Cultural HistorySteven HeineJapanese Buddhism: A Cultural History. By Yoshiro Tamura. Tokyo: Kosei Publishing Co., 2000. Pp. 232. Paper $14.95.Japanese Buddhism: A Cultural History is a recent English translation of a work by Yoshiro Tamura originally published in Japan in the late 1960s. Tamura, who died in 1989, was one of the most prominent scholars of Japanese Buddhist studies of his era and was probably best (...) known for his major study of "New" Kamakura era Buddhist figures, including Shinran, Dōgen, and Nichiren. In that book Tamura executed a very sophisticated textual analysis of the often overt but sometimes subtle distinctions in doctrinal positions of the leading Kamakura Buddhist thinkers in their respective appropriations of Tendai original-enlightenment thought (hongaku shisō), which was a dominant ideology and a major influence on those who may have departed from or criticized its contents. Tamura's approach to Buddhist studies, with its emphasis on analyzing the textual tradition, has perhaps been superceded for many scholars by the approaches of such figures as Kuroda Toshio, Amino Yoshihiko, and Sasaki Kaoru, who have examined medieval Buddhism from a sociohistorical perspective. Also, some of Tamura's other writings may be questioned for espousing a standpoint that could be associated with nihonjinron (Japanese exceptionalism) theory by highlighting the distinctiveness of Buddhist practices in the context of the Japanese cultural tradition.A focus in this book on Japanese cultural uniqueness for understanding Buddhism in Japan seems indicated by the subtitle and by the back-cover copy, which refers to the way "Japan's Buddhism and the nation's cultural matrix are so inextricably linked that it is impossible to explicate the one without understanding the other." However, the work itself does not really delve into nihonjinron territory, but rather offers a conventional historical approach, with some exceptions, including chapter 4 on "The Japanese Response," which discusses Japanese poetic expressions of Buddhist doctrine.The contents of the book were originally published in a Kosei monthly magazine under the title "Hyakuman nin no Bukkyō-shi" (A history of Japanese Buddhism for a million readers) and then in book form by Kadokawa Shoten under the title Nihon Bukkyō-shi nyūmon (An introductory history of Japanese Buddhism). Since the original publication date was thirty-five years ago and the book does not represent cutting edge scholarship at this point, it can best be evaluated for its possible usefulness as a general survey in the classroom. The key question is whether this would make ideal required reading for an advanced undergraduate course on Japanese Buddhism.The book's main advantage is also its weakness, that is, the attempt to cover over fifteen hundred years and every major period in a little over two hundred pages. On the one hand, all of the major schools and thinkers are introduced, ranging from [End Page 125] pre-Nara trends through the formation of classical and medieval sects as well as early modern sociopolitical conditions to contemporary new religious movements. The book is a reliable reference guide that offers a snapshot of important events, leading figures, and doctrinal themes in a way that is evenhanded and objective, including the explanation of Nichirenist new movements such as Risshō Kosei-kai. For that reason it can be highly recommended.On a close reading, however, the deficiency of this approach becomes clear. For example, chapter 3 dealing with the development of early Buddhist temples in Japan tries to show a progression from Asuka-dera through Shitennō-ji and Hōryū-ji to Yakushi-ji, but the discussion in the narrative does not sufficiently flesh out what the diagram on page 41 is trying to illustrate about unfolding trends in iconography and scriptural exegetical studies.Also, the sections on such topics as Eizon and the revival of the Ritsu school during the Kamakura era and the role of the danka system in the Tokugawa era are a bit confusing and misleading in their brevity. Page 93 in chapter 8 on "The Founders of Kamakura Buddhism" refers to a "definite philosophical development" between the teachings of Hōnen, Nōnin, and Eisai, in the late twelfth century, and the thirteenth-century founders of... (shrink)