This article follows the history of the idea of adventure in the Soviet Union, which started as a dream of the great communist adventure but two decades into the revolution turned into the nightmare of the Great Terror. Adventure was implicated in the violent realities of Stalinism through tropes of the adventure genre, such as the loneliness of the adventurer in a precarious world impenetrable by reason. Understanding this situation requires a focus on philosophies of both adventure and terror. For (...) instance, Hegel’s philosophy of adventure will help us to reveal features of the lived experience in times of terror, whilst Mikhail Ryklin’s philosophy of terror sheds light on the significance of the adventure genre in the Soviet 1930s. This double focus allows articulation of a primary feature of violence that is often overlooked, namely, the fundamental reciprocity that structures it. In the Soviet context, we find historically neglected but critically important reflections on the relation between violence and adventure in the life and works of Lev Kopelev. We also find a unique deliberation on the dialectics of violence (and counter-violence) in Evgeni Shvarc’s adventure tale The Dragon (1943) which can be fruitfully read in dialogue with Arendt’s vital distinction between violence and power. Reconsidering these sources is an important task for today given that Russian politics has once again, 30 years after perestroika, regressed into mass violence. (shrink)

Russian constructivism's motif of an »insurgence of things« leads to the imperative of a liberation of things, which turns away from their representation and declares a Bilderverbot (prohibition of representation) in order to create new things for »new men.« These things – for example, clothing and articles of daily use – overleap the opposition between object and thingness. Their essence, as contemporary Russian phenomenology (Gustav Špet, Nikolaj Žinkin) affirms, is not constituted by any »ideal object«, but by social usage, which (...) involves it in an interminable metamorphosis. (shrink)

This roundtable discussion is based on an online symposium – The Promise of Photography: Scale, Measure and Proportion in a Conflicted Visual Milieu – which took place on 17 September 2021. Since its inception, photography has promised to set things to scale, to grant them measure and proportion, a series of promises that have also entailed moments of irrationality or conflict that persist in and continue to shape the era of global networked digital imaging technologies. The symposium started out from (...) the diagnosis that, whilst photography continues to promise an ordered, proportionate and measured world in which things can be set to their proper scale, it also acts in many ways as an agent of dismeasure, disproportion and the unscalable. In light of this, the roundtable discussion presented here examines a range of different meanings that scale, measure and proportion have accrued in the photographic context and sets out to explore conceptual frameworks and research methodologies through which the current situation might be understood. (shrink)

In this article I will look at literary imagination and the ways it is undermined and transformed by its relationship to apparatuses. I will compare the apparatus of Aby Warburg’s library with Peter Dittmer’s recent poetic apparatus Die Amme (1992–2006) in order to find out how poetics gets trapped by, and responds to, the challenge of apparatuses by employing the logistics of writing. A key concern of this article is to determine the role that speculation plays in poetics, in the (...) apparatuses that govern writing, and in the economics of both. (shrink)

In this article I will look at literary imagination and the ways it is undermined and transformed by its relationship to apparatuses. I will compare the apparatus of Aby Warburg’s library with Peter Dittmer’s recent poetic apparatus Die Amme in order to find out how poetics gets trapped by, and responds to, the challenge of apparatuses by employing the logistics of writing. A key concern of this article is to determine the role that speculation plays in poetics, in the apparatuses (...) that govern writing, and in the economics of both. (shrink)