The monograph is focused on the subjectivity of aesthetic experience and the problem of rational interpretation of emotionality. The text studies why does an aesthetic experience exist, what is its content and what is its informational role and structure? Has beauty any cognitive value? Can we analyse beauty? In what sense we can think about the information content of aesthetic experience? The second topic of the book is a cognitive role of emotionality and its research. Why we have emotions? What (...) can they tell us about yourself and about the world? The methodology of the study is designed as a phenomenological research of subjective experience that is combined with the newest results in Cognitive science research. --Page 4 of cover. (shrink)

The book is a second volume of the project, which is focused on a systematic examination of aesthetic experience by the unification of philosophical and cognitive-scientific approaches to beauty and aesthetic experience. This volume is focused on the analysis of selected aspects of aesthetic experience, especially on methodological problems and aspects of philosophical and scientific research, the question of the complementarity and compatibility of methods, and needs to interdisciplinary and multidisciplinary research. Authors of the chapters are considering about diverse areas (...) of perception of beauty, e.g.: pleasure by face perception; the synchronicity by music; the problems of musical chills; the psychosomatic unity of dance; or the problem of development of aesthetic appreciation. (shrink)