The aim of this study was to conduct a Scenic Narrative Microanalysis of a modern dance performance, “Kontakthof” by Pina Bausch, performed by lay dancers over 65 years of age. SNMA analysis consisted of both individual and group sessions with students of the International Psychoanalytic University. The method was successfully applied to artistic material insofar as relevant moments in terms of “Now Moments” and “Moments of Meeting” were identified by the raters throughout the dance piece. The selection of moments showed (...) a notable overlap with the results of different and independent methods of analysis presented in this section. (shrink)

This chapter presents “Scenic Narrative Microanalysis” and its potential contribution to research on significant interactive moments. It discusses the method’s roots at the intersection of two paradigm shifts. The first is the interactive turn in psychoanalysis, which itself is situated within the overarching cultural context of a performative turn. Second, as an approach addressing short-term interactions, SNMA points to the temporal turn in sociology, economics and technology, the background for microanalytic infant research approaches that have been influential since the 1970s. (...) Finally, the future prospects of interdisciplinary method triangulation within the research group are discussed. (shrink)

Der Beitrag stellt die exemplarische Untersuchung eines Psychotherapiegesprächs mit Hilfe der »szenisch-narrativen Mikroanalyse« (SNMA) vor. »Jetzt-Momente« (»Now Moments«) und »Begegnungsmomente« (»Moments of Meeting«) im Sinne von Daniel Stern und der Boston Change Process Study Group wurden von unabhängigen geschulten Ratern identifiziert und in einer systematischen, psychoanalytisch interpretierenden Konsentierung evaluiert. Ziel des Verfahrens ist es, durch die Nutzung von Parallelprozessen die Übertragungs-Gegenübertragungs-Bewegung im Therapiedialog zu verdeutlichen und dadurch ein wesentliches Agens in (nicht nur) psychoanalytischen Psychotherapien nachzuweisen.

Name der Zeitschrift: Paragrana Jahrgang: 25 Heft: 1 Seiten: 373-399.

The chapter presents an application of Scenic-Narrative Microanalysis to a videotaped conflict situation in a Berlin primary school. The analysis is limited to the presented video material, not involving any additional information. SNMA uses the video spectators’ reactions as a tool to identify significant moments in the video and to find a consensual hypothesis on the presumed group dynamics of class and teacher that can be linked to the field of attention research in school pedagogy. Necessary adaptations of the SNMA (...) method to documentary video material are discussed. (shrink)