The study of anarchism as a philosophical, political, and social movement has burgeoned both in the academy and in the global activist community in recent years. Taking advantage of this boom in anarchist scholarship, Nathan J. Jun and Shane Wahl have compiled twenty-six cutting-edge essays on this timely topic in New Perspectives on Anarchism.

In this paper, we explore the ontological and theological ground of political institutions in order to then reflect upon the eschatological calling of society. The paper builds on Tillich's ontological insight that love does not simply transcend justice, but that it permeates and drives justice, that justice gives form to love's reunion of the separated. This relation between love and justice is at play in political institutions: these unite human beings under forms of justice that must be transformed ever anew (...) if they are not to lose touch with the dynamic power of love and freeze into increasingly unjust juridicalism. The modern history of Western civilisation bears witness to this ontological tension, and the phenomenon of globalisation is yet another instance of human society's mystical calling. Thus, love heads the dynamic movement that transforms political institutions ever anew. Yet society as a whole must become conscious of its ontology for humanity to truly reach its eschatological potential, and this will require both that theology recovers its ground and that political theory thinks theologically. (shrink)

In his later years, Leo Tolstoy wrote numerous books, essays and pamphlets expounding his newly-articulated denunciations of all political violence, whether by dissidents or ostensibly legitimate states. If these writings have inspired many later pacifists and anarchists, it is partly thanks to his masterful deployment of the literary technique of ‘defamiliarisation’ – or looking at the familiar as if new – to shake readers into recognising the absurdity of common justifications of violence, admitting their implicit complicity in it, and noticing (...) the process which numbed them into accepting such complicity. This paper discusses Tolstoy’s use of the imagination to defamiliarise and denounce violence, first by citing several typical examples, then by reflecting on four of its subversive characteristics: its disruption of automated perception, its implicit concession of some recognition, its corrosion of conventional respect for traditional hierarchies, and its encouragement of empathy. (shrink)