The definition of the novel's frame has been familiar to literary researchers since the appearance structural theory. They are defined by the compositional norm or form of expression or the boundaries in which the plot is located. In all these approaches, the frame is only a reference point for artistic expression. At the same time, since the 1970s, there has been a clear turn towards autothematicism in literature, accompanied by a postmodern type of narrative, focusing on this context. The narrative (...) itself and the narrator's self-awareness play a kind of game with the reader. From the theoretical point of view, it is the frame on which the recipient focuses. On the example of Łukasz Orbitowski's book Cult, the article shows this mechanism of shifting attention to the frame of expression. (shrink)

In reflection concerning the study of literature, both categories, memory and forgiveness, are quite frequently contrasted. Literature, which activates memory, is perceived as a tool of settling the past. In this perspective, it takes the position opposite to that of forgiveness, which requires that 'one does not seek redress'. Using the example of the film bearing the title of The Tale, the author attempts to consider the conflict between a writer's duty to remember and the Christian appeal for forgiving. If (...) literature is the reservoir of memory, the very act of writing is purifying, and involves leaving the limits of own existence towards another human being, namely a reader. Reaching beyond the limits of own ego is not unlike the attitude of forgiveness, which requires reaching beyond the borders of personal pain. (shrink)