O objectivo deste artigo é analisar a insígnia profissional e outros símbolos tipográficos usados pelos membros de uma família de impressores de nome António Álvares, que trabalharam em Lisboa nos séculos XVI e XVII. Inicia-se com uma súmula dos dados biográficos e da actividade destes profissionais; segue-se a apresentação da marca tipográfica e de outras gravuras; e conclui-se com uma breve reflexão sobre a importância do estudo das marcas tipográficas para a compreensão do trabalho dos impressores, que inclui a detecção (...) de obras contrafeitas e clandestinas. (shrink)

The typographic matchmaking in the city" book offers a brief range of essays that discuss the complex topic of public space from their respective authors' individual experiences and perspectives. Through specific anecdotes, they elucidate the problematics and implications of designing for 'public space' and multicultural communities. These essays frame and contextualize the research and designs presented by the five teams participating in the 'Typographic Matchmaking in the City project. They briefly shed light on the function and role of text in (...) architectural spaces, discussing specific historical and contemporary examples from cities like Beirut, Dubai, Muscat, Cairo, Rotterdam and Amsterdam, and addressing the various roles of monumental typography in public space. (shrink)

The most lucid and penetrating survey of classical Indian philosophy in the Tibetan language. Beautiful Adornment of Mount Meru by Changkya Rolpai Dorje (1717-86) is a work of doxography, presenting the distinctive philosophical tenets of the Indian Buddhist and non-Buddhist schools in a systematic manner that ascends through increasingly more subtle views. It is a Tibetan corollary to contemporary histories of philosophy. The "Mount Meru" of the title is the Buddha's teachings, and Changkya's work excels in particular in its treatment (...) of the two Mahayana Buddhist schools, the Yogacara (here called the Vijñaptimatra) and the Madhyamaka. Unlike Jamyang Shepa's (1648-1722) much longer Great Exposition of Tenets, which was one of the key sources and inspirations for Changkya, Beautiful Adornment is often praised for the clarity of its prose and its economical use of citations from Indian texts. At the same time, like Jamyang Shepa's work, Changkya's text is not simply a catalog of assertions; it skillfully examines core philosophical issues, including a number of intriguing ancillary discussions. Also like Jamyang Shepa's text, Changkya's is very much a Geluk work, drawing heavily on the works of Tsongkhapa and his disciples. The manageable size of Beautiful Adornment and, more importantly, its lucid literary style, made this work the classic source for the study of Indian thought, used by students the across Tibetan cultural sphere. In contemporary academic circles, it has also been a central source for studying the Tibetan interpretation of the classical Indian philosophical systems. (shrink)

This article studies the cognitive and communicative effects of typographical iconicity in poetry from the perspective of relevance theory. It argues that the visual aspect pertaining to an instance of typographical iconicity conveys a sensory impression, which perceptually resembles elements of the semantic material represented via the typographical iconicity’s lexical aspect. It is suggested that the non-propositional information relating to this impression can trigger the derivation of a wide array of weak implicatures which can combine to form (...) an impressionistic and indeterminate cognitive state described within relevance theory as a poetic effect. Furthermore, since the added effort, which the typographical iconicity requires to be perceived and processed, is offset by the derived implicatures, the use of typographical iconicity may be said to produce an optimally relevant level of processing. (shrink)

A small number of minor typographical issues arose during the proofing process. The corrections are posted here.

Stephen Davies’s Adornment lays an admirable foundation upon which much fruitful philosophical discussion about the topic of adornment can—and likely, will—be b.

Letterforms are an inseparable part of a civilized literary landscape. At some distant point in history, letters started as representations of things in the world. Then, gradually, through a complex evolutionary process, they came to be defined as the closed shapes of a writing system. This photo-typographic essay is a meditation on this remarkable transition. Exploring the relationship between typography and the visual world around us, the essay looks at the twenty-six letters of the English version of the Roman alphabet (...) in four manners: as the world presenting itself in the shape of a letter, as an intended letter in space, as a flat letter on paper, and finally as a pure geometric form embodied in a typeface. Familiar letterforms are presented in fresh, surprising ways, forming an homage to the beauty of type and a reflection on its ubiquity in our visual understanding of the world around us. Alongside the fascinating images, Ornan Rotem's text offers an overview and a detailed discussion of each letter. In this unusual book, text and image coalesce to create a modern day primer on letters: a typographic abecedarium. (shrink)

I want to thank Wesley Cray, Eva Dadlez, Marilynn Johnson, and Julia Minarik for their very interesting and thoughtful comments on my book on adornment. They ca.

We take em-dash as our sample punctuation mark and examine its usage from a discourse perspective, using sentences from well-known corpora. We particularly comment on how dashes can give hints on information structure, focus, and anaphora. Throughout the paper Discourse Representation Theory is used as a framework.

Este artigo aborda o primeiro século e meio de utilização de marcas tipográficas nos livros impressos, identificando, no caso da França, as oficinas que os tinham produzido ou os livreiros que os tinham custeado, e explicando os elementos que compõem essas marcas, as suas regras, os seus sentidos e tipologia.

Authors and printers together created the New Book of Nature—the printed literature of science—in early modern Europe. Careful attention has been given in recent years to the development of literary and rhetorical techniques in science. This article proposes that these developments were linked to printing technology and the typographic culture that produced the early printed book of science. We focus on several cases in which the roles of author and printer-publisher were joined and thereby highlight connections between knowledge production and (...) reproduction during the Scientific Revolution. Examples include Regiomontanus, Tycho Brake, Galileo, William Leybourn, Joseph Moxon, and the collective practices and privileges of the Royal Society of London and the Paris Academy of Sciences. (shrink)

The aim of my paper is to show some elements in Milton’s and Locke’s political writings, depending on their attitudes to different media. Milton in his argumentation against censorship must demonstrate that all the ancient instances for censorship, usually cited in his century, can be interpreted as examples of another phenomenon. However, Milton, analysing loci of Plato’s Republic and some Scriptural topics, recognises the scope and significance of non-conceptual, non-printed, non-verbal forms of communication; he describes them as signs of childish, (...) female or uneducated behaviours, as valueless phenomena from the point of view of political liberty incarnated in the freedom of press. John Locke’s attitude is the same. I will show a chain of ideas, similar to Milton’s one, in his Two Tracts on Government and in his Epistola de tolerantia, focusing the analyses on the concept of adiaphora (indifferent things). (shrink)

The aim of my paper is to show some elements in Milton’s and Locke’s political writings, depending on their attitudes to different media. Milton in his argumentation against censorship must demonstrate that all the ancient instances for censorship, usually cited in his century, can be interpreted as examples of another phenomenon. However, Milton, analysing loci of Plato’s Republic and some Scriptural topics, recognises the scope and significance of non-conceptual, non-printed, non-verbal forms of communication; he describes them as signs of childish, (...) female or uneducated behaviours, as valueless phenomena from the point of view of political liberty incarnated in the freedom of press. John Locke’s attitude is the same. I will show a chain of ideas, similar to Milton’s one, in his Two Tracts on Government and in his Epistola de tolerantia, focusing the analyses on the concept of adiaphora (indifferent things). (shrink)

"Alexandre Vanautgaerden's research shows that Erasmus never ceased to adapt, depending on each type of text, the layouts of his books to best control their reception. A reversal of the traditional countdown of the exegesis of Erasmus's works, which lends at times a blind faith to his correspondence, this present work focuses on the study of manuscripts and printed books. Erasmus would not settle for just writing his texts, but preoccupied himself, with a growing scrupulousness, with the manner in which (...) they would be read. In addition to this new biography of an Erasmus who we discover riveted to the material existence of his books, the reader will find a great number of unedited documents, in Latin or in translation, as well as a list of the humanist's first editions. This volume offers a new look on the status of authors and readers at the beginning of the 16th century. It will interest historians of books as much as of humanism"--Publisher's website. (shrink)

The article develops an Ignatian perspective, from within which it then interprets and amplifies Bernard Lonergan's intellectual project. Exploiting recent analyses of medieval memorial culture and the rhetorical dynamicsof monastic spiritual practice, the article highlights the performative quality of key Ignatian texts, paying particular attention to the categories of ornamentation and ordering . Appreciating the vantage afforded by heightened self-presence, reflexive knowledge and intentional praxis, the article then explores Lonergan's project, employing the rubric of ornamentation and ordering to investigate the (...) interaction between cognitional activity and the matrix of desire informed by unbounded wonder, specific desires and distorting bias. Formative self-appropriation is then considered as a religious process, in which the self gathers the resources of Scripture and tradition to compose a creative faith response to the divine initiative of transforming love, a response that unfolds more fully in the co-development of personal, social and cultural activity. (shrink)

The act of thought-thought as an act-would precede the thought thinking or becoming conscious of an act. The notion of act involves a violence essentially: the violence of transitivity, lacking in the transcendence of thought... Totality and Infinity The work of Emmanuel Levinas revolves around two preoccupations. First, his philosophical project can be described as the construction of a formal ethics, grounded upon the transcendence of the other human being and a subject's spontaneous responsibility toward that other. Second, Levinas has (...) written extensively on, and as a member of, the cultural and textual life of Judaism. These two concerns are intertwined. Their relation, however, is one of considerable complexity. Levinas' philosophical project stems directly from his situation as a Jewish thinker in the twentieth century and takes its particular form from his study of the Torah and the Talmud. It is, indeed, a hermeneutics of biblical experience. If inspired by Judaism, Levinas' ethics are not eo ipso confessional. What his ethics takes from Judaism, rather, is a particular way of conceiving transcendence and the other human being. It owes to the philosophy of Franz Rosenzweig and Martin Buber a logos of the world and of the holy, which acknowledges their incom mensurability without positing one as fallen and the other as supernal. (shrink)

Stephen Davies offers a compelling account of adornment as a form of aesthetic enhancement that aims either to intensify or to contribute to beauty and sublimit.

A referência a um conjunto de reportórios e catálogos publicados desde 1890 onde se reproduzem portadas de obras produzidas na Península Ibérica entre finais do século XV e inícios do XVI é o ponto de partida para, através de quatro dezenas de exemplos, propor uma metodologia para identificação, registo e classificação de marcas de impressores.

In this article we wish to present the typographic experimentations of four designers, each of whom looks at typography and its implementations from different viewpoints; however with similar goals – namely to investigate how typographic systems can be implemented, their attributes as carriers of semantic meaning be redefined, and/or their functions be improved upon within the digital medium that presents challenges as well as opportunities that enable graphic designers to reach well beyond the traditional medium of typographic work; i.e., printed (...) paper. The article will examine these four projects under the umbrella concept of Deconstruction, also extending into a consideration of Legibility; setting them forth as examples of the impact that the digital medium has brought to bear upon typographic practice in recent decades. (shrink)

Soul springs from Intellect, Intellect springs from the One. But quite how does the sensible world arise? A pair of almost successive treatises points to the answer. A lower manifestation of soul `makes' or `gives birth to' what is variously described as `non-being', `utterly indefinite' and `utterly dark', before covering what she has made with form, specifically the form of `body', and before `entering rejoicing' into the object that, by its reception of form, has been made ready to receive her (...) and that, as the `dwelling place' of soul, will be none other than the visible cosmos. A pair of earlier, again almost successive treatises, spells out the implication. The matter of the sensible world, covered with at least a minimum of form, is described as a `corpse adorned'. The same object, but prior to its `adornment', prior therefore to its appearance as a `body' that is a `corpse', and prior to any `indwelling' of soul, is specifically said to be `non-being' and the `darkness of matter', a transparent allusion to the product of soul in the two later treatises. The soul's making of `darkness', so we may infer, is a making of `matter', the final act in the drama by which everything that exists, including the material substrate of the world we see and feel around us, stems ultimately from the One. (shrink)

Online consumer reviews are increasingly being written on and posted from mobile devices such that some platforms have started to indicate when this is the case with cues such as “via mobile”. Reviews from mobile devices differ from those from non-mobile devices; for example, reviews from mobile devices are more likely to include typographical errors. For this study, a web-based experiment was conducted to investigate viewers’ evaluation and adoption of online reviews in regard to a mobile cue and (...) class='Hi'>typographical errors. The results indicate an interaction effect between the presence of a mobile cue and typographical errors. When a review did not include typographical errors, the presence of a mobile cue negatively affected the evaluation and adoption of information. However, the effects of a mobile cue were not significant for a review with typographical errors. Further, the results suggest that the viewer’s perception of the review writing effort and the review’s information usefulness are sequential mediators explaining the information adoption mechanism. The findings provide interesting insights into consumers’ perceptions of online reviews in the current media landscape in which the large-scale adoption of mobile devices is a well-recognized phenomenon. (shrink)

SUMMARYThis is a translation of a short text in Latin by John Toland, with an introduction and annotations. Toland's text is a conjecture on the influence of a passage from Cicero on modern printing. The translator's introduction discusses the theories mentioned by Toland, and sketches the background of the text. It discusses Toland's interest in Cicero and the context of the text's publication in 1722 by Michel Maittaire, and Toland's and Maittaire's intertwined circles of literary patronage.

Introduction.--Illustrations of manuscripts and printed books.--Pettas, W. Notes on English translations of Phaedrus.--Lee, P. On the wings of Thymós.--Blaisdell, G. A nobler seduction.--Appendix: The Parmenides fragments.

This study investigated whether the encoding and retrieval of plurality information and letter-case information of words in recognition memory can be inhibited. Response-deadline experiments using single words have indicted a controlled processing mode, whereas studies using meaningful sentences have indicated an automatic mode of processing plurality information. Two similar opposing views have existed on the processing of letter-case information. The abstractionist view contends that we retain the abstract lexical information and discard the superficial perceptual case information. The proceduralist view holds (...) that perceptual details cannot be separated from the lexical information. Using an intentional and an attention-diverted learning procedure and instructions to ignore plurality and case, we found that subjects experienced a consistent interference effect of changed plurality from study to test but slightly less interference from changed case, suggesting strong automaticity for plurality, and comparatively less automaticity, for case processing. (shrink)

The objective of this investigation is to initiate the development of a design-specific methodology for synaesthetic research, which will provide insight into synaesthesia from a designer's point of view. In addition, it aims to explore the possible advantages that the awareness of the phenomenon may have, specifically in the field of design education. The following question will be addressed: Can transdisciplinary studies of visual communication and neuropsychology help designers explore different practical approaches and theoretical views about synaesthesia?

In Jewish tradition, the book as an “exemplary”, the book as an “object” is associated with an attitude of veneration as expressed by Pierre Chaunu in “livre en majeste” – the book in its majesty when referring to the Holy Bible. The content of the book is revealed by its own referentiality enclosed in its text and by its unfolding through reading. On the other hand, the title of the book may suggest the plenitude of its text, a semantic sublimation, (...) an essentialization of the content of the book. This is rendered by means of the metaphor, for metaphor implies a “translation” of significance and senses within syntagmas and word associations that exceed the referential meaning. Therefore, several metaphorical categories may be discerned in the Hebrew book titles. A first category would concentrate symbolic, spectacular, luminiferous values in which light is the main attribute of the book, an attribute made up by superposing the light and the celestial, both defining the Divine: the BOOK as LIGHT. A second category of metaphoric phrasing would incorporate ethical – theological values. The metaphor BOOK as GATE codifies the idea of accessing, of entering in a livresque, bookish universe open to interpretation. The BOOK as PURITY and GRACE, the BOOK as BRIDE, the BOOK as CITADEL, the BOOK as THERAPY, the healing book would enter the same category. The metaphoric repertoire reaches its climax with the BOOK as HOLINESS, a syntagma that induces the semantics of writing as a sacred task. Other significant metaphors included in the Hebrew book titles are: the BOOK as ADORNEMENT, the BOOK as SPLENDOR, etc. (shrink)

Adorning the Country with Ruins -- The Western Baroque Landscape -- The Irish Tours -- Designing Picturesque Ireland -- Epilogue: Studies in a Point of View.