Hablar de islamofobia hacia comunidades negras africanas y afrodescendientes es difícil de abordar debido al orientalismo y a procesos de estereotipación de lo que concibe el ser musulmán, así como la racialización de un estatus espiritual. Esta percepción negativa y reduccionista del islam y de los musulmanes como un ente monolito y homogeneo, refuerza y configura dinámicas de poder. En el estado español, el orientalismo reduce a la persona musulmana bajo el sujeto “moro”, racializando una identidad religiosa desde el miedo (...) y el terror desde unas raíces históricas y estructurales, propiciando un señalamiento social racista que vigila y persigue. Esto ha invisibilizado a otras comunidades que también son objeto de la islamofobia y no entran en los cánones de la otredad de lo “moro”. Se pretende tener una noción más acertada de la realidad de los musulmanes que permitirá a su vez mejorar la identificación de la islamofobia en España. (shrink)

Quel message est apporté par le courant littéraire de la négritude, et comment procède-t-il pour le transmettre? C'est par le biais d'une écriture introspective que la diaspora noire a conquis sa dignité et dépassé le stade victimaire, par-delà le seul cadre de la communauté francophone. A travers l'histoire de la traite et de la colonisation, notre lecture procédera en trois phases: une phase locutoire, consacrée à un rappel chronologique du contexte noir dans l'Histoire; une phase illocutoire, où seront exposées (...) les différentes réactions de l'intelligentsia noire face à la ségrégation et au passif colonial; une phase perlocutoire, qui conclura l'étude en observant l'impact de la négritude sur la réalité sociale du genre noir. Au-delà du courant historique francophone, l'idée de négritude incarne le problème des constructions d'identité et illustre parfaitement la difficulté de la condition humaine: être ce que nous voulons de ce que les autres veulent faire de nous. (shrink)

It is important to read afresh today the meaning of the Negritude movement without reducing it, as is often the case, to a counter-essentialism in response to the essentialism of the discourse of coloni-alism; to realize that Senghor, Césaire, and Damas were ????irst and foremost global philosophers, that is, thinkers of the plural and decentred world that the Bandung conference of 1955 had promised. Thus, their different perspectives converge as the task of thinking a humanism for our times based on (...) a non-imperial universal, a univer-sal of encounter and translation founded on equality. And, consequently, a socialism that is, in its different translations, a force of emancipation, but also of humanization and spiritualization of the earth. That task is still ours. (shrink)

Key text never before in English by central figure of the Negritude movement.

While highlighting the inherent tension between the quest for universalization and the unavoidable particularity in philosophical hermeneutics, this essay argues against what it regards as the uncritical characterization of Leopold Sedar Senghor’s concept of “negritude” in terms of ethnophilosophy, a derogatoryterm employed in contemporary African philosophy to describe philosophy that is communal, and which can be sieved out from such genres as proverbs, wise sayings, and myths. It reviews the background and the contents of negritude, including its metaphysics and its (...) epistemology of emotion. It calls attention to Senghor’s ideas about communalism and his universalism seen in his theory of the civilization of the universal, and concludes that Senghor’s negritude is the outcome of a particular and personal interpretation of his experience of the African condition, and is therefore eminently hermeneutical. (shrink)

In the opening lines of ‘Black Orpheus’, written as a preface to an anthology of negritude poetry, Sartre challenges white readers ‘to feel, as I do, the shock of being seen’. Reading this poetry, he thinks, should undermine white people’s presumption of the objectivity of their perspective. Accordingly, the essay itself contradicts two prominent aspects of the philosophy he had so far developed: the idea that poetry could not be politically engaged; and the theory of radical freedom. These changes are (...) ultimately rooted in his realisation, upon reading this poetry, that his previous understanding of prose is mistaken. This has the consequence that his philosophical method, which derives ontological conclusions from prose descriptions of experience, has two important limitations: its premises cannot be drawn solely from his own experience; and French prose might be insufficient for formulating all relevant premises. He therefore revises his method to deploy this poetry as phenomenological grounds for ontological conclusions, which transforms his ontology of human existence to include cultural inheritance as a primary feature. We will see how this reading of negritude poetry exemplifies both the epistemic challenge involved in what he calls ‘the look’ and the use of listening in response to it. (shrink)

In the first part of this essay, in order to grasp the complex and ambivalent relation of Fanon with negritude, I will recover the context from which emerged the ideology of negritude by focusing on the views of Léopold Senghor and the ways in which these views determined Sartre's interpretation of the movement. I will also examine Sartre's Black Orpheus and the influence it had on Fanon, especially on his Black Skin, White Masks. In the second part, I will adumbrate (...) Fanon's critique of the advocates of negritude, whom he refers to as 'men of culture', who fell back on archaic cultural practices far removed from the political realities of their colonized societies. In the third section, I will turn to Memmi's critique of Fanon with a view to establishing two points: first, Memmi misreads Fanon's rejection of negritude as a failure on the part of Fanon to 'return to self'; second, far from being an oppositional post-modern figure whose work is rife with contradiction, I will argue that the political project of Fanon is consistently Sartrean, despite his disagreement with Sartre on some issues. (shrink)

El presente artículo ofrece una revisión crítica de la noción de injusticia hermenéutica de Miranda Fricker a partir de dos elementos de la obra de Frantz Fanon: 1) la «historicidad» como una carga cultural en las categorías sociales que es productiva, lo que exige cuestionar la definición de injusticia hermenéutica como ausencia o tergiversación de categorías; 2) la redefinición que Fanon hizo del «esquema corporal» de Merleau Ponty: la experiencia vivida del cuerpo, lo que muestra que los recursos hermenéuticos no (...) son solo categorías mentales, sino que están imbricados con la dimensión material. Nuestro objetivo es mostrar cómo estos dos elementos de la teoría fanoniana hacen una contribución a la noción de injusticia hermenéutica y por qué esta es relevante para entender la injusticia estructural del racismo. (shrink)

While highlighting the inherent tension between the quest for universalization and the unavoidable particularity in philosophical hermeneutics, this essay argues against what it regards as the uncritical characterization of Leopold Sedar Senghor’s concept of “negritude” in terms of ethnophilosophy, a derogatoryterm employed in contemporary African philosophy to describe philosophy that is communal, and which can be sieved out from such genres as proverbs, wise sayings, and myths. It reviews the background and the contents of negritude, including its metaphysics and its (...) epistemology of emotion. It calls attention to Senghor’s ideas about communalism and his universalism seen in his theory of the civilization of the universal, and concludes that Senghor’s negritude is the outcome of a particular and personal interpretation of his experience of the African condition, and is therefore eminently hermeneutical. (shrink)

The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory and its posthistory.

Review of recent works on the Negritude movement, with critical remarks and interventions.

Fanon’s insistence that the oppressed retain their ability to resist and (re)configure their subjectivity has political, ethical, and philosophical import, as it highlights the fact that the subjugated are not mere things determined from the outside. To the contrary, just as several contingent factors coalesced to create the historical situation in which the colonized subject finds herself, other equally contingent factors can emerge and help to bring about socio-political transformations. Like Aimé Césaire, Fanon understood that the process of decolonization would (...) occur over time and in various stages. By studying Fanon’s complex relationship to the Négritude movement, his resistance tactics come into sharper focus. In short, I argue that Fanon’s employment of essentialized narratives can be interpreted as a variant of “strategic essentialism” (Spivak). Consequently, Fanon’s historically attuned strategy signals a movement beyond a mere reactionary response trapped within an abstract Manichaean binary. (shrink)

An extended discussion of Donna V. Jones, The Racial Discourses of Life Philosophy: Négritude, Vitalism, and Modernity (New York: Columbia University Press, 2010), 217 pp.

In this paper I establish an alliance between the thought of Frantz Fanon and Gilles Deleuze's Philosophy of Difference. In light of Fanon's critique of Sartre's characterization of the place of the Negritude movement in terms of dialectic, I point to the inherent limitations of modern humanism's dialectical accounts for enabling genuine historical change. Alternatively, I appeal to Deleuze's distinction between history and becoming, and his concomitant idea of intensive becoming-revolutionary. I conclude that such an alliance with Deleuzian metaphysics holds (...) far greater promises for effecting Fanon's revolutionary project of the creation of a new humanity (and therefore, of a new ethics and a new politics) than his traditional assimilation to Phenomenology and Existentialism. (shrink)

En los estudios sobre el Caribe se ha vuelto un tópico común entender la región en términos de afrodescendencia y negritud. Con eso, se ha perfilado cierta tendencia de encerrar el espacio cultural tan diverso del Caribe y Centroamérica en una nueva concepción limitada y esencialista que hace abstracción de las múltiples y complejas convergencias transculturales a lo largo de su historia. Sin embargo, ya a partir de los años setenta y ochenta del siglo XX se han generado ensayos abarcadores (...) e innovadores en y desde el espacio caribeño mismo que introducen nuevas dimensiones en los debates sobre caribeñidad, antillanidad, mestizaje, ‘creolidad’ etc. En las literaturas caribeñas y centroamericanas han emergido numerosas obras que tematizan, ironizan y parodian la búsqueda de una identidad exclusivamente negra de los Caribes y de los intentos de regresar a la “Madre África”. El ensayo se dedica al análisis de este fenómeno en cuatro novelas de los Caribes francófono e hispanófono: Ti Jean l’horizon (1979) de Simone Schwarz-Bart (Guadalupe), Calypso (1996) de Tatiana Lobo (Costa Rica), Limón Blues (2002) de Anacristina Rossi (Costa Rica) y Black is black (2008) de Raphaël Confiant (Martinica). (shrink)

In the early twentieth century, the life philosophy of Henri Bergson summoned the _élan vital_, or vital force, as the source of creative evolution. Bergson also appealed to intuition, which focused on experience rather than discursive thought and scientific cognition. Particularly influential for the literary and political Négritude movement of the 1930s, which opposed French colonialism, Bergson's life philosophy formed an appealing alternative to Western modernity, decried as "mechanical," and set the stage for later developments in postcolonial theory and (...) vitalist discourse. Revisiting narratives on life that were produced in this age of machinery and war, Donna V. Jones shows how Bergson, Nietzsche, and the poets Leopold Senghor and Aimé Césaire fashioned the concept of life into a central aesthetic and metaphysical category while also implicating it in discourses on race and nation. Jones argues that twentieth-century vitalism cannot be understood separately from these racial and anti-Semitic discussions. She also shows that some dominant models of emancipation within black thought become intelligible only when in dialogue with the vitalist tradition. Jones's study strikes at the core of contemporary critical theory, which integrates these older discourses into larger critical frameworks, and she traces the ways in which vitalism continues to draw from and contribute to its making. (shrink)

_Return to the Kingdom of Childhood: Re-envisioning the Legacy and Philosophical Relevance of Negritude_ examines the philosophy of Negritude through an innovative analysis of Léopold Sédar Senghor’s oeuvre. In the first book-length study of Senghorian philosophy, Cheikh Thiam argues that Senghor’s work expresses an Afri-centered conception of the human while simultaneously offering a critique of the Western universalization of “man.” Senghor’s corrective, descriptive, and prescriptive theory of humanness is developed through a conception of race as a cultural manifestation of being. (...) Thiam contends that Senghor’s conception of race entails an innovative Afri-centered epistemology and ontology. For Senghor, races are the effects of particular groups’ relations to the world. The so-called “Negroes,” for example, are determined by their epistemology based on their fluid understanding of the ontological manifestations of being. The examination of this ontology and its ensuing epistemology, which is constitutive of the foundation of Senghor’s entire oeuvre, indicates that Negritude is a postcolonial philosophy that stands on its own. The hermeneutics of Senghor’s race theory show that the Senegalese thinker’s pioneering postcolonial philosophy remains relevant in the postcolonial era. In fact, it questions and expands the works of major contemporary African-descended scholars such as Paul Gilroy, Edouard Glissant, and Molefi Asante. Thiam’s approach is thoroughly interdisciplinary, combining perspectives from philosophy, literary analysis, anthropology, and postcolonial, African, and cultural studies. (shrink)

In the early twentieth century, the life philosophy of Henri Bergson summoned the _élan vital_, or vital force, as the source of creative evolution. Bergson also appealed to intuition, which focused on experience rather than discursive thought and scientific cognition. Particularly influential for the literary and political Négritude movement of the 1930s, which opposed French colonialism, Bergson's life philosophy formed an appealing alternative to Western modernity, decried as "mechanical," and set the stage for later developments in postcolonial theory and (...) vitalist discourse. Revisiting narratives on life that were produced in this age of machinery and war, Donna V. Jones shows how Bergson, Nietzsche, and the poets Leopold Senghor and Aimé Césaire fashioned the concept of life into a central aesthetic and metaphysical category while also implicating it in discourses on race and nation. Jones argues that twentieth-century vitalism cannot be understood separately from these racial and anti-Semitic discussions. She also shows that some dominant models of emancipation within black thought become intelligible only when in dialogue with the vitalist tradition. Jones's study strikes at the core of contemporary critical theory, which integrates these older discourses into larger critical frameworks, and she traces the ways in which vitalism continues to draw from and contribute to its making. (shrink)

This essay offers a novel approach for understanding the poetry of negritude and its role in the struggle for black liberation by appealing to Giambattista Vico’s insights on the historical, cultural, and myth-making function of poetry and of the mythopoetic imagination. The essay begins with a discussion of Vico’s aesthetic historicism and of his ideas regarding the role of imagination, poetry, and myth-making and then brings these ideas to bear on the discussion of the function of negritude poetry, focusing primarily (...) on the writings of Aimé Césaire and on Jean-Paul Sartre’s essay, Black Orpheus. (shrink)

Le;opold Se;dar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy , Souleymane Bachir Diagne takes a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his (...) primordial intuition is that African art is a philosophy. _ To further this point, Diagne looks at what Senghor called the “1889 Revolution,” and the influential writers and publications of that time—specifically, Nietzsche and Rimbaud, as well as Bergson’s Essay on the Immediate Data of Consciousness. The 1889 Revolution, Senghor claims, is what led him to the understanding of the “Vitalism” at the core of African religions and beliefs that found expression in the arts. _ This book offers a distinct, incisive look at an important figure in African literature and politics that will be welcomed by scholars in African Studies and philosophy. (shrink)

African philosophy, as a negritude, is a moment in the postcolonial critique of European/Western colonialism and the bodies of knowledge that sustained it. Yet a critical analysis of its' original articulations reveals the limits of this critique and more broadly of postcolonial studies, while also pointing towards more radical theoretical possibilities within African philosophy. Jean-Paul Sartre's essay 'Black Orpheus', a philosophical appropriation of negritude poetry, serves as a guide for this reflection, for the text reveals the inspiration and wealth of (...) expressions of negritude, as well as their ambiguity. Sartre's essay however also renders possible a further act of re-appropriation that takes us beyond culture and identity-centred readings of African philosophy and postcolonialism, readings whose conceptual and critical potential is far greater than what has hitherto been explored. (shrink)

Resumo: Interessa ao pesquisador como o corpo poético negro e travesti da artista Castiel Vitorino Brasileiro se contrapõe à História e ao Sistema da Arte hegemônicos, ao mesmo tempo que contribui para uma revisão de suas práticas discursivas de inclusão e exclusão, por meio de sua poiesis, sua fabulação poética, na qual a um só tempo se visita e se reinventa uma ancestralidade afroindígena, atinente às origens e religiosidade da artista. A aparição e a visão do corpo preto e dissidente (...) de Castiel apontam para uma desestabilização do que Hubert Damisch nomeará “o teatro da representação”. Teoricamente, este texto recorre a um campo caracterizado pela interdisciplinaridade, no intuito de responder à complexidade de seu objeto de eleição: teorias decoloniais, estudos de gênero, teoria queer, filosofia, teoria lacaniana, teoria e história da arte, o que o aproximaria daquilo que a teórica holandesa Mieke Bal denomina Análise Cultural.: Our interest herein resides in how the poetical, black and travesti body of the artist Castiel Vitorino Brasileiro opposes and confronts the hegemonic Art History and its System, while contributing to a revision of its discursive practices of inclusion and exclusion through its poiesis, its poetical fabrication in which the artist’s afro-ameridian ancestry is both visited and reinvented. The apparition and vision of Castiel’s black, dissident body suggests, in our reading, a destabilization of what Hubert Damisch calls “the theatre of representation”. Theoretically, this text resorts to a field characterized by interdisciplinarity with a view to attempting to contemplate the complexity of its objet: gender studies, queer theory, philosophy, Lacanian theory, art history and theory, which would qualify it as an exercise in Cultural Analysis, as Dutch theorist Mieke Bal would have it. (shrink)

The book addresses influences and affinities in the context of the history of ideas, literary theory and criticism. It brings together American Transcendentalism, Negritude, African religions and philosophy.