This chapter contains section titled: Direct Passions Pleasure and Desire Reason and Passion References Further Reading.

Grounded in long-term ethnographic fieldwork in New Delhi’s fashion industry, this article explores the pressing question on the designer’s mind, namely: how do I align the desires of others with my -desire? This question points us towards an investigation of how people’s affects are mobilized and directed through commercial rituals such as fashion shows set within hyper-designed theatrical play-spheres. Translating the invisible or covert mobilization of affects into profit has been on the mind of advertisers for the last decade. However, (...) analysing such deliberately covert strategies of capture employed in two cases – JJ Valaya’s haute couture shows and Nitin Bal Chauhan’s youth brand – we realize that it is precisely their failure at being covert that makes them effective; clients know full well about them. Robert Pfaller’s theory of ‘illusions without owners’ can throw some light here on why clients passionately embrace the desire of capital precisely against their better knowledge. (shrink)

This article is about David Hume's account of mixed emotions. Hume on mixed emotions is connected with Sir Isaac Newton's optical experiments and subsequent invention of the colour wheel, as well as more recently to Robert Plutchik's colour wheel of emotions.

Book II of the Treatise minutely anatomizes the passions Hume dubbed “indirect.” As the account of pride, humility, love, and hatred unfolds, principles are uncovered, causes are exhaustively examined, experiments carried out, difficulties presented and solved. The barrage of detailed description and theorizing threatens to overwhelm even the most devoted of readers. By contrast, Hume’s explicit treatment of the direct passions appears perfunctory. Indeed, Hume states: “None of the direct affections seem to merit our particular attention except hope (...) and fear.” Desire and aversion, though usually mentioned first as examples of the direct passions, receive no separate analysis. (shrink)

Book II of the Treatise minutely anatomizes the passions Hume dubbed “indirect.” As the account of pride, humility, love, and hatred unfolds, principles are uncovered, causes are exhaustively examined, experiments carried out, difficulties presented and solved. The barrage of detailed description and theorizing threatens to overwhelm even the most devoted of readers. By contrast, Hume’s explicit treatment of the direct passions appears perfunctory. Indeed, Hume states: “None of the direct affections seem to merit our particular attention except hope (...) and fear.” Desire and aversion, though usually mentioned first as examples of the direct passions, receive no separate analysis. (shrink)

The present study fills a void in research on passion by examining for the first time the role of passion in physiological responses. The aim of the study was to investigate the role of passion, and the mediating role of cognitive appraisals, in the psychological and physiological responses to a stressful situation related to one’s passion. Students, who were passionate for their studies, completed the Passion Scale for their studies and the Cognitive Appraisal Scale. Then, (...) they engaged in an education task under stressful conditions, and a subsequent unrelated leisure task under no-stress. Physiological reactivity was measured throughout the entire session and their perceptions of situational vitality and positive and negative emotions were assessed directly after the education task. Results showed that harmonious passion positively predicted challenge appraisals that, in turn, were positively related to positive emotions, vitality, and positive cardiovascular adaptation while engaging in the stressful education task, but less so with the leisure task. On the other hand, obsessive passion positively predicted threat appraisals. In turn, threat appraisals were positively related to negative emotions, negatively associated with vitality, and not related to cardiovascular reactivity. The present findings suggest that HP creates the onset of an adaptive psychological and physiological response whereas the response is less adaptive with OP. (shrink)

David Hume’s theory of action is well known for several provocative theses, including that passion and reason cannot be opposed over the direction of action. In Hume, Passion, and Action, the author defends an original interpretation of Hume’s views on passion, reason and motivation that is consistent with other theses in Hume’s philosophy, loyal to his texts, and historically situated. This book challenges the now orthodox interpretation of Hume on motivation, presenting an alternative that situates Hume closer (...) to “Humeans” than many recent interpreters have. Part of the strategy is to examine the thinking of the early modern intellectuals to whom Hume responds. Most of these thinkers insisted that passions lead us to pursue harmful objects unless regulated by reason; and most regarded passions as representations of good and evil, which can be false. Understanding Hume’s response to these claims requires appreciating his respective characterizations of reason and passion. The author argues that Hume’s thesis that reason is practically impotent apart from passion is about beliefs generated by reason, rather than about the capacity of reason. Furthermore, the argument makes sense of Hume’s sometimes-ridiculed description of passions as “original existences” having no reference to objects. The author also shows how Hume understood morality as intrinsically motivating, while holding that moral beliefs are not themselves motives, and why he thought of passions as self-regulating, contrary to the admonitions of the rationalists. (shrink)

in a recent article entitled “Hume on the Passions,” Stephen Buckle opens with the claim that Hume’s theory of the passions has largely been neglected. “Apart from a couple of famous sections in the Treatise concerning the sources of action,” he writes, “the subject matter has rarely excited interest.”1 His analysis of why the subject of the passions in Hume has been uninspiring points to the fact that readers have largely misunderstood the point of Hume’s theory. They usually regard the (...) account as yet another mechanistic analysis of the passions in the vein of seventeenth-century science, alongside the offerings of Malebranche, Hobbes, and Spinoza. Buckle is right to point out that there is a.. (shrink)

"Reason is not passion's slave." Rather, the author argues, reason appraises the cultural appropriateness of passion, thus directing our attitudinal behaviour. He refutes those theories of value which correspond philosophically to societies described by Jean-Jacques Rousseau: societies of "honour without virtue, reason without wisdom, pleasure without happiness." His argument, which takes into account traditional philosophic positions, is divided into five parts: Attitudes, Evaluation, Characterization, Culture, Morality.

"Reason is not passion's slave." Rather, the author argues, reason appraises the cultural appropriateness of passion, thus directing our attitudinal behaviour. He refutes those theories of value which correspond philosophically to societies described by Jean-Jacques Rousseau: societies of "honour without virtue, reason without wisdom, pleasure without happiness." His argument, which takes into account traditional philosophic positions, is divided into five parts: Attitudes, Evaluation, Characterization, Culture, Morality.

Grit, which is originally conceptualized as passion and perseverance for long-term goals, has been associated with optimal performance. Although previous meta-analytic and systematic reviews summarized how grit relates to performance outcomes, they possess considerable shortcomings, such as (a) absence of summary on the association of grit with well-being outcomes; (b) absence of discussion on social, psychological, and emotional mechanisms linking grit to well-being; and (c) lack of elaboration on how alternative models can resolve fundamental problems in the grit construct. (...) This integrative review provides a comprehensive summary on the link of grit to performance and well-being outcomes. Importantly, it elaborates how alternative models can potentially address flaws in the existing grit theory. Future research directions are discussed on how to move forward the science of grit. (shrink)

The rise of modern science and the proclaimed 'death' of God in the nineteenth century led to a radical questioning of divine action and authorship - Bultmann's celebrated 'demythologizing'. Remythologizing Theology moves in another direction that begins by taking seriously the biblical accounts of God's speaking. It establishes divine communicative action as the formal and material principle of theology, and suggests that interpersonal dialogue, rather than impersonal causality, is the keystone of God's relationship with the world. This original contribution to (...) the theology of divine action and authorship develops a new vision of Christian theism. It also revisits several long-standing controversies such as the relations of God's sovereignty to human freedom, time to eternity, and suffering to love. Groundbreaking and thought-provoking, it brings theology into fruitful dialogue with philosophy, literary theory, and biblical studies"--Provided by publisher. (shrink)

In Rethinking Language Arts: Passion and Practice, Second Edition , author Nina Zaragoza uses the form of letters to her students to engage pre-service teachers in reevaluating teaching practices. Zaragoza discusses and explains the need for teachers to be decision-makers, reflective thinkers, political beings, and agents of social change in order to create a positive and inclusive classroom setting. This book is both a critical text that deconstructs the way language arts are traditionally taught in our schools as well (...) as a visionary text with clear, no-nonsense directions on how to provide much needed change in our schools. (shrink)

Ruling Passions is about human nature. It is an invitation to see human nature a certain way. It defends this way of looking at ourselves against competitors, including rational choice theory, modern Kantianism, various applications of evolutionary psychology, views that enchant our natures, and those that disenchant them in the direction of relativism or nihilism. It is a story centred upon a view of human ethical nature, which it places amongst other facets of human nature, as just one of the (...) elements which give us the manifold objects of our concerns and cares. (shrink)

This work addresses the case of the Ballet National de Marseille (BNM) and the 2017 recreation of the piece Passione, created by the artistic directors Emio Greco and Pieter C. Scholten. This study, informed by a phenomenological approach, adopts ethnographic methods, including participant observation, in-depth interviews, and one researcher’s direct involvement with the practices of enculturation and enskillment in this dance form. It investigates how the dancers of the BNM articulate their diverse forms of agency in relation to the (...) choreographer’s artistic vision and demands. By looking at the specific case of the BNM staging of Passione, we can isolate some significant features of contemporary ballet’s trajectory as an emergent dance genre on the edge between innovation and tradition. (shrink)

This study aims to unravel the determinants of social entrepreneurial intention (SEI). Using a moderated mediation approach, we examine the direct and indirect effects of prior experience with social problems, proactive personality, and social self-efficacy on SEI via social entrepreneurial passion for founding (SEP) as a mediator. This study is based on data collected from a survey using questionnaires completed by 283 Saudis. To analyze data and test the developed hypotheses, we used exploratory and confirmatory factor analyses followed (...) by structural equation modeling to test the direct and indirect effects of the main variables on SEI. Our findings reveal positive relationships between prior experience with social problems and proactive personality and SEP with SEI. Surprisingly, no significant relationship was found between social self-efficacy and SEI; its effect was indirect through SEP. Finally, gender moderated the relationship between SEP and SEI. Academic contributions and practical implications are then proposed. (shrink)

During the period from Descartes to Rousseau, the mind changed. Its domain was redefined; its activities were redescribed; and its various powers were redistributed. Once a part of cosmic Nous, its various functions delimited by its embodied condition, the individual mind now becomes a field of forces with desires impinging on one another, their forces resolved according to their strengths and directions. Of course since there is no such thing as The Mind Itself, it was not the mind that changed. (...) Conceptions of the mind changed. Yet even to say this is misleading, because it suggests that somewhere out there in nowhere there is Nous, Psyche, Soul or Mind, the true but opaque object of all these conceptions. But of course there is no Mind in the realm of things in themselves, waiting for us to see it truly, like a China of the noumenal world, amused that our various conceptions reveal as much about ourselves as about it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:From Passions to Emotions: The Creation of a Secular Psychological CategoryMax RosenkrantzThomas Dixon. From Passions to Emotions: The Creation of a Secular Psychological Category. New York: Cambridge University Press, 2003. Pp. x + 287. Cloth, $60.00Thomas Dixon's From Passions to Emotions defends a provocative set of theses. (1) The concept of "emotion" is of relatively recent vintage, having been designed by secular Scottish writers in the first half (...) of the nineteenth century. (2) That concept embraces a range of phenomena that earlier Christian writers such as Augustine and Aquinas understood in terms of a manifold of concepts such as "appetites," "passions," "affections," and "sentiments." (3) The concept of "emotion" is too crude an instrument for understanding human psychology. Further, (4) today the secular conceptual framework has completely displaced the religious one. This has nothing to do with the former's greater proximity to the truth, as is shown by the persistence of cogent Christian theories in the second half of the nineteenth century, the period of secularism's triumph; and (5) The opposition between reason and emotion arises only when theorists begin to think of "emotions" rather than "appetites," "passions," "affections," and "sentiments." Christian writers did not see the passions as simply the enemies of reason.The basis for Dixon's argument is his interpretation of nineteenth-century psychological theory in the English speaking world. Specifically he argues that the concept of "emotion" was invented by the Scottish thinker Thomas Brown (1778-1820). Brown's innovation was then appropriated and developed by Spencer, Darwin, and William James. The foil for this story is the Christian tradition represented most compellingly by Augustine and Aquinas and carried on by a host of lesser nineteenth-century figures. In my judgment, the story thus told cannot bear the weight Dixon places upon it.The centerpiece of Dixon's argument is his claim that Brown "invents" (109) the emotions and thereby initiates a conceptual revolution in western thought. While Dixon may be right in asserting that Brown is the first to use the word 'emotion' in a systematic fashion, this achievement is merely terminological. Brown deploys the term to develop a mechanistic account of human nature, one in which the springs of action are located not in the will and reason, but in the emotions. Replace 'emotion' in the preceding sentence with 'passion' and one gets a concise characterization of Hobbes's view. Dixon is aware that Brown and others work within a Hobbesian framework (250) but does not attend to that framework. Thus his claims for the significance of the developments he describes fail to convince. The real innovation in psychological theory—as in so much else—took place in the seventeenth century.Just as Dixon overestimates the importance and originality of the Scottish writers he discusses, so too he overestimates the intellectual importance of Augustine and Aquinas. His presentation of their views (26-62) is accurate, but he does not note that they take over the Platonic-Aristotelian view of the soul according to which reason can and should penetrate, educate and direct the passions. Thus the guiding thought that structures the work—the nineteenth century witnesses an ultimately successful revolt against Christian psychology—must be rejected. The revolt is against ancient, pre-Christian modes of thought and is undertaken and largely won in the seventeenth century. The events Dixon describes are skirmishes in that larger campaign.The rest of the theses Dixon defends can be dispatched with more quickly. The idea that the modern concept of "emotion" is insufficiently subtle is averted to frequently, but never adequately defended. At no point does Dixon demonstrate, or even claim to demonstrate, that Christian thinkers recognized something secular thinkers miss. Roughly the same can be said for his claims about the persistence of Christian psychology in the nineteenth century. What Dixon means is not just that such thinkers exist, but that their thought remains vibrant. Again I see no argument for such a verdict. Finally, there is the matter of the opposition between reason and passion. To his credit Dixon rejects the view according to which almost all Western thought is hostile to the passions. As he shows, this... (shrink)

Dans sa Théorie des sentiments moraux (1759), Adam Smith classe les passions en trois catégories : passions sociales, asociales, égoïstes. Cette classification résulte directement de leur capacité à susciter ou non la sympathie. Les passions sociales apparaissent ainsi comme les plus propres à susciter un écho sympathique. La question à laquelle tente de répondre l'article est de savoir pourquoi ces mêmes passions sociales sont qualifiées par A. Smith de « naturellement musicales ». L'utilisation du concept de sympathie dans le domaine (...) musical est fréquente aux XVIIème et XVIIIème siècles, mais l'hypothèse avancée ici est que le lien est plus profond chez A. Smith. La sympathie met en effet en évidence une qualité d'ordre à la fois esthétique et morale inhérente à certaines passions, leur « convenance » (propriety) par opposition aux passions « discordantes ». Ces passions, produisant une superposition d'échos sympathiques comparables aux harmoniques d'un ton fondamental, sont les plus susceptibles d'être imitées par la musique, si l'on tient compte de la théorie esthétique originale formulée par A. Smith, pour qui la beauté des arts imitatifs ne tient pas à l'illusion mais au contraire à l'écart entre l'imitation et son objet. (shrink)

Dans sa Théorie des sentiments moraux (1759), Adam Smith classe les passions en trois catégories : passions sociales, asociales, égoïstes. Cette classification résulte directement de leur capacité à susciter ou non la sympathie. Les passions sociales apparaissent ainsi comme les plus propres à susciter un écho sympathique. La question à laquelle tente de répondre l'article est de savoir pourquoi ces mêmes passions sociales sont qualifiées par A. Smith de « naturellement musicales ». L'utilisation du concept de sympathie dans le domaine (...) musical est fréquente aux XVIIème et XVIIIème siècles, mais l'hypothèse avancée ici est que le lien est plus profond chez A. Smith. La sympathie met en effet en évidence une qualité d'ordre à la fois esthétique et morale inhérente à certaines passions, leur « convenance » (propriety) par opposition aux passions « discordantes ». Ces passions, produisant une superposition d'échos sympathiques comparables aux harmoniques d'un ton fondamental, sont les plus susceptibles d'être imitées par la musique, si l'on tient compte de la théorie esthétique originale formulée par A. Smith, pour qui la beauté des arts imitatifs ne tient pas à l'illusion mais au contraire à l'écart entre l'imitation et son objet. (shrink)

This chapter contains section titled: Introduction The Basic Features of the Indirect Passions Why These Four Emotions? The Foundations of the Distinction, between Direct and Indirect Passions The Moral Sentiments References Further Reading.

Smithian (supposedly) irregular feelings reveal the internal structure of moral judgements by showing that they consist of two distinct elements. These elements belong to different dynamisms of human nature, are triggered by different causes, and produce different reactions in the agent. In the case of resentment, I call them animal resentment and moral resentment, respectively. Animal resentment closely resembles Hume's account of resentment and follows his theory of the passions. Moral resentment is different, for it is not caused directly by (...) pain, but by the recognition of the evil intention of the aggressor. Finally, plain moral resentment – or resentment caused by an unjust action and approved of by the impartial spectator – blends these elements into a unity articulated by Hume’s theory of the passions. (shrink)

Ruling Passions is about human nature. It is an invitation to see human nature a certain way. It defends this way of looking at ourselves against competitors, including rational choice theory, modern Kantianism, various applications of evolutionary psychology, views that enchant our natures, and those that disenchant them in the direction of relativism or nihilism. It is a story centred upon a view of human ethical nature, which it places amongst other facets of human nature, as just one of the (...) elements which give us the manifold objects of our concerns and cares. (shrink)

The article focuses on how emotions and passions are addressed in the field of international relations. As such it makes three main points. First, the article argues that, although presupposed in mainstream international relations, because of the influence of positivism emotions and passions have tended to be overlooked. Second, it makes the point that in recent years scholars with constructivist leanings have been increasingly interested in taking emotions and passions seriously as an academic area of research. Third, and finally, the (...) article concludes that despite the progress made in the 2000s on the understanding of emotions and passions in international relations, more work remains to be done. As such it outlines future directions of research. (shrink)

Does a flourishing life involve pursuing passionate attachments? Can we choose what these passionate attachments will be? This book offers an original theory of how we can actively cultivate our passionate attachments. The author argues that not only do we have reason to view passionate attachments as susceptible to growth, change, and improvement, but we should view these entities as amenable to self-cultivation. He uses Pierre Hadot's and Michel Foucault's accounts of Hellenistic self-cultivation as vital conceptual tools to formulate a (...) theory of cultivating our passionate attachments. First, their accounts offer the conceptual resources for a philosophical theory of how we can cultivate our passionate attachments. Second, the exercises of self-cultivation they focus on allow us to outline a practical method though which we can cultivate our passionate character. Doing this brings out a significantly new dimension to the role of the passionate attachments in the flourishing life and offers theoretical and practical accounts of how we can cultivate them based on the Hellenistic conception of self-directed character change. Cultivating Our Passionate Attachments will be of interest to advanced students and scholars working in virtue ethics, moral philosophy, and ancient philosophy. (shrink)

How can liberal democracies mobilize their citizens and effect their social integration, while accommodating their tremendous heterogeneity and respecting their freedom? Neo-Kantian liberals and cosmopolitans such as Habermas reject appeals to shared ethnicity, culture, or nation, for fear that they effect the suppression of difference; communitarian critics retort that theories like Habermas's are impotent to motivate social integration. My goal is to show that this theoretical impasse is an artifact of the fact that both camps articulate their disagreements within the (...) tacitly shared parameters inherited from the long-running debate between philosophy and rhetoric. By first interrogating the posited relationship between rhetoric, passion, reason, and politics in Rousseau's oeuvre, I illustrate the reception of this ancient debate in modern political theory, a reception that has effected a series of binaries such as reason/passion and abstract/concrete---the first terms associated with impotence, the second with motivational efficacy. I then turn to contemporary cultural nationalist thought, and demonstrate how these binaries are deployed to critique doctrines such as Habermas's constitutional patriotism. The Rousseauist assumption that affect requires "concrete" sites to motivate social integration is invariably combined with the presupposition that bounded communities such as the nation instantiate the required concreteness. The implausibility of that presumption such communities are "imagined" and not concrete in any relevant sense---is masked by the category of territory, which serves as a trope for concreteness. Tracing the roots of this dubious trope to Rousseau shows how "territory" reproduces the exclusionary features that the distinction between ethnic and civic-territorial nationalism tends to attribute solely to ethnicity: concreteness often means either an exclusionary boundedness directed against the foreign other, or an ossification of collective identities that stifles difference internally. Finally, turning to the discourse-ethical theory's promise to avoid this suppression of difference, I argue that Habermas fails to shake the charge of motivational impotence precisely because he is just as beholden to the philosophy/rhetoric binaries as his critics. Drawing on an Aristotelian art of rhetoric, I show how Habermas's category of discursive rationality can be reconstructed as a mode of organizing, rather than expelling, rhetoric and the passions. (shrink)

The difference between cognitive and conative mental states, such as beliefs and desires, has sometimes been held to be that they have different “directions of fit” between the mind and the world – mind-to-world for beliefs and world-to-mind for desires (see Desire). Some philosophers have pursued the idea that if this thought can be given a plausible explanation it can be used to ground Hume's claim that “reason is the slave of the passions,” i.e., that no moral or other “practical” (...) belief, e.g., about what is best or right to do, can ever by itself be enough to motivate action. A desire or desire-like state is always required (see Reason and Passion; Hume, David). This issue will be discussed below. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:372 HISTORY OF PHILOSOPHY tranquilly in a world shorn of illusions, avoiding the obvious pitfalls revealed by past human behavior. Bongie's excellent study should help us not only in placing Hume in his century, but in seeing the role of his History as a major part of his philosophical contribution. If, instead of simply seeing Hume as a radical because of his religious views in the context of 18th, (...) 19th, and 20th-century England and America, we can also see him as a conservative for his historical views in the context of 18th-century French events, we may get a richer and more meaningful Hume. We may also see first the revolutionary and then the conservative role that "philosophical history" played in the 18th century, and the tensions that existed between scepticism, Enlightenment, and conservatism in that period. And through this, we may get a clearer understanding of both the role that Hume's sceptical and historical contributions played then, and of the complex legacy that he has bequeathed us today. He was not only the precursor of Bertrand Russell and of modern analytic philosophy. He inspired a variety of conservative and orthodox tendencies in 18th-century France. To understand and appreciate the complete Hume, we need to see the full range of his intellectual achievements both then and now. And this may well help illuminate the roots and the meaning of some of the theories that have run most counter to the liberal and irreligious trends since the Enlightenment. One can hope that Bongie's significant study will be followed by others on the impact of "philosophical history," and of Hume's scepticism on the darker side of our past so that we may more fully appreciate the force and effect of modern scepticism and of the allied historical studies it spawned. Today, as we lose some of the optimism that the Enlightenment heroes bequeathed to us, we may be able to appreciate again some of the doubts and fears of those who struggled against it, and of those who sought solace in Hume's scepticism and in his picture of the human condition. RICHARD H. POPKI~ University oJ California, San Diego Passion and Value in Hume's TrmATxSE. By Piill S. /~rdal. (Edinburgh, at the University Press, 1966. Pp. x + 220. 45/.) This is a meticulous and critical examination of Hume's psychology of the emotional dimension of "human nature." The theme that emerges as central is the contrast between the mental structure of "the understanding" as Locke conceived it and those impressions and expressions in experience that are not perceptions or ideas but affections or passions. Emotions are not "associated" in the way ideas are, according to Locke; they are "communicated" and the ways in which communication among emotions takes place call for a very different type of analysis from the analysis of the understanding./~rdal shows in great detail and with acute observations that Hume is constantly on his guard against the theory of Locke's Essay, and puts his Treatise in the context of "experimental method" applied to the science of the emotions in their impressional and expressional relations. With this as the basic problem of the Treatise, /krdal criticizes those who today are interpreting the Treatise as a theory of evaluative judgment and language, whereas Hume is explicit in making a distinction between the analysis of the "nature and origin" of valuational experience and the logic of judgments of value which he is excluding. I-Iume approaches the passions as powers, and his analysis is closer to the Newtonian method of describing actions and reactions than to Locke's method of compounding simples. The passions are "naturally connected" and do not need to be consciously associated as perceptions do. They are all simple and indefinable, in view of Hume's interest in "moral science", he gives emphasis to the passions of pride, humility, and sympathy. The so-called compound passions or sentiments, such as benevolence, malice, anger together with the discussion of virtues and vices are kept distinct from the "direct" and elementary passions and energies of the mind and organism. Hume was not a hedonist, and he was a utilitarian only BOOK... (shrink)

This thesis offers an original theory of how we can cultivate our passionate attachments based on the Francophone interpretation of the Hellenistic conception of self-cultivation. Recently Harry Frankfurt, Bernard Williams, and Susan Wolf have argued that practical philosophers must direct more attention to how our passionate attachments radically affect our resolution to the question of ‘how one should live’. By neglecting this topic, these thinkers argue, we overlook some of the strongest and most distinctively human motivations that guide our (...) practical lives, ones that have a powerful effect on our capacity to flourish. Not only should philosophers explain how our moral obligations and prudential concerns guide our conduct, they should also explain how and why we are guided by deep-seated passionate attachments, considerations that Frankfurt, Williams, and Wolf argue provide the conditions for leading a life with a sense of meaning and purpose. Despite viewing passionate attachments as being vitally important, Frankfurt, Williams, and Wolf offer separate accounts of either why we cannot actively cultivate them, or why we cannot form a philosophical theory of doing so. If there is a way in which we can cultivate our passionate attachments, then these thinkers argue that we must look outside philosophy: to the contingency of personal preference, to self-help instruction manuals, to guidance from religious traditions, or in extremis to clinical psychology. My study aims to show that this attitude is overly pessimistic. Not only do we have reason to view passionate attachments as susceptible to growth, change, and improvement, but we should view these entities as amenable to self-cultivation. Only by understanding this process can we construct a theory of cultivating our passionate attachments. Focusing on Pierre Hadot’s and Michel Foucault’s respective accounts of Hellenistic self-cultivation, provides vital conceptual tools to formulate a theory of cultivating our passionate attachments. First, their accounts of Hellenistic self-cultivation offer the conceptual resources for a philosophical theory of how we can cultivate our passionate attachments. Second, the exercises of self-cultivation they focus on allow us to outline a practical method though which we can cultivate our passionate character. This takes the exercises of self-cultivation beyond their historical use, as well as beyond their role in the respective projects of these Francophone thinkers. Doing this brings out a significantly new dimension to the role of the passionate attachments in the flourishing life: not only are they valuable in the way Frankfurt, Williams, and Wolf suggest, but we can offer theoretical and practical accounts how we can cultivate them based on the Hellenistic conception of self-directed character change. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:David Hume on Personal Identity and the Indirect Passions Robert S. Henderson Scholarly reflection on Hume's "doctrine" ofselfand personal identity continues to focus on the sections "Of Personal Identity" and the "Appendix" toA Treatise ofHuman Nature. To answer the question of why we have so great a propension to ascribe an identity to these successiveperceptions which make up experience, Hume says that we must distinguish betwixtpersonal identity, as it (...) regards our thought or imagination, and as it regards our passions or the concern we take in ourselves. He considers only the former in these sections. Towards the end of the personal identity section he writes that our identity with regard to the passions serves to corroborate that with regard to the imagination, by the making our distant perceptions influence each other, and by giving us a present concern for ourpast or future pains or pleasures (T 261). In the advertisement to the Treatise Hume says that the subjects of the understanding and passions make a compleat chain of reasoning by themselves (T xii). In light of the importance Hume attaches to the distinction, and since there are many indications that the Treatise should be read as an integral whole, it is surprising that so little attention is given to what he says of personal identity in the other books. As the title suggests, this paper concentrates on the second part of the distinction and especially on the discussion ofthe indirectpassions in Book II of the Treatise. This is not to suggest that self does not play an important role elsewhere in Hume's science ofman; for example, it is selfwhich experiences the impression ofwill and the direct passions. However, the indirect passions have a particularly important part to play in ascriptions of personal identity and this justifies the present investigation. II We can safely predict that personal identity as it regards our passions will not be the idea??some philosophers whose views of self as having the philosophical (strict) relation ofidentity Hume has rejected in "Of Personal Identity." The relationship between thought and passion to which he draws attention suggests that the idea of selfin this context has a relation to the positive suggestions in that earlier section of why Volume XVI Number 1 33 ROBERT S. HENDERSON we do speak meaningfully of the identity of the self. We are able so to speak because ofarelationship which is felt to exist between a person's distinct and changing perceptions. The relationship has to do with the discovery by memory of the connection of a person's perceptions through the association ofideas by resemblance and causation (T 261). Examination of the idea of self to which Hume makes frequent reference in Book II requires some review ofthe method ofthe Treatise. Perceptions make up human experience. Perceptions are either impressions or ideas which derive from impressions. Hume describes the indirect passions as secondary or reflective impressions and these stem from original impressions or from their ideas. He distinguishes between direct andindirect passions. Directpassionsarise immediately fromgood or evil, frompain orpleasure (T 276). Examples are joy, hope and fear. Indirect passionsproceed from the same principles, but by the conjunction ofother qualities (T 276). That is, the indirect passions not onlyhave a cause (an impression which excites them), but also an object (to which the passion directs our view when excited). We shall see that a significant quality of the indirect passions is the relation of these impressions to their objects, which are either one's own or another's self. In Book II of the Treatise Hume examines the indirect passions: love, hate, pride and humility. These passions are evaluations of persons; of selfin the case of pride and humility, and of another in the case of love and hatred. Evaluation of persons is a central feature of Hume's moral philosophy: To have the sense ofvirtue, is nothing but to feel a satisfaction of a particular kind from the contemplation of a character. The very feeling constitutes our praise or admiration (T 471). We shall see that the indirect passions in particular make an important contribution to the answer ofHume's original question ofthe source?? owe propension to ascribe an identity. Ill... (shrink)

In the Ethics Spinoza defines certain traditional virtues such as humility and repentance as species of sadness and denies that they are virtues. He nonetheless holds that they can turn out to be useful as a means towards virtue—in fact, the greatest virtue of blessedness—in the life of someone who is not guided by reason. In this paper, I examine Spinoza’s relatively overlooked claim regarding the usefulness of sad passions as a means towards blessedness. In taking up Spinoza’s treatment of (...) humility as my case study, I show that there is a tension between this claim and his other explicit commitments in the Ethics. More specifically, after considering his views regarding the consequences of humility—including, most notably, its susceptibility to envy—and conditions of achieving blessedness, I show that humility cannot effectively be said to bring about cooperation and push “weak-minded” people in the right direction so that, in the end, they may be free and enjoy blessedness. I conclude by suggesting that if we must rely on passions as a means towards virtue in the Spinozistic universe, we must rely not on debilitating sad passions such as humility, but on joy-based social passions such as love. -/- . (shrink)

This essay is one of ten contributions to a special editorial feature in The Journal of Nietzsche Studies 49.2, in which authors were invited to address the following questions: What is the future of Nietzsche studies? What are the most pressing questions its scholars should address? What texts and issues demand our urgent attention? And as we turn to these issues, what methodological and interpretive principles should guide us? The editorship hopes this collection will provide a starting point for discussions (...) about the most fruitful directions for Nietzsche scholarship to take and the most promising avenues for building on the best recent work. (shrink)

`This book contributes to the growing debates about social theory and its role through a discussion of the ways in which gender and race contributed to the exclusion of important thinkers from the sociological canon' - John Hughes, Lancaster University Who makes up the `canon' of sociology - and who doesn't? And does sociology need a canon in the first place? Beyond Social Theory offers an innovative and passionate contribution to current debates on the history and development of sociology and (...) the exclusion of theorists - who are female, black, or both - from the mainstream of social theorizing. With compelling biographical sketches bringing the dynamics behind the `canon' to life, Kate Reed focuses sharp analysis on the exclusion of theorists on race and gender from important debates on inequality. An important contribution to the debate on non-exclusionary theory, this book critically examines existing accounts of the history of the discipline, situating the development of social theory within a wider social and political context. (shrink)

In this paper, I examine Marie Thiroux D’Arconville’s moral psychology as presented in two of her works: Des Passions [On the Passions] and De L’Amitié [On Friendship]. This moral psychology is somewhat unique as it centers human action on three principal sentiments: l’amour, which is best understood as lust or a physical love; l’ambition, the principal human vice; and l’amitié, a characteristic friendship proper to the truly virtuous. I aim to show that these three passions tell a story of moral (...) development. Through l’amour we come to form projects and engage in goal directed action, and thus become moral agents. While l'ambition is, for her, the cause of many of the horrors of human history, I suggest that Thiroux D’Arconville also sees it as the passion through which we come to form collective projects. Finally, in her account of l’amitié we can find her account of virtue. Interestingly, while Thiroux D’Arconville talks of virtue as a matter of choosing well, she does not offer a voluntarist account of choice. Rather, I argue, she models moral choices on a naturalist Stoic model. I will also discuss Thiroux D’Arconville’s very interesting remarks on relations between men and women, including those regarding sexual desires, marriage, and friendship. (shrink)

In this article, I attempt to bring some colour to a discussion of fraught topics in education. Though the scenes and stories (from education and elsewhere) that feature here deal with racism, the discussion aims to say something to such topics more generally. The philosophers whose work I draw on here are Stanley Cavell and Judith Butler. Both Butler and Cavell develop (or depart from) J.L. Austin's theory of the performative utterance. Butler, following Derrida, argues that in concentrating on the (...) illocutionary force of utterances (their capacity to do things), Austin fails to account for the force of words themselves. The iterability of language means that words are never at one with themselves. They carry their old contexts with them as they enter into new ones. This has important consequences for ethical issues that pertain to what Butler calls the ?performativity? of gender and race. Though we are performed by language, this performance has a dynamic quality that leads to the reshaping of identity. In contrast, for Cavell, the disappointing aspect of Austin's thought relates to the latter's neglect of the perlocutionary effect of language ? what is done ?by words?. By taking on this project, Cavell embraces the unconventional aspects of language characterised by ?passionate? expression and exchange. Butler and Cavell approach the performative utterance from different directions. In the last part of this article, the significance of this difference is discussed in relation to the provision of a moral education with regard to tackling issues surrounding racism. (shrink)

Ruling Passions is about human nature. It is an invitation to see human nature a certain way. It defends this way of looking at ourselves against competitors, including rational choice theory, modern Kantianism, various applications of evolutionary psychology, views that enchant our natures, and those that disenchant them in the direction of relativism or nihilism. It is a story centred upon a view of human ethical nature, which it places amongst other facets of human nature, as just one of the (...) elements which give us the manifold objects of our concerns and cares. (shrink)

Organisation studies based on qualitative methodologies continually seek legitimacy in relation to positivist research formulating nomological knowledge on administrative practices. One of the key features regularly praised in qualitative research is the idea of reflexivity, the ability of the qualitative researcher to critically examine his or her own analysis. This paper argues that the notion of reflexivity is an uncontested area of qualitative organisation research which merits critical study. In contrast to the reflexivity model which assumes an autopoietic double hermeneutic (...) of the examined empirical material, it draws on Kierkegaard’s notion of subjective thinking. For Kierkegaard it is not reflexivity that serves as the primus motor for subjective thinking but doubt, paradox and passion. A critique of the notion of reflexivity opens up alternative accounts of qualitative research which need not assume self-correcting and self-directed analysis. (shrink)

This chapter contains section titled: Introductory Remarks The Cartesian Background Impressions and Ideas Passions as Reflective Impressions Direct and Indirect Passions Association and the Individuation of Passions Perception and Perceiving Passions and Moral Sentiments Notes References Further reading.

In Slaves of the Passions Mark Schroeder puts forward Hypotheticalism, his version of a Humean theory of normative reasons that is capable, so he argues, to avoid many of the difficulties Humeanism is traditionally vulnerable to. In this critical notice, I first outline the main argument of the book, and then proceed to highlight some difficulties and challenges. I argue that these challenges show that Schroeder's improvements on traditional Humeanism – while they do succeed in making the view more immune (...) to some argumentative moves and somewhat more plausible – pushes rather strongly in non-Humean directions. This, together with the remaining failures of Schroeder's Hypotheticalism, should make us more rather than less suspicious of the prospects of Humeanism. (shrink)

In Renaissance Italy, stones growing inside the kidneys, bladders and gallbladders of people with a reputation of holiness could evoke veneration. Not only did these stones test the saints’ endurance, they were also natural phenomena approaching the miraculous. Yet they never figured as juridically recognized miracles in the canonization proceedings of early modern saints. A medical historical perspective shows why internal stones fascinated contemporaries, but did not constitute formally recognized markers of sanctity. For natural philosophers internal stones were enigmatic in (...) themselves, eliciting awe, but precluding a definitive decision as to whether God intervened directly into the order of nature. (shrink)

In the first half of Part 5 of the Ethics, Spinoza presents his directions for mitigating the passions through reason. He touts his account of the power of reason over the passions as ground-breaking and unique, while positioning himself squarely within the traditional debate of akrasia, or weakness of will. Spinoza claims he is the first to identify the affects through their characteristic effects, and demonstrate the way these effects can be countered by the mind’s activity. It follows that Spinoza’s (...) claim for originality can be explained in (at least) two ways: first, passions themselves have been misunderstood, and second, previous philosophers have misunderstood the relationship between reason and the passions. In the first part of this paper, I place Spinoza’s discussion of the passions and reason’s power over them in a historical context. Next, I present Spinoza’s definition of the affects, and his directions for ‘destroying’ the passions. In the third section I point to the differences between my interpretation and that of recent commentators. Finally, I discuss the way in which Spinoza’s directions for mitigating the passions serve as the psychological basis for his moral theory. (shrink)

This article reviews claims for creativity in the economy and in education distinguishing two accounts: 'personal anarcho-aesthetics' and 'the design principle'. The first emerges in the psychological literature from sources in the Romantic Movement emphasizing the creative genius and the way in which creativity emerges from deep subconscious processes, involves the imagination, is anchored in the passions, cannot be directed and is beyond the rational control of the individual. This account has a close fit to business as a form of (...) 'brainstorming', 'mind-mapping' or 'strategic planning', and is closely associated with the figure of the risk-taking entrepreneur. By contrast, 'the design principle' is both relational and social and surfaces in related ideas of 'social capital', 'situated learning', and 'P2P' (peer-to-peer) accounts of commons-based peer production. It is seen to be a product of social and networked environments — rich semiotic and intelligent environments in which everything speaks. The article traces the genealogies of these two contrasting accounts of creativity and their significance for educational practice before showing how both notions are strongly connected in accounts of new forms of capitalism that require a rethinking of the notion of creativity and its place in schools and institutions of higher education. The article begins by providing a context in terms of a history of the knowledge economy and the historical tendency toward aesthetic or designer capitalism. (shrink)

Pascal’s anti-Cartesianism continues to be a widely discussed theme in the relevant secondary literature. In referring to his Jansenistic background, most authors tend to focus on certain prominent themes in Pascal’s writings such as the tension between grandeur and misere, the apologetic strategy of the Pensees as well as Pascal’s criticism of human reason. This article, however, engages more directly with Pascal’s invasive criticism of the optimistic Cartesian view concerning the human passions and free will. While Descartes claims that every (...) human being is capable of reaching a state of contentment and happiness by directing his/her will in a reasonable way, Pascal consistently emphasizes that humanity is condemned to a state of restlessness and inconstancy. Because of its radical depravity due to Original Sin, Pascal believes that the human will is marked by an infinite self-love giving birth to the vicious passions of idleness and curiosity. Descartes holds, on the contrary, that the human will remains perennially capable of affirming its freedom over and against the passions. This Cartesian absolute freedom of the human will strikingly finds its expression in a passion itself, namely generosity. For Pascal, though, all human affectivity is already determined by the passion of self-love, which renders any neutral approach towards the passions impossible. (shrink)

This chapter contains section titled: Introduction Background Central Philosophical Issues in Works on the Passions The Weakness of Reason “Reason Directs and the Affections Execute”19 Hume's Connection to the Earlier Literature Central Philosophical Issues regarding the Passions: Hume's Alternative Analyses Conclusion Notes References and further reading.

Although much has been written on Descartes’ thought on animals, not so much has originated in, or has taken full account of, Descartes’ views on emotions. I explore here the extent to which the latter can contribute to the debate on whether he embraced, and to which extent, the doctrine of the bête machine. I first try to show that Descartes’ views on emotions can help offer new support to the skeptical position without necessarily creating new tensions with other central (...) aspects of his philosophy. And second, I sketch the type of theory of animal passions which Descartes could have accepted. The general conclusion I draw is not that Descartes did not hold the view of the bête machine but rather that we can find within his thought a solid stream of ideas, which became stronger towards the end of his life, that points in the opposite direction. (shrink)

Supervisory styles Are Key predictors of graduate students’ innovation performance, but the mediating and moderating mechanisms underlying this relationship require further exploration. Based on the job demands-resources model and conservation of resources theory, this study analyzed the influence of supervisory styles on GSIP, including the mediating role of psychological capital and the moderating role of harmonious academic passion. Questionnaires were completed by 400 graduate students from a Chinese university. The results indicated that both supportive and directive supervisory styles were (...) positively related To GSIP, PsyCap fully mediated the relationship between SSS and GSIP, and HAP significantly moderated the effect of DSS but exhibited no moderating influence on the effect of SSS. These findings contribute to a deeper understanding of why, how and when supervisory styles influence GSIP. Implications for both theory and practice as well as the limitations of this research are discussed. (shrink)

DESCARTES IS USUALLY CREDITED WITH THE INAUGURATION of modern philosophy. This inauguration consists in a mathematical-mechanical understanding of physics and a concern with human self-consciousness. The Passions of the Soul treats, however, fleetingly, that being which can be regarded as both an object of the mathematical physicist and of the speculative philosopher—“de toute la nature de l’homme.” The peculiarity, if not uniqueness, of this subject, who is discontinuous with the rest of nature, implies that Descartes’ words in the preface—“mon dessein (...) n’a pas est d’expliquer les Passions en Orateur, ny mesme en Philosophe moral, mais seulement en Physicien”—cannot be wholly accurate, if only because man is not simply a physical being in the Cartesian sense. Cartesian physics does away with the final cause an explanation in physics: yet the final cause, the end, is fundamental to any discussion of desire, which is essentially futural, that is, goal directed or purposive. And it is only by virtue of desire that any action results from the passions of the soul. It is thus not simply efficient causation that regulates the activity of man taken as a whole: Descartes speaks of “le machine de nostre corps” but not of “la machine qui est l’homme.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Missing the Cross?Types of the Passion in Early Christian ArtS. Mark Heim (bio)René Girard has frequently contended that the core of his best known theories is already contained in the Bible, that in the end he is "only a kind of exegete" (Girard and Treguer 1994, 196). To those who object that the Bible had to wait two thousand years to be read as he reads it, he (...) protests that this is a gross exaggeration: "three quarters of what I say can be found in Saint Augustine" (196). In the introduction to I See Satan Fall like Lightning, Girard puts it like this:The Passion accounts reveal a phenomenon that unbeknownst to us generates all human cultures and still warps our human vision in favor of all sorts of exclusions and scapegoating. If this analysis is true, the explanatory power of Jesus's death is much greater than we realize, and Paul's exalted idea of the cross as the source of all knowledge is anthropologically sound.(2001, 3)In other words, Girard's insight comes only in the train of revelation. The revelation in the biblical sources was not perfectly grasped in the religious traditions that flowed from them, and was frequently betrayed through the construction of sacrificial theologies. But Girard insists that its power was in significant measure perceived and effective from the beginning. His view of the meaning of the passion cannot be correct if he is the first one to see it. So it is no minor matter to ask whether in fact early Christians saw the connection of the cross with scapegoating that is so central for Girard.One point that appears to tell against Girard's case is the absence of images of the cross and crucifixion in the first four Christian centuries. A brutal realism about this specific event is the keystone of Girard's understanding of the passion narratives. The fact that the sight is literally hidden from view throughout this formative Christian period hardly appears consistent with his claims.There is a notable early Christian work of art, the so-called Brescia Casket (see fig. 1), that sheds some important light on the general question of the [End Page 183] representation of the passion and, even more dramatically, upon its interpretation in Girardian terms. The casket indicates that the widespread use of Old Testament types as representations of Christ, and specifically as representations of his passion, may partly explain the absence of literal depiction of the crucifixion. And the particular types involved fit extremely well with Girard's outlook. This essay draws out the connection—so far unremarked—between this significant work of early Christian art and Girard's reading of the passion. Click for larger view View full resolutionFigure 1.Brescia Casket. Ivory, late fourth century.Christ's passion and death were described in stark terms in the gospels and recounted explicitly from the beginning in the church's liturgy, teaching, and preaching. On this plane, there is no question of the centrality of the cross. Yet no literal depictions of the crucifixion survive in art from the first four Christian centuries. There is no entirely satisfactory explanation of why the cross would figure so centrally in Christian faith and worship, but be visually absent. Representations of Jesus in early Christian art most often display a healer, wonderworker, or teacher. In fact, the early centuries offer an odd inversion in creed and art. Early creeds focus on Jesus's beginnings and endings, "skipping right from 'born of the Virgin Mary' to 'suffered under Pontius Pilate,' with no mention of Jesus's life and work, while the art appears to take an opposite tack" (Jensen 2000, 131–32). Perhaps the frequent Christian use [End Page 184] of images of anchors and ship's masts, or of the chi-rho sign, served as their image of the cross. Perhaps the reality the scriptures described was too gruesome to easily picture, too readily ridiculed by outsiders, or too awesome and mysterious to present directly. Perhaps, in a persecuted and at times martyred church, such a sign would be realistically terrifying to many and dangerously seductive to some.That the... (shrink)