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The critical analysis of musical discourse
Critical Discourse Studies 9 (4):319-328 (2012)
Abstract
This paper argues that, contrary to what many musicologists and classical musicians have maintained, music can, and should, be analysed as discourse. It then surveys a number of approaches to the critical analysis of musical discourse and applies these approaches to a range of examples, including sonatas, advertising jingles and news signature tunes.My notes
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Citations of this work
Semiotic space invasion: The case of Donald Trump’s US presidential campaign.Peter Wignell, Kay O’Halloran & Sabine Tan - 2019 - Semiotica 2019 (226):185-208.
The benefits of narratology in the analysis of multimodal legitimation: The case of New Democracy.Dimitrios Chaidas - 2018 - Discourse and Communication 12 (3):258-277.
Online leadership discourse in higher education: A digital multimodal discourse perspective.Kay L. O’Halloran, Bradley A. Smith & Sabine Tan - 2015 - Discourse and Communication 9 (5):559-584.
Sounding out i’m lovin’ it – a multimodal discourse analysis of the sonic logo in commercials for McDonald’s 2003–2018.Nicolai Jørgensgaard Graakjær - 2019 - Critical Discourse Studies 16 (5):569-582.
‘Trapping my way up’: a corpus-assisted discourse analysis of Black Sherif’s songs.Emmanuel Mensah Bonsu - forthcoming - Critical Discourse Studies.
References found in this work
The tuning of the world: toward a theory of soundscape design.R. Murray Schafer - 1977 - Philadelphia: University of Pennsylvania Press.
Noise... The Political Economy of Music.Dana Polan, Jacques Attali & Brian Massumi - 1988 - Substance 17 (3):56.
The Rational and Social Foundations of Music.Max Weber - 1958 - [Carbondale]Southern Illinois University Press.
You Just Don't Understand: Women and Men in Conversation.Deborah Tannen - 1993 - Philosophy and Rhetoric 26 (1):61-62.
Feminine Endings: Music, Gender, and Sexuality.Susan Mcclary - 1992 - Journal of Aesthetics and Art Criticism 50 (4):338-340.
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