Abstract

After Freud and Philosophy, the place of hermeneutics in Paul Ricoeur's thought changed. Up to that point, he had used hermeneutics, treating notions such as symbol and myth as tools for clarifying the nature of volition, or the experience of evil, or the status of the unconscious. Afterward, he became more and more a theoretician of hermeneutics. One way to clarify his conception of hermeneutics is to contrast it with his view of phenomenology. Ricoeur sees hermeneutics‐at least its twentieth‐century incarnation‐as emerging from phenomenology. Ricoeur's contributions to hermeneutics may be divided into three phases: the first is concerned with the hermeneutics of symbols; the second concerns the hermeneutics of metaphor; and the third consists of a hermeneutics of narrative. The best way to identify Ricoeur's contribution to hermeneutics is to compare him to Gadamer. Like Gadamer, Ricoeur develops a post‐phenomenological hermeneutics that owes a particular debt to Heidegger.