Abstract

The paper presents Henry More’s doctrine of the Spirit of Nature. Through a thorough analysis of both his earlier and later work, it shows in which regards he draws from traditional Neo-Platonic notions of a soul of the world and in which regards he transforms it in order to fi t it into the framework of early modern natural philosophy. The guideline is an attempt to map possible parallels between the functions of imagination on a microcosmic scale and the Spirit of Nature on a macrocosmic one. Although this parallel cannot be pushed through to its ultimate consequences within More’s system, it nevertheless proves to be fruitful. Both the Spirit of Nature and the imagination are for More something ambivalent, both noble and gross, on the edge between body and soul. As such, however, they are remnants of More’s early gradualism that are in confl ict with the psycho-physical dualism he endorsed in his later work.