Kafka y la comedia: una lucha formal contra la opresión

Araucaria 24 (49) (2022)
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Abstract

Through the study of the behaviour of the protagonists in the work of Franz Kafka, we will try to expose the control mechanisms used by the administrative authorities, providing at the same time with an antidote to uncritical submission. A thorough observation of the configuration of diegetic situations will allow to reverse the situations of forced compliance to proffer, in the voice of the so-called secondary figures, a critical understanding to enable the recovery of individual freedom.

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