LaBeouf, Rönkkö & Turner, Digital Remix, and Group Authorship

British Journal of Aesthetics 60 (1):27-43 (2020)
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Abstract

I argue that sometimes a group can author a work of art without the work being either co-authored or multiply-authored. Sometimes the group, itself, is an author, rather than any of its members alone or together. I argue that when a group is an author like this, it has mental properties that no individual member of the group possesses. For example, we can consider the groups that authored digital remixes based on a film titled #INTRODUCTIONS created by the artists LaBeouf, Rönkkö & Turner. YouTubers posted their digital remixes online, and the question is: Who authored those remixes? I contend that many digital remixes are authored by groups that are capable of cognition.

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Andrew J. Corsa
Lynn University

References found in this work

Shared intention.Michael E. Bratman - 1993 - Ethics 104 (1):97-113.
The Bounds of Cognition.Sven Walter - 2001 - Philosophical Psychology 14 (2):43-64.
A Philosophy of Cinematic Art.Berys Gaut - 2010 - Cambridge: Cambridge University Press.
Recognizing group cognition.Georg Theiner, Colin Allen & Robert L. Goldstone - 2010 - Cognitive Systems Research 11 (4):378-395.
Why the mind is still in the head.Fred Adams & Ken Aizawa - 2009 - In P. Robbins & M. Aydede (eds.), Cambridge Handbook of Situated Cognition. Cambridge University Press. pp. 78-95.

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