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Experiencing Art: Austrian Aesthetics between Psychology and Psychologism

In W. Huemer & B. Centi (eds.), Value and Ontology. Ontos-Verlag. pp. 12--267 (2009)

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  1. Wittgenstein and Heidegger against a Science of Aesthetics.Andreas Vrahimis - 2020 - Estetika: The European Journal of Aesthetics 57 (1):64-85.
    Wittgenstein’s and Heidegger’s objections against the possibility of a science of aesthetics were influential on different sides of the analytic/continental divide. Heidegger’s anti-scientism leads him to an alētheic view of artworks which precedes and exceeds any possible aesthetic reduction. Wittgenstein also rejects the relevance of causal explanations, psychological or physiological, to aesthetic questions. The main aim of this paper is to compare Heidegger with Wittgenstein, showing that: there are significant parallels to be drawn between Wittgenstein’s and Heidegger’s anti-scientism about aesthetics, (...)
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  • Toward a Unified Theory of Value: From Austrian Economics to Austrian Philosophy.Wolfgang Grassl - 2017 - Axiomathes 27 (5):531-559.
    Under one understanding of marketing, this discipline focuses on the creation of customer value. Although nobody doubts today that value is subjective and it emerges from consumer judgment, the causality is less clear. Do producers bring about value, or do consumers receive ‘raw’ products that only attain value in their estimation? Or, do producers and consumers co-create value as much of contemporary marketing theory assumes? Recent works on value creation, the building of customer relationships, and the service-dominant logic are related (...)
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  • Was Brentano a systematic philosopher?Wolfgang Huemer - 2021 - In Mauro Antonelli & Thomas Binder (eds.), The Philosophy of Franz Brentano. Leiden:
    In a series of recent contributions it has been argued that Franz Brentano’s philosophical position constituted a unified system; Uriah Kriegel has called Brentano's philosophy as “the last grand system of Western philosophy”. The goal of the present paper is to scrutinise this claim and shed light on Brentano's methodological approach and his style of reasoning. I pay particular attention to two aspects: Brentano’s view that philosophy should be done in a rigorous, scientific manner and the fragmentary character of Brentano’s (...)
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  • The Routledge Handbook of Franz Brentano and the Brentano School.Uriah Kriegel (ed.) - 2017 - London and New York: Routledge.
    Both through his own work and that of his students, Franz Clemens Brentano had an often underappreciated influence on the course of 20 th - and 21 st -century philosophy. _The Routledge Handbook of Franz Brentano and the Brentano School_ offers full coverage of Brentano’s philosophy and his influence. It contains 38 brand-new essays from an international team of experts that offer a comprehensive view of Brentano’s central research areas—philosophy of mind, metaphysics, and value theory—as well as of the principal (...)
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  • Aesthetics, scientism, and ordinary language: A comparison between Wittgenstein and Heidegger.Andreas Vrahimis - 2018 - Proceedings of the European Society for Aesthetics 10:659-684.
    Wittgenstein and Heidegger’s objections against the possibility of an aesthetic science were influential on different sides of the analytic/continental divide. Heidegger’s anti-scientism is tied up with a critique of the reduction of the work of art to an object of aesthetic experience. This leads him to an aletheic view of artworks which precedes and exceeds any possible aesthetic reduction. Wittgenstein too rejects the relevance of causal explanations, psychological or physiological, to aesthetic questions. His appeal to ordinary language provides the backdrop (...)
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  • Brentano on Beauty and Aesthetics.Wolfgang Huemer - 2017 - In Uriah Kriegel (ed.), Routledge Companion to Brentano and the Brentano School. London & New York: Routledge.
    In his entire oeuvre Brentano defended a scientific conception of philosophy and advocated the adoption of a rigorous, scientific method. Given this background it might come as a surprise that in his reflections on aesthetics he firmly rejected the classic definition of aesthetics as the science of beauty. This must not be read as an expression of disinterest in – or a dismissal of – aesthetics, though. It is rather an expression of Brentano's view concerning the position of aesthetics in (...)
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